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Ubaldo Gandolfi

(1728 -  1781 ) Wikipedia® : Ubaldo Gandolfi
GANDOLFI Ubaldo The Evangelist Mark With The Lion

Galerie Koller
Mar 31, 2017
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Artworks in Arcadja
142

Some works of Ubaldo Gandolfi

Extracted between 142 works in the catalog of Arcadja
Ubaldo Gandolfi - Moses And Aaron Guide The Israelites Out Of Egypt

Ubaldo Gandolfi - Moses And Aaron Guide The Israelites Out Of Egypt

Original 1765
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Lot number: 1902
Other WORKS AT AUCTION
Description:
UBALDO GANDOLFI (1728-1781) MOSES AND AARON GUIDE THE ISRAELITES OUT OF EGYPT A bozzetto (preparatory oil study), oil on canvas 37.5 x 53.5cm.; with an ink and wash drawing of the same artist, also by Gandolfi, 21 x 30.5cm. (2) Provenance: Brussels, Mme Gerard Lambert, 1996 (oil); the drawing from a separate auction at Paris Drouot-Richelieu * Attribution confirmed by Dr. Eric Schieler and by Dr. Maria Christina Chiusa (the latter of whom dates the work to c.1765). Dr. Mimi Cazort supports the attribution of the drawing to Gandolfi ++ The oil unlined, with a little retouching; the drawing with some slight wear, handling marks and pale staining, mainly near the edges
Ubaldo Gandolfi - Saints Dominic And Vincent Ferrer Receiving The Rosary From The Virgin

Ubaldo Gandolfi - Saints Dominic And Vincent Ferrer Receiving The Rosary From The Virgin

Original
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Gross Price
Lot number: 96
Other WORKS AT AUCTION
Description:
Ubaldo Gandolfi (San Matteo della Decima 1728-1781 Ravenna) Saints Dominic and Vincent Ferrer receiving the Rosary from the Virgin with inscription'Passignano' (partly erased) (recto) and 'Disegno stato della rinomata collezzione del fu Sig.r Ignazio Hugford adesso di me/ Lamberto Cristiano Gori suo discepolo, che comprai gran parte di detta ra/ccolta di pitture modelli disegni stampe ecc. 16 Gennaio 1786' (verso) black chalk, pen and brown ink, brown wash, watermark anchor in a circle surmounted by a star and letters MP 11½ x 7 5/8 in. (29.3 x 19.3 cm) Provenance Ignazio Enrico Hugford, Pisa (1703–1778). Lamberto Cristiano Gori, Livorno (1730–1801). William Young Ottley, London (1771-1836), his mount and with his attribution 'Cav. Dom. da Passignano.'. Sir Thomas Lawrence, London (1769-1830) (L. 2445). Samuel Woodburn, London (1786-1853), from the Collection of Sir Thomas Lawrence; Christie's, 4 June 1860, lot 29 'The Virgin and Saints, PROCACCINI; a similar subject, by PASSIGNANO; (and five others) 16s. to Bloxam. M.H. Bloxam, by whom given to Rugby School Art Museum; with his initials 'M.H.B' and inscription 'Rugby School Art Museum e dono Matt: H: Bloxam/ ad. 1558-1638 florentine/ Lawrence Collection' (on the mount).
Ubaldo Gandolfi - The Immaculate Conception With Angels

Ubaldo Gandolfi - The Immaculate Conception With Angels

Original
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Lot number: 92
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Description:
Ubaldo Gandolfi (San Matteo della Decima 1728–1781 Ravenna) The Immaculate Conception with Angels, oil on canvas, 56.5x37.5cm, framed We are grateful to Donatella Biagi Maino for confirming the attribution after examining the present work in the original and for cataloguing this lot. This painting is a startling demonstration of Ublando Gandolfi\’s talent. It has been conserved as the pendant to the study for the altarpiece of the Capuchin Order of Castelbolognese representing the Madonna and Child appearing to Saints George and Francis (see lot 93), and it can be assumed that these two paintings must have been in the same private collection since the eighteenth century. The present work is a study for the altarpiece in the church of Santo Spirito in Cingoli in the Marches, in the church of the Santo Spirito (see D. Biagi Maino, Ubaldo Gandolfi, Turin 1990, p. 277, n. 154). For this important commission Ubaldo tried out the image of the Virgin and the composition as a whole, in two drawings. The first in black chalk and the second in pen, these are respectively conserved in Milan (Pinacoteca di Brera) and in Vaduz (Stiftung Ratjen, see D. Biagi Maino, Ibid., plate XXXIV, XXXV). The artist appears to have had full freedom with regard to the work\’s conception. He interpreted the subject for the church of the tertiary Franciscan nuns by composing an image according to a highly baroque sentiment of pathos which is reminiscent of examples by artists that he admired such as the Carracci. However, the fluid clarity of the pictorial brush strokes, built on the principles of disegno and expressed with rare perfection, are reflective of his own era, as is the intense brilliance of the palette, played out in softly applied brightly vibrant tones. The present work\’s excellent state of conservation allows us to appreciate the rich pictorial surface, the refined play of the brush saturated with sparkling colour and touches of light and the resplendent forms of the figures. Seen, for example, in the beautiful hand of the genuflecting angel holding the censer, the brilliant white robes of the Virgin whose solemn pose communicates graceful magnificence: her hands folded in prayer, her feet pressing down on the serpent of original sin. Just as the presence of the angel in the foreground is unusual for this subject, so is the gesture of the putto beside Mary, which emphasise her salvific message by menacing the serpent with a cross. Gandolfi\’s intellectual freedom allows him to strengthen the meaning of the usual iconography, for example he depicts the angels engaged in everyday ritual acts which are recognisable to the faithful, thereby making his work communicative and therefore cathartic. The Cingoli altarpiece was commissioned for the same church that already housed the magnificent painting of Saint Francis receiving the Stigmata by Ubadlo Gandolfi dated 1768, which is now in the Pinatoceca di Brera, Milan. This painting was removed from the church by the Legazione Pontificia delle Marche during the Napoleonic era, at the behest of, amongst others, a former pupil of Gandolfi, Giovanni Santi from the Accademia Clementina of the Istituto delle Scienze di Bologna. Ubaldo had served as professor of figure painting there on several occasions, and was also the president for a period (see Cingoli. Chiesa di Santo Spirito, in: Lo spazio del sacro. Chiese barocche tra \‘600 e \‘700 nella provincia di Macerata, ed. by F. Mariano, Macerata 2009, pp. 53-54). The painting is now in the Brera. Milan (see D. Biagi Maino, in: Pinacoteca di Brera. Scuola emiliana, ed. by F. Zeri, Milan 1991, pp. 204–205.). It was therefore made about a decade before the present Immaculate Conception, which on the basis of style, belongs to the final years of the artist\’s career, circa 1780. This was the most productive period of the artist\’s output, which was cut short by his premature death in 1782, at a time when he still had much to teach and was engaged in decorating the dome of San Vitale in Ravenna. Specialist: Mark Mac Donnell
Ubaldo Gandolfi - God The Father And The Holy Spirit Bless The Holy Family

Ubaldo Gandolfi - God The Father And The Holy Spirit Bless The Holy Family

Original
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Gross Price
Lot number: 3426
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Description: GANDOLFI, UBALDO (S. Matteo della decima, Bologna 1728 - 1781 Ravenna) God the Father and the Holy Spirit bless the Holy Family. Pen and brush and brown ink. 29.5 x 26 cm. Framed. In her expertise from 28.05.2017, Donatella Biagi Maino, Milan, confirmed the authenticity of the drawing and described it as characteristic in all respects of the work of Ubaldo Gandolfi. It served as a model for an engraving by his brother Gaetano Gandolfi, also a successful painter and engraver. A painting with the same subject is located in the Arcivescofado in Vicenca. In addition, there was a further version of the drawing in the Collezione Bagni di Milano. --------------- GANDOLFI, UBALDO (S. Matteo della decima, Bologna 1728 - 1781 Ravenna) Gottvater und der Heilige Geist segnen die Heilige Familie. Feder und Pinsel in Braun. 29,5 x 26 cm. Gerahmt. Donatella Biagi Maino, Mailand, hat in ihrem Gutachten vom 28.5.2017 die Eigenhändigkeit der Zeichnung bestätigt und diese als in jeder Hinsicht charakteristisches Werk von Ubaldo Gandolfi bezeichnet. Es diente dessen jüngerm Bruders Gaetano Gandolfi, ebenfalls ein erfolgreicher Maler und Kupferstecher, als Vorlage für einen Stich. Ein Gemälde mit dem gleich Sujet befindet sich in der Arcivescofado in Vicenca. Daneben existierte eine weitere Version der Zeichnung in der Collezione Bagni di Milano.
Ubaldo Gandolfi - The Evangelist Mark With The Lion

Ubaldo Gandolfi - The Evangelist Mark With The Lion

Original
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Gross Price
Lot number: 3436
Other WORKS AT AUCTION
Description:
GANDOLFI, UBALDO (San Matteo della Decima, 1728 - 1781 Ravenna) The Evangelist Mark with the lion. Brown pen. inscribed lower left in brown pen: Gandolfi. 27.2 x 14.3 cm (in oval). Our thanks to Biagi Maino for supporting the attribution having examined a digital image of the work. --------------- GANDOLFI, UBALDO (San Matteo della Decima, 1728 - 1781 Ravenna) Der Evangelist Markus mit dem Löwen. Feder in Braun. Mit brauner Feder unten links bezeichnet: Gandolfi. 27,2 x 14,3 cm (im Oval). Wir danken Biagi Maino für die Unterstützung der Zuschreibung anhand einer digitalen Abbildung.
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