Ga Qin

QIN GA (Chinese, B. 1971) The Miniature Long March Site 3 signed in Chinese; signed 'Qin Ga' in Pinyin; titled 'The Miniature Long March Site 3'; numbered '3/5'; dated '2002' (on the reverse) chromogenic print paper size: 170 x 125.5 cm. (67 x 49 3/8 in.); image size: 164.5 x 120 cm. (64 3/4 x 47 1/4 in.) edition 3/5 Executed in 2002

165 by 119cm.; 65 by 46 7/8 in. mounted on card, framed under Plexiglas Executed in 2002, this work is number three from an edition of five. chromogenic print This and other examples exhibited: Oslo, National Museum of Contemporary Art, Light as Fuck! - Shanghai Assemblage Lyon, Museum of Contemporary Art, The Monk and the Demon, August 2004 Prague, National Gallery Prague, A Second Sight: International Biennale of Contemporary Art Prague 2005 , June 2005 Beijing, Long March Space, - The Miniature Long March , July 2005 Linz, O.K Centrum, , April 2006, p. 23, illustrated Brisbane, Queensland Art Gallery, Asia-Pacific Triennale 2006, December 2006-May 2007, the project is illustrated in the exhibition catalogue: inside jacket and pp. 130-133 Tang Contemporary Art, Beijing, Double-Kick Cracker: An Exhibition of Chinese Contemporary Art , November - December 2006, p. 90 Denmark, Louisiana Museum of Modern Art, Made in China: Works from the Estella Collection , March - August 2007, fig. 54 Jerusalem, The Israel Museum, Made in China: Contemporary Chinese Art at the Israel Museum

QIN GA (XX) - MINIATURE LONG MARCH SITE 22 (MAO TEMPLE, HENGSHAN) -
Mis: 64 3/8 by 46 1/2 in. 163.5 by 118.1 cm.
chromogenic print Accompanied by a label signed by the artist in Chinese and Pinyin, dated 2005, and numbered 3/5.

EXHIBITED
Other examples exhibited: Bristane, Queensland Art Gallery, Asia-Pacific Triennale 2006, December 2006 Linz, O.K Centrum, Biennale Cuvee, April 2006, p. 23, illustrated Beijing, Long March Space, Qin Ga - The Miniature Long March, July 2005 Prague, National Gallery Prague, A Second Sight: International Biennale of Contemporary Art Prague 2005, June 2005 Lyon, Museum of Contemporary Art, The Monk and the Demon, August 2004 Oslo, National Museum of Contemporary Art, Light as Fuck! - Shanghai Assemblage, April 2004, p. 100, illustrated

REFERENCES
Leonardo Electronic Almanac, Vol. 14, issue 3, July 2006 Nikos Papastergiadis, "'Towards a Metalanguage of Geography,' Marina Fokidis speaks with Nikos Papastergiadis," Flash Art, No. 247, March-April 2006, p. 48 Richard Vine, "Biennale Gamble: Doubling Down," Art in America, September 2005 Art Link, vol 25, no. 4, Fall 2005 Vivien Cui, "Sculptor puts his back into a Long March for his art," South China Morning Post, July 31, 2005 Craig Simons, "China's Long March is Retraced with Artistic Steps," The New York Times, August 18, 2004

exhibited other examples exhibited: brisbane, queensland art gallery, asia-pacific triennale 2006, december 2006 linz, o.k centrum, biennale cuvée, april 2006, p. 23, illustrated beijing, long march space, qin ga - the miniature long march, july 2005 prague, national gallery prague, a second sight - international biennale of contemporary art prague 2005, june 2005 lyon, museum of contemporary art, the monk and the demon, august 2004 oslo, national museum of contemporary art, light as fuck! - shanghai assemblage, april 2004, p. 100, illustrated literature and references lenoardo electronic almanac, vol 14, issue 3, july 2006 nikos papastergiadis, "towards a metalanguage of geography," marina fokidis speaks with nikos papastergiadis, flash art, no. 247, march - april 2006, p. 48 richard vine, "biennale gamble: doubling down," art in america, september 2005 art link, vol 25, no. 4, fall 2005 vivien cui, "sculptor puts his back into a long march for his art," south china morning post, july 31, 2005 craig simons, "china's long march is retraced with artistic steps," the new york times, august 18, 2004 accompanied by a label signed by the artist in chinese and pinyin, dated 2005 and numbered 3 of 5 chromogenic print