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George Frampton

(18601928 ) - Sculptures Wikipedia® - George Frampton
FRAMPTON George Enid The Fair

Sotheby's /Nov 25, 2009
8,860.34 - 13,290.50
11,073.00

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Artworks in Arcadja
18

Some works of George Frampton

Extracted between 18 works in the catalog of Arcadja
George Frampton - Peter Pan

George Frampton - Peter Pan

Original
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Lot number: 9
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Description:
Sir George James Frampton, R.A. (1860-1928) Peter Pan signed with 'GF' monogram, inscribed and dated '1915/PP', on serpentine plinth bronze, dark-brown patina 19 in. (48.3 cm.), high, the bronze 20 ¾ in. (53 cm.) high, overall I confirm that I have read this Important Notice and agree to its terms.
George Frampton - Peter Pan

George Frampton - Peter Pan

Original
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Lot number: 71
Other WORKS AT AUCTION
Description:
Sir George James Frampton, R.A. (1860-1928) Peter Pan unsigned bronze, dark brown patina, on an alabaster plinth fronted by a plaque relief cast with rabbits 14 in. (35.6 cm.) high, the figure, 22 in. (56 cm.) high, overall By family repute from the artist, acquired in the 1930s and by descent to the present owner. The present charming statuette of Peter Pan, is a reduction after the life-size bronze exhibited by Frampton at the Royal Academy in 1911 and erected by an anonymous donor in Kensington Gardens the following year. The statue stands at the spot where, as recounted in Barrie's Little White Bird, Peter Pan lands for his nightly visits to the Gardens and where he pipes to the spirits of the children that have played there. Its popular appeal led Frampton to produce a bronze reduction of the main figure as an independent statue and 19 in. high reductions are known dated 1913, 1916 and 1925. The present version places Pan atop an alabaster pedestal fronted by a plaque recalling the bronze rock upon which the original stands, which is inhabited by a host of fairies, rabbits and other woodland creatures. The fine bronze detailing of the present statuette indicates foundry skill consistent with the period of the original, but the angular alabaster pedestal suggests the Art Deco style and might date this cast to the late 1920s or 1930s.
George Frampton - The True Queen Is On Her Throne When Her Realm Is On Her Lap

George Frampton - The True Queen Is On Her Throne When Her Realm Is On Her Lap

Original 1904
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Lot number: 373
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Description:
Sir George James Frampton, RA (1860-1928), 'The true Queen is on her Throne when her Realm is on her Lap', a bronze group, deep brown patination, signed in the maquette and dated 1904, 71cm high, 59cm wide Exhibited at the Royal Academy in 1905, no. 1822; and at the International Exhibition, Dublin in 1907 (small group in plaster), no. 162.
George Frampton - Enid The Fair

George Frampton - Enid The Fair

Original 1907
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Lot number: 75
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Description:
LOT 75 - GEORGE JAMES FRAMPTON BRITISH, 1860 - 1928 ENID THE FAIR 8,000—12,000 GBP measurements measurements note overall: 55cm., 21 5/8 in. Description signed and dated: Geo Frampton 1907 and titled: "ENID THE FAIR" bronze, mid-brown patina on an ebonised wood base
George Frampton - Peter Pan

George Frampton - Peter Pan

Original 1918
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Lot number: 167
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Description:
monogrammed: GF and dated 1918 and inscribed with an encircled PP bronze, mid-brown patina, on veined green marble base CATALOGUE NOTE In 1911 an anonymous donor commissioned George Frampton to create a sculpture of Peter Pan to be placed on the very spot in Kensington gardens where the magical boy appears nightly in J M Barrie's Little White Bird of 1901, the first book in which the character appears. In fact the anonymous donor was the author himself. He had the bronze erected in secret on 29th and 30th 1912, so that it would seem to have magically appeared. Frampton exhibited the model at the Royal Academy in 1911. In writing his tales of Peter Pan J M Barrie was inspired by a family of boys - the Llewelyns. George Llewelyn was the inspiration for the character of Peter Pan, and Frampton used his brother Michael as the inspiration for his sculpture. In the full scale monument Peter Pan is lifted up on a swirling rock populated by fairies, bunny rabbits, squirrels and mice. He raises his pipe to his mouth and plays to the spirits of the children who play in the park. Frampton's sprightly Peter proved to be a perennially popular model and casts of the monument are to be found as far afield as Brussels, New Jersey, Toronto and Perth, Australia. Parts of the original plaster model are in the Victoria and Albert Museum. Following its immediate popular appeal, Frampton produced a bronze reduction of the main figure as an independent statuette. RELATED LITERATURE Read pp.315-317; Royal Academy Exhibitors, vol. II, p. 106; Bilbey & Trusted, pp. 266 & 267
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