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James Gillray

(1757 -  1815 ) Wikipedia® : James Gillray
GILLRAY James Half Natural

Dreweatts & Bloomsbury Auctions /Mar 30, 2017
692.84 - 923.79
522.18

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Variants on Artist's name :

Kent J.

Hurd J.

 

Along with James Gillray, our clients also searched for the following authors:
William K. Baker, Sarah Wright Biffin, Robert Seymour, John Ii Cleveley, John Glover, William John Huggins, Richard Browne
Artworks in Arcadja
715

Some works of James Gillray

Extracted between 715 works in the catalog of Arcadja
James Gillray - The Morning After Marriage

James Gillray - The Morning After Marriage

Original
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Lot number: 22
Other WORKS AT AUCTION
Description:
Gillray (James) The Morning after Marriage-or- A scene on the Continent, the Prince of Wales and Mrs Fitzherbert in a French hotel room after a night of debauchery, signed by 'Plenipo Georgy', the date unamended as 1786, engraving on laid paper, 420 x 510mm., pale browning, a printer's crease affecting title, slight wear and a small loss to upper right sheet corner, [BM Satires 7298], William Holland, [1788]; Fatigues of the Campaign in Flanders, depicting the Duke of York carousing at a mess dinner with a plump Flemish lady, hand-coloured engraving, 350 x 510mm., faintly numbered upper right, [BM Satires 8327], H. Humphrey, but Bohn edition, [1793, but 1849] (2)
James Gillray - British Lieut. Gover. Gall-stone, Inspired By Alecto

James Gillray - British Lieut. Gover. Gall-stone, Inspired By Alecto

Original 1790
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Lot number: 9
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Description:
JAMES GILLRAY (1757-1815), BRITISH LIEUT. GOVER. GALL-STONE, INSPIRED BY ALECTO; _ OR _ THE BIRTH OF MINERVA, 1790 [BM SATIRES, 7721] Handcoloured etching, engraving and aquatint on wove paper with letters. Published by Hanna Humphrey, London on Febr. 15th. 1790. Sight 20.5" x 16" — 52.1 x 40.6 cm. Note: The scene depicts the devil playing viola da gamba and a vignette showing Thicknesse admiring his wife, Ann Ford (1737-1824)
James Gillray - Elements Of Skateing /a Set Of Four Framed Prints

James Gillray - Elements Of Skateing /a Set Of Four Framed Prints

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Lot number: 353
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Description:
Description: James Gillray (British, 1757-1815) Elements of Skateing/A Set of Four Framed Prints Titled l.l. and l.c., inscribed "London, Published November 24th, 1805 by H. Humphrey 24 St. James's Street" in the plates l.r. Etching and aquatint with hand-coloring, sight sizes 9 3/4 x 13 3/4 in. (24.7 x 34.9 cm). Condition: Foxing and staining, not examined out of frames. The property of Carol J. Ferranti
James Gillray - Half Natural

James Gillray - Half Natural

Original
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Lot number: 113
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Description:
Gillray (James) Half Natural; Pen-etration; All Bond Street Trembled as he Strode; The Inexpressible air of Dignity, 4 etchings, with original hand-colouring, each c.260 x 200mm., mounted at corners onto three loose album leaves, slight spotting and surface dirt, [BM Satires 9440, 9441, 9909 and 10158 respectively], H. Humphrey, 1799-1803; with two Vanity Fair prints and two John Doyle prints mounted on the same sheets; also with the John Miller edition of Gillray's Heroes Recruiting at Kelsy's (9)
James Gillray - Political Dreamings! Visions Of Peace! Perspective Horrors

James Gillray - Political Dreamings! Visions Of Peace! Perspective Horrors

Original
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Lot number: 469
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Description:
Description: Gillray, James (1756-1815) Political Dreamings! Visions of Peace! Perspective Horrors! Later imprint, as copied by Carl Starcke and printed in London und Paris, 1802, numbered "No. XXII, XXIII." in top right corner, hand-colored, old folds, soiling, 14 x 11 in. "An illustration of William Windham's (1750-1810) speeches against the peace terms (29 Oct. and 4 Nov.) in which he said that 'Ministers signed the death-warrant of their country' and 'we are a conquered people'. By surrendering Malta, the Cape, &c., safeguards against a disastrous renewal of the war were abandoned. He asked 'are these idle dreams the phantoms of my disordered imagination?' France retained all her conquests, her control over the vassal republics, and recovered all her former colonies." (Quoted from M. Dorothy George, "Catalogue of Political and Personal Satires in the British Museum," VIII, 1947)
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