Helen Frankenthaler

(19282011 ) - Artworks Wikipedia® - Helen Frankenthaler
FRANKENTHALER Helen Tales Of Genji Vi

Freeman /Nov 2, 2014
11,126.77 - 18,544.62
11,394.05

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Artworks in Arcadja
754

Some works of Helen Frankenthaler

Extracted between 754 works in the catalog of Arcadja
Helen Frankenthaler - Untitled

Helen Frankenthaler - Untitled

Original 1979
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Lot number: 31
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Lot 31: Helen Frankenthaler, Monoprint, 'Untitled', USA, 1979 Helen Frankenthaler (1928-2011) Description: Monoprint on wove paper USA, 1979 Helen Frankenthaler (1928-2011) - American Abstract Expressionist painter, associated with the Color Field painters 'Untitled' Signed and dated in pencil lower right 'Helen Frankenthaler '79' Framed and matted; full margins Plate dimensions: 4 ? x 9 9/10 in. (11.2 x 25.1 cm.) Dimensions, framed: 14 ¼ x 18 ¼ x ¾ in. (36.2 x 46.4 x 2 cm.) Good condition Abstract forms swirl across the page, transitioning from foreground to background with seamless ease. Helen Frankenthaler's 1979 print brings the artist's interest in abstract expressionism to the printmaking process. The landscape orientation of the work is calls forth a relationship with Jackson Pollock's early drip canvases. Using the monoprint process, the result is swirling, tonal shapes of rich color with a granular surface visible across the image. This work is signed and dated in the lower right corner, with the plate measuring 4 ? x 9 9/10 inches. It is framed and matted, with full margins. In overall good condition with no stains, toning, tears or repairs. Helen Frankenthaler (American, 1928-2011) Originally studying under Rufino Tamayo, second-generation Abstract Expressionist Helen Frankenthaler became active in the New York School of the 1950s. Influenced by Arshile Gorky, Willem de Kooning and Jackson Pollock, Frankenthaler gained fame with her 'soak-stain' technique - applying thin washes of paint onto raw, unprimed canvas. Her iconic Mountains and Sea (1952) was an important work for Morris Louis, Kenneth Noland and other Color Field painters of the 1960s. Her works often evoked elements of landscape or figuration in the shaping of their forms, almost always improvised from start to finish. In addition to paintings, Frankenthaler was also attracted to printmaking - woodcuts, especially - with hers counting among the greatest contemporary works of that medium. Her work is represented in the permanent collections of many institutions worldwide, including the Art Institute of Chicago; Los Angeles County Museum of Art; The Metropolitan Museum of Art, New York; Centre Pompidou, Paris; The Museum of Fine Arts, Boston; The Museum of Modern Art, New York; National Gallery of Australia, Canberra; National Gallery of Art, Washington, DC; San Francisco Museum of Modern Art; Solomon R. Guggenheim Museum, New York; and the Whitney Museum of American Art, New York.
Helen Frankenthaler - Sea Level

Helen Frankenthaler - Sea Level

Original 1976
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Lot number: 306
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Lot Description Helen Frankenthaler (1928-2011) Sea Level signed, titled and dated 'frakenthaler "SEA LEVEL" 76' (on the reverse) acrylic on canvas 63 x 89 in. (160 x 226 cm.) Painted in 1976. Provenance Galerie André Emmerich, Zürich Acquired from the above by the present owner Pre-Lot Text Property from the collection of Mr. and Mrs. Hershel Sarbin Exhibited Paris, Grand Palais, 3rd International Contemporary Arts Show: Helen Frankenthaler; October 1976. View Lot Notes >
Helen Frankenthaler - Sky Pit

Helen Frankenthaler - Sky Pit

Original 1970
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Lot number: 179
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Helen Frankenthaler 1928 - 2011 SKY PIT signed and dated '70; signed, titled and dated Jan. 1970 on the stretcher acrylic on canvas 92 5/8 by 46 in. 235.3 by 116.8 cm. Read Condition Report Read Condition Report Register or Log-in to view condition report Saleroom Notice Provenance André Emmerich Gallery, Inc., New York Nicholas del Pesco, Marina del Ray Jack Glenn Gallery, Corona Del Mar De Ville Galleries, Beverly Hills Acquired by the present owner from the above in 1983 Exhibited Washington, D.C., Corcoran Gallery of Art; Seattle Art Museum; Houston, Museum of Fine Arts, Helen Frankenthaler: Paintings 1969-1974, April - November 1975, cat. no. 7, p. 39 Fig. 1 Helen Frankenthaler working on a large canvas, 1969. Photo: Ernst Haas/Hulton Archive/Getty Images. Artwork © 2014 Helen Frankenthaler / Artists Rights Society (ARS), New York
Helen Frankenthaler - Tales Of Genji Vi

Helen Frankenthaler - Tales Of Genji Vi

Original 1998
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Lot number: 128
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Description: HELEN FRANKENTHALER (american, 1928-2011)/span "TALES OF GENJI VI" from "tales of genji"/span 1998, pencil signed bottom right and numbered AP 6/14 (the edition was 35), the full sheet, Tyler Graphics, Ltd., Mount Kisco, New York, publisher and with their blindstamp. Color woodcut and pochoir on TGL handmade paper. sheet: 47 x 42 in. (119.4 x 106.7cm) provenance: /spanThe Estate of Nell Day Surber, Cincinnati, Ohio.
Helen Frankenthaler - Senza Titolo

Helen Frankenthaler - Senza Titolo

Original 1970
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Lot number: 227
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Helen Frankenthaler 1928 - 2011 FOUR POCHOIRS (HARRISON 27-30) The complete portfolio, comprising four pochoirs printed in color, 1970, each print signed in pencil, dated, three inscribed 'P/Proof', each print dedicated, printer's proofs aside from the edition of 50, loose (as issued), on White Arches Imperial Rough watercolor paper, printed by Maurel Studios, New York, published by Abrams Original Editions, New York, contained in the original purple cloth-covered portfolio box (4 prints) sheet: 775 by 562 mm 30 1/2 by 22 1/8 in The prints are in good condition, the full sheets with generally fresh colors. The sheets are brittle. The sheets of A Little Zen are slightly toned with pale time-stain at the sheet edges. The versos, of Green Like Mauve and Wind Directions are toned with scattered foxing. The left sheet edge of Orange Downpour is lightly foxed. In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
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