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Francisco Goya Y Lucientes

Spain (Fuente De Todos 1746 -  Bordeaux 1828 ) Wikipedia® : Francisco Goya Y Lucientes
GOYA Y LUCIENTES Francisco Disparate Conocido (que Guerrero!)

Jeschke-Greve-Hauff-Van Vliet
Mar 29, 2019
Find artworks, auction results, sale prices and pictures of Francisco Goya Y Lucientes at auctions worldwide.
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Variants on Artist's name :

De Goya Francisco José

Francisco José De Goya Y Lucientes

 

Artworks in Arcadja
2317

Some works of Francisco Goya Y Lucientes

Extracted between 2,317 works in the catalog of Arcadja
Francisco Goya Y Lucientes - Disparate Conocido (que Guerrero!)

Francisco Goya Y Lucientes - Disparate Conocido (que Guerrero!)

Original
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Price:

Lot number: 616
Other WORKS AT AUCTION
Description:
Alte Künstlergraphik - - Goya, Francisco de. (1746 Fuendetodos - 1828 Bordeaux). Disparate Conocido (Que Guerrero!). Aquatintaradierung auf Bütten. 24,5 x 35 cm (30 x 43,5 cm). Im Unterrand typographisch bedruckt. - Ausgezeichneter, kräftiger Druck. Das Papier leicht gebräunt. Harris 266 III. - 1877 posthum veröffentlicht in der Zeitschrift "L'Art". - Druck: François Liénard, Paris. Aquatint etching on laid paper. Lower margin with typographic letters. - Excellenet impression. The paper slightly browned.
Francisco Goya Y Lucientes - La Tauromaquia (delteil 224-56; Harris 204-36)

Francisco Goya Y Lucientes - La Tauromaquia (delteil 224-56; Harris 204-36)

Original 1816
Estimate:

Price:

Lot number: 27
Other WORKS AT AUCTION
Description:
HUMAN REFLECTIONS | PROPERTY FROM A DISTINGUISHED PRIVATE COLLECTION Francisco José de Goya y Lucientes Francisco José de Goya y Lucientes 1746 - 1828 The complete set, comprising33 etchings with burnished aquatint and lavis, drypoint and engraving, 1816, fine impressions from the First Edition, published by the artist, Madrid, 1816, printed indarkumber ink, Plates 2 and 23 with the Serra watermark, accompanied by the explanatory title page (with the Bartolome Mongelos watermark), on laid paper, loose (as issued) each sheet: approx. 310 by 438mm 12 1/4 by 17 1/4 in
Francisco Goya Y Lucientes - La Tauromaquia

Francisco Goya Y Lucientes - La Tauromaquia

Original 1816
Estimate:

Price:

Lot number: 54
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Description:
FRANCISCO DE GOYA Y LUCIENTES (1746-1828) La Tauromaquia the complete set of forty etchings with burnished aquatint, drypoint and engraving printed in reddish-brown, 1816, on heavy laid paper, without watermarks, with title-page, list of contents and engraved portrait of the artist by A. Lobo, a good uniform set of the Fifth Edition, stamped '0040', from the edition of two hundred, published by the Círculo de Bellas Artes of Madrid, 1921, the full sheets, each plate with a circular embossed portrait of the artist stamped in the lower right margin (as issued), and the blindstamp of the Biblioteca Sociedad Bilbiana, scattered foxing, occasional time staining and minor soiling, otherwise in good condition, with tissue guards, bound in the original canvas portfolio Plates 248 x 350 mm., Sheets 345 x 440 mm. (and similar) Album 358 x 475 x 30 mm.
Francisco Goya Y Lucientes - El Sí Pronuncian Y La Mano Alargan Al Primero Que Llega

Francisco Goya Y Lucientes - El Sí Pronuncian Y La Mano Alargan Al Primero Que Llega

Original 1799
Estimate:

Price:

Lot number: 445
Other WORKS AT AUCTION
Description:
Two prints FRANCISCO GOYA (spanish, 1746-1828) "EL SÍ PRONUNCIAN Y LA MANO ALARGAN AL PRIMERO QUE LLEGA" (PLATE 2 FROM LOS CAPRICHIOS) Circa 1799, printed later. Etching and aquatint on paper. Image size (sight): 7 x 4 3/4 in. (17.8 x 12.1cm) Sheet size (sight): 8 1/4 x 5 3/4 in. (21 x 14.6cm) provenance: Craddock and Barnard. Collection of Jeffrey M. Kaplan, Washington, D.C. (acquired directly from the above in 1985). (2) and; "RUEGA POR ELLA" (PLATE 31 FROM "LOS CAPRICHIOS') Circa 1799, printed later. Etching and aquatint on paper. Image size (sight): 7 x 5 1/4 in. (17.8 x 13.3cm) Sheet size (sight): 8 x 6 1/2 in. (20.3 x 16.5cm) provenance: Craddock and Barnard. Collection of Jeffrey M. Kaplan, Washington, D.C. (acquired directly from the above in 1985).
Francisco Goya Y Lucientes - Portrait Of The Actress Rita Luna

Francisco Goya Y Lucientes - Portrait Of The Actress Rita Luna

Original
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Price:

Net Price
Lot number: 75
Other WORKS AT AUCTION
Description:
PORTRAIT OF THE ACTRESS RITA LUNA Francisco José de Goya y Lucientes FUENDETODOS 1746 - 1828 BORDEAUX oil on canvas 16 3/4 by 13 3/8 in.;42.6by 34.1 cm. Provenance Francisco de Goya, stored in a cupboard, by 1818; Thence by descent to Mariano de Goya y Goicoechea, self-styled Marquis of Espinar (and grandson of the artist); By whom sold in 1859 to Valentín Carderera y Solano; His sale, Madrid, 1877, lot 327; Duque de Béjar; Thence by descent to Dona Bernardina Roca de Togores y Tellez-Giron (Countess de Oliva) to; Don Francesco Escrivà de Romani y Roca de Togores (Count de Oliva) and by descent until 1923; Mr. and Mrs. Kay Kimbell, Fort Worth, Texas, by whom given to The Kimbell Art Museum, Fort Worth Texas; By whom sold, New York, Sotheby's, 12th January 1995, lot 112; Max Kohler and Stanley Moss, New York; By whom sold, New York, Sotheby's, 25 January 2007, lot 55; There acquired by the present collector for $2,616,000. Exhibited Madrid, Museo del Prado, Exposición de Retratos de Goya, 1902, cat. no. 989; Madrid, Museo del Prado, Exposición de Pinturas de Goya, April-May 1928, no. 83; Bordeaux, Musée des Beaux-Arts, Goya, 16th May- 30th June1951, no. 41; Madrid, Museo del Prado, Exposición de Retratos de Goya, July 1951, no. 18; Paris, Centre Culturel du Marais, Goya 1746 - 1828, Peinture, Dessins, Graveurs, 13th March- 16th June1979,cat. no.13; Dallas, Meadows Museum, Southern Methodist University, Goya and the Art of his Time, 7th December1982 - 6th February1983; Madrid, Museo del Prado and Washington D.C., National Gallery of Art, Goya: Images of Women, 30 October2001 - 9 February2002; 10 March - 2 June 2002, no. 46. Literature Conde la Viñaza, Goya, su tiempo, su vida, sus obras,1887, p. 239, cat. no. LXIX (as a pair to a Portrait of an unknown Actor or Playwright, formerly in Madrid, no. CVII); P. Lefond, Goya, 1902, p. 132, cat. no. 154; V. von Loga, Francisco de Goya, 1903, pp. 88, 90, 199, cat. no. 268; A.F. Calvert, Goya - An Account of his Life and Works, 1908, p. 136, cat. no. 174; H. Stokes, Francisco de Goya, 1914, p. 338, cat. no. 243; A. de Beruete y Moret, Goya, 1915-1919, vol. I, p. 176, cat. no. 162; A.L. Mayer, Francisco de Goya, 1923, p. 195, cat. no. 331; X. Desparment Fitz-Gerald, L'Oeuvre Peint de Goya, 1828-50, Vol. II, pp. 174, cat. no. 461; L. Estarico, Francisco de Goya, el hombre y el artista, 1942, p. 269; Connoisseur, 134, December 1954, cover illus. and p. 169; E. Helman, Trasmundo de Goya, circa 1963, Madrid, p. 200; "Inventario de las pinturas de la colección de Don Valentín Carderera", Archivio Español de Arte, 1965,XXXVI-II, pp. 207-77, cat. no. 66; J. Guidol, Goya 1746 - 1828, 1971, vol. I, pp.179, 334, 335, cat. no. 656; vol. IV, p. 870, reproduced fig. 1065; P. Gassier and J. Wilson, The Life and Complete Work of Francisco de Goya, 1971, p. 298, cat. no. 1565, reproduced pp. 377, 385 (as datable to circa 1814 - 18); T. Crombie, "Goya and the Stage", Apollo, July 1973, CVIII, pp. 26-27, reproduced fig. 6; Rita de Angelis, L'Opera pittorica completa di Goya, 1974,cat. no. 597, reproduced p. 130; J.D. Morse, Old Master Paintings in North America, 1979,p. 146; Kimbell Art Museum, Handbook of the Collection, 1981,p. 156; E.J. Sullivan in, Goya and the Art of his Time, exhibition catalogue, Dallas, 1982,pp. 70 -71, reproduced fig. I.15; Kimbell Art Museum, In Pursuit of Quality, 1987,reproduced in color, p. 260; J.A. Tomlinson, ed, Goya: Images of Women, exhibition catalogue, 2001, Madrid, pp. 209-210, cat. no. 46, reproduced; W. Bird, "Oh monstrous lamp! Wendy Bird examines the special effects in Goya's a scene from El Hechizado por Fuerza in the National Gallery, London", Apollo, March 2004.
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