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Mark Gertler

(1891 -  1939 ) Wikipedia® : Mark Gertler
GERTLER Mark The Sonata

Christie's /Nov 20, 2014
37,950.66 - 63,251.09
94,242.50

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Artworks in Arcadja
96

Some works of Mark Gertler

Extracted between 96 works in the catalog of Arcadja
Mark Gertler - Study Of May Berlinsky

Mark Gertler - Study Of May Berlinsky

Original
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Lot number: 51
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Description:
Mark Gertler (British, 1891-1939) Study of May Berlinsky signed 'M. Gertler' (centre right) pencil 30.6 x 25.4 cm. (14 x 10 in.) Provenance A gift from the Artist to the sitter, thence by family descent Private Collection, U.K. Mark Gertler began his studies at the Slade aged seventeen in 1908 and was the first working class Jewish student of his generation to do so. Under the tutorship of Henry Tonks he quickly established himself as an assured draughtsman and, amongst a crop of famously talented students, a natural successor to the celebrated Augustus John. Gertler won first prize at the Slade for his 'drawing of the head' and in the present work incorporates the firm outline to the face, typically darkening around the sitter's right cheek and jaw that exemplifies the Italianate style of artist's he admired such as Piero della Francesca.
Mark Gertler - Female Reclining Nude

Mark Gertler - Female Reclining Nude

Original 1915
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Net Price
Lot number: 2268
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MARK GERTLER (1891-1939) FEMALE RECLINING NUDE Signed and dated 1915, red chalk 29.5 x 41cm. * The sitter may be Dora Carrington. Gertler and Carrington met at the Slade. His obsessive devotion to her was unrequited and the friendship was damaged irreparably when Carrington wed Ralph Partridge in 1921. Provenance: Collection of Mrs P. H. Irwin; Acquired by owner in June 1980 ++ Some surface- and handling marks
Mark Gertler - Female Nude

Mark Gertler - Female Nude

Original 1923
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Lot number: 153
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GERTLER (MARK) Pencil drawing of a full-length female nude, INSCRIBED TO SIEGFRIED SASSOON "To Siegried Sassoon with best wishes M. Gertler" in ink , on paper, tipped onto card in upper margin, 260 x 175mm., dated in pencil "Xmas 1923" Footnotes Sassoon purchased a painting by Gertler, and were both regular visitors at Lady Ottoline Morrell's home Garsington. The National Portrait Gallery has a photographic portrait of the two men taken by Morrell.
Mark Gertler - The Sonata

Mark Gertler - The Sonata

Original 1934
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Lot number: 115
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Description:
Lot Description Mark Gertler (1891-1939) The Sonata signed 'Mark Gertler' (on the reverse) oil on canvas 28¾ x 36¾ in. (73 x 93.4 cm.) Painted in 1934. There is a street scene by the same hand on the reverse. Mark Gertler (1891-1939) The Sonata signed 'Mark Gertler' (on the reverse) oil on canvas 28¾ x 36¾ in. (73 x 93.4 cm.) Painted in 1934. There is a street scene by the same hand on the reverse. Provenance Acquired by D. Macmillan at the 1934 exhibition. Leslie Diamond. Anonymous sale; Sotheby's, London, 15 May 1985, lot 112. Anonymous sale; Christie's, London, 11 November 1988, lot 330. with MacConnal Mason, London. Pre-Lot Text THE PROPERTY OF A LADY Literature The Times, 9 October 1934. J. Woodeson, Mark Gertler; Biography of a painter, 1891-1939, London, 1972, p. 388. Exhibition catalogue, Mark Gertler - the early and the late years, London, Ben Uri Art Gallery, 1982, pp. 15, 25, no. 50, illustrated. Exhibited London, Leicester Galleries, Mark Gertler, October 1934, no. 102. London, Ben Uri Art Gallery, Exhibition of Paintings and Drawings by Mark Gertler 1892 - 1939, November - December 1944, no. 63, as 'Nude'. London, Ben Uri Art Gallery, Mark Gertler - the early and the late years, March - May 1982, no. 50. View Lot Notes >
Mark Gertler - Nude

Mark Gertler - Nude

Original 1918
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Lot number: 186
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Description:
Mark Gertler (1891-1939) Nude signed 'Mark Gertler' (upper right) oil on canvas 24 x 20 in. (61 x 50.7 cm.) Painted in 1918. I confirm that I have read this Important Notice and agree to its terms. possibly London, Mansard Gallery, London Group: Eighth Exhibition, May - June 1918, no. 3. London, British Institute for Adult Education, no. 6, catalogue not traced. This painting almost certainly dates to the early part of 1918: the paint handling and distinctive pink and yellow palette of the flesh tones of the face are echoed in a further, more complex nude with still life study from the same year, Figure Study (Northampton Museums and Art Gallery). This young nude also echoes the raised arms pose of the Northampton nude and his ballet studies of the same year. The treatment and paint-handling, very much under the influence of Cézanne, are also similar to the multi-coloured, multi-faceted handling found in the Garsington landscapes of this period (such as The Pond, 1917, Government Art Collection). Moreover, the strong blue background echoes a dominant use of blue in other figure studies from 1918: three of his four known boxing studies from 1918 also prominently feature a similar blue. Gertler's correspondence suggests that he had found a young model of 11 years of age in January 1918 and hoped to make a painting of her. He began in February and the work was probably completed by April 1918. It was possibly then shown in The London Group's May 1918 show as no. 3, 'Nude'. We are very grateful to Sarah MacDougall, who is compiling a Mark Gertler catalogue raisonné for Yale, for preparing this catalogue entry.
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