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Paul Gauguin

France (Paris 1848 -  Iwa 1903 ) Wikipedia® : Paul Gauguin
GAUGUIN Paul Joies De Bretagne.

Swann Galleries /Mar 8, 2016
9,184.42 - 13,776.63
Not Sold

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Artworks in Arcadja
940

Some works of Paul Gauguin

Extracted between 940 works in the catalog of Arcadja
Paul Gauguin - La Famille

Paul Gauguin - La Famille

Original
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Lot number: 8590
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Description:
Paul Gauguin , b. Paris 1848, d. Fatu-Iwa 1903 "La Famille". Unsigned. Inscribed with pencil G. P. (Pola Gauguin?). Woodcut. Kornfeld VII, s. 276-277. Posthumous print. Sheet size 50.5 x 24.5 cm. Unframed. The paper has turned slightly brown. Some foxing. Folded edges. A few damp discolourations along the edges.
Paul Gauguin - L'ibis Bleu

Paul Gauguin - L'ibis Bleu

Original 1892
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Lot number: 14
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Paul Gauguin (1848-1903) L'ibis bleu daté, situé '1892 Tahiti' (en haut à droite) et inscrit 'SOUMIN [sic]' (en haut au centre) gouache, aquarelle et encre sur parchemin 90 x 59.8 cm. Exécuté à Tahiti en 1892 dated, located '1892 Tahiti' (upper right) and inscribed 'SOUMIN [sic]' (upper centre) gouache, watercolour and ink on parchment paper 35 ½ x 23 ¾ in. Executed in Tahiti in 1892 G. Wildenstein, Paul Gauguin, Paris, 1964, vol. I, p. 200, no. 496 (illustré). D. Gamboni, Gauguin au "centre mystérieux de la pensée", Dijon, 2013, p. 349 (illustré, fig. 185; titré 'Soumin').
Paul Gauguin - Buste De Madame Schuffenecker

Paul Gauguin - Buste De Madame Schuffenecker

Original c.1886
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Lot number: 108
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Paul Gauguin (1848-1903) Buste de Madame Schuffenecker signé des initiales et numéroté 'P-GO 5/10' (à gauche); avec le cachet du fondeur 'CIRE PERDUE VALSUANI' (à l'arrière) bronze à patine brune Hauteur: 44 cm. Conçu vers 1886; cette épreuve en bronze fondue ultérieurement signed with the initials and numbered 'P-GO 5/10' (on the left); stamped with the foundry mark 'CIRE PERDUE VALSUANI' (at the back) bronze with brown patina Height: 17 3/8 in. Conceived circa 1886; this bronze cast at a later date
Paul Gauguin - Joies De Bretagne.

Paul Gauguin - Joies De Bretagne.

Original 1889
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Lot number: 119
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Description:
PAUL GAUGUIN Joies de Bretagne. Lithograph on yellow wove paper, 1889. 205x241 mm; 8x9 1/2 inches, wide margins. From the first edition of approximately only 30-40 on this yellow paper. From Études Lithographiques, one of 11 lithographs made by Gauguin for the Café Volpini exhibition, Paris. A superb impression of this extremely scarce lithograph. We have found only 4 other impressions at auction in the past 30 years. Both Gauguin and his friend Émile Bernard made a series of lithographs for the seminal 1889 exhibition of paintings at Volpini's Café des Arts, under the name "Groupe Impressioniste et Synthétiste." The show was organized under Gauguin's supervision after fellow artist Claude-Émile Schuffenecker (see lot 115) had found exhibition space for their work at the Volpini Café des Arts on the grounds of the Exposition Universelle. Gauguin (1848-1903) who had returned to Paris during the winter of 1889, before the Exposition Universelle and directly after his ill-fated sojourn with Vincent van Gogh in Arles the previous fall, executed 11 lithographs--including the current subject and 10 others that would be exhibited at the Volpini show--which constitute his first efforts at printmaking. Boyle-Turner notes that, "Desperate for money during this period, according to Bernard, Gauguin tried to sell his prints even before they were exhibited at the Exposition Universelle. He may well have seen these prints not only as an intriguing experiment with a new technique but also as a way to generate interest in his paintings and to earn a little money. They were almost a prospectus showing the variety of images he had produced over the years. The motifs he chose reveal his own preferences for at least some of his paintings," (The Prints of the Pont-Aven School, New York, 1989, page 36). Despite Gauguin's efforts to promote the Café Volpini exhibition and sell his first prints, the exhibition was a financial failure. Not a single one of the 100 plus works exhibited by any of the artists was sold. Gauguin produced only two further lithographs after the Volpini series, opting instead to turn to woodcuts in 1894. Kornfeld 7B.
Paul Gauguin - Femmes, Animaux Et Feuillages,

Paul Gauguin - Femmes, Animaux Et Feuillages,

Original 1898
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Lot number: 34
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Description:
Condition: The woodcut is in good condition with minimal marginal wear at the top and the left. The dimensions of the print are 15.8 x 32.5 cm and the sheet measures 27.6 x 41.1 cm. The woodcut is placed inside a mat of the size 41.5 x 58.3 cm. The French artist was raised in Peru and returned to France in 1853. After a bourgeois life as a stock broker Gauguin devoted himself to art in 1882. Soon the renowned Impressionists were his close friends as well as Vincent van Gogh. Besides paintings he also created woodcuts, wood carvings and ceramic pieces. It is to a large part the South Sea inspired motifs that gained him international recognition. Gauguin is regarded a postimpressionist, whose works influenced the Nabis as well as Symbolism. In addition, Gauguin was a co-founder of the French art movement Synthetism. Later he got increasingly involved with Expressionism and is seen as one of its pioneers. (tm) Paul Gauguin, Femmes, Animaux et Feuillages, Woodcut, 1898 Woodcut on cream laid paper France, 1898, posthumous impression, presumably 1960s Paul Gauguin (1848-1903) – French painter, whose postimpressionist work strongly influenced the Nabis and Symbolism Catalogue raisonné: Kornfeld 43 II Image dimensions: 15.8 x 32.5 cm; sheet dimensions: 27.6 x 41.1 cm Good condition Object is regular taxed. 19% VAT is added to the purchase price for deliveries within the EU.
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