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Harry Phelan Gibb

United Kingdom (1870 -  1948 )
GIBB Harry Phelan Sheep On A Coastal Path

Gorringes /Jun 28, 2012
250.36 - 375.54
525.76

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Along with Harry Phelan Gibb, our clients also searched for the following authors:
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Artworks in Arcadja
64

Some works of Harry Phelan Gibb

Extracted between 64 works in the catalog of Arcadja
Harry Phelan Gibb - Fishermen's Cottages

Harry Phelan Gibb - Fishermen's Cottages

Original 1938
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Lot number: 477
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Description:
§ Harry Phelan Gibb (British, 1870-11948) Fishermen's cottages, Walberswick, Suffolk signed and dated lower right "Phelan Gibb 1938" oil on paper h:31 w:46 cm One of the greatest yet least known masters of the British/European modernist movement was Phelan Gibb; he set up a studio in Paris and moved in an artistic circle which included Picasso, Matisse and Gertrude Stein. After the war Phelan Gibb was one of the few British artists to be shown at the epoch defining 'Armory Show' in New York, with fellow artists Matisse and Brancusi. Under glass and appears fine.
Harry Phelan Gibb - Girl With Flowers

Harry Phelan Gibb - Girl With Flowers

Original 1946
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Lot number: 48
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Description Harry Phelan Gibb (1870-1948) Girl with Flowers Oil, gouache and pencil on paper, 39 x 46cm (15.5 x 18)Signed and dated 1946 Born in Northumberland to an Irish mother, Phelan Gibb came to Paris in the early 1900’’. He moved in the same circle as Picasso, Matisse and many of the Fauves, while Gertrude Stein was his friend and foremost patron. In 1909 Gibb became a Sociétaire of the Salon d'Automne and had a studio off Boulevard Raspail, where he taught Canadian artist Emily Carr. Gibb exhibited fourteen works in the 1913 Armory Show in New York, alongside artists such as Marcel Duchamp, Cézanne, Brancusi and Jack B. Yeats. Later that year Gibb was to replicate in Dublin a successful one man held at the Bernheim Jeune gallery in Paris. Organised by Count Casimir Markievicz and Oliver St. John Gogarty, the exhibition was closed by the police and his pictures were confiscated, no doubt deemed as blasphemous due to his tendency to paint nudes. Returning to England with the outbreak of the Great War, Gibb creates his own pottery and continues to exhibit in London, while in 1926 he illustrates 1830, a French novel by surrealist Rene Crevel. Falling on hard times during the 1920's, he is noted as living in a house marked as 'Desolate' on an ordinance survey map. Gibb’’ luck changes in 1931 when he meets art dealer Lucy Wertheim, who promotes artist such as Christopher Wood and the White Stag Group. Examples of Gibbwork can be found at the Tate Britain, the Salford Museum, and the Towner Gallery as well as in the Auckland Art Gallery in New Zealand. An exhibition of his work also took place in The Pepper Canister Gallery, XXXX.
Harry Phelan Gibb - Leeds

Harry Phelan Gibb - Leeds

Original 1932
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Lot number: 693
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Description:
693. Henry William Phelan Gibb (1870-1948) Leeds, watercolour on buff paper, signed lower left, signed, titled and dated verso, 1932, also inscribed To Edward from Lucy Wertheim 28.4.63 verso, 36.5 x 50cm (14 3/8 x 19 5/8 in). Lucy Wertheim (1883-1971) was a prominent gallery owner and supporter of young English talent, founding the Twenties Group of young artists, in 1930. She was an early promoter of Henry Moore, Christopher Wood, John Melville and Phelan Gibb, amongst many others.
Harry Phelan Gibb - Sheep On A Coastal Path

Harry Phelan Gibb - Sheep On A Coastal Path

Original
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Lot number: 1470
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Description:
Phelan Gibb (1870-1948) mixed media, Sheep on a coastal path, signed, 21.5 x 30.5in. On close inspection of this work reveals that is is mixed media work predominantly oil on board but with some pastel highlights. Condition overall is very good although there are some slight blooming marks notably around the edge of the coastline, signed lower left in an old glazed giltwood frame which is now in good clean condition and has a replaced backboard
Harry Phelan Gibb - Torquay Harbour

Harry Phelan Gibb - Torquay Harbour

Original 1931
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Lot number: 235
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Description:
235. Henry William Phelan Gibb (1870-1948) Torquay Harbour, watercolour and pastel on dark grey paper, signed with initials and dated PG '31 lower right, inscribed verso To Eardley K. from Lucy Wertheim, Feb 19th 1944, 31.5 x 47.5cm (12 1/2 x 18 3/4 in), unframed § Keith Baynes (1887-1997) Wooded landscape, pen and black ink with wash, signed and dated in pencil, 1923, lower left, 25.5 x 35.5cm (10 x 14 in), unframed; with 2 coastal cottage interiors by Alastair Stewart, gouache, signed and dated 1959; and 2 still lifes of flowers signed David Wilson (6)
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