Jean Jacques Feuchere
Tweet
Follow the artist with our email alert
France ( 1807 -  1852 ) -  Sculptures
Sotheby's / Nov 16, 2006
€8,848.25 - €11,797.67
€22,995.28
Find artworks, auction results, sale prices and pictures of Jean Jacques Feuchere at auctions worldwide.
Go to the complete price list of works
Along with Jean Jacques Feuchere, our clients also searched for the following authors:
Gustave Van De Woestijne, Franco Costalonga, Marcel Rieder, Stevan Kocic, Hugo J. Pieper, Joan Miro, Piero Manzoni, Roberto Gaetano Crippa, Takashi Murakami, Helen Frankenthaler, Antonio Nunziante
Gustave Van De Woestijne, Franco Costalonga, Marcel Rieder, Stevan Kocic, Hugo J. Pieper, Joan Miro, Piero Manzoni, Roberto Gaetano Crippa, Takashi Murakami, Helen Frankenthaler, Antonio Nunziante
Artworks in Arcadja
23
Some works of Jean Jacques Feuchere
Extracted between 23 works in the catalog of Arcadja
Jean Jacques Feuchere - Satan
Original 1834
Auction:
Sotheby's -
Nov 11, 2008- London
Lot number:
3
Other WORKS AT AUCTIONDescription:
Signed and dated: FEUCHERE 1834
CATALOGUE NOTE
For any modern student of 19th century Frenchsculpture, Jean-Jacques Feuchère's Satan has become one ofthe icons of the period, because it was selected as the front coverillustration of the pioneering exhibition The Romantics toRodin. French Nineteenth-Century Sculpture from North AmericanCollections in 1980. The relevance of Feuchère's Satan
was graphically illustrated by the selection of Rodin'sThinker for the back cover of the catalogue.For Peter Fusco, writing the entry for the bronze in theexhibition, the Satan 'epitomizes the interests of Romanticsculptors'. The 1830s witnessed a plethora of sculptures on asatanic theme, including works by Jean-Jacques Flatters, CarloMarochetti, Jean- Bernard Duseigneur and Antonin Moine. Many sharedthe common inspirations of Milton, Dante and Goethe. Amongst thelater sculptures influenced by Feuchère's Satan
, Fusco listsDuret's Chactas Meditating on the Tomb of Atala
, Carpeaux'searly masterpiece Ugolino
, Joseph Geefs' Angel ofEvil and, of course, Rodin's Thinker.
Exhibited at the Salon in 1834, Feuchère's Satan
was highly praised: 'among all the angels and demons, there is onefigure that incontestably merits particular attention because ofthe original character it has been imprinted with, because of thenovelty of its composition and the conscientious craftsmanship withwhich it is rendered, it is the Satan of M. Feuchère, apersonification, with plenty of verve and ardour, of the evilgenius at odds with being powerless.'At the time of the Romantics to Rodin exhibition in 1980,the 78.7cm high bronze shown there was the only large cast known toFusco and Janson. Since then only one or two more casts haveappeared on the market, which underlines the fact that large castsof this model are extremely rare.RELATED LITERATUREDecamps, p. 74; Romantics to Rodin, p. 266-267, no. 137; Von Houdonbis Rodin, pp. 112-113, no.14
Jean Jacques Feuchere - Leda And The Swan
Original
Auction:
Sotheby's -
Nov 13, 2007- London
Lot number:
45
Other WORKS AT AUCTIONDescription:
Following its appearance in the
Romantics to Rodin
exhibition (1980), this model of Leda and the Swan has often been
attributed to James Pradier. In 1981, however, Henry Hawley
identified it as the work of Feuchère from a signed version in the
Cleveland Museum of Art.
RELATED LITERATURE
The Romantics to Rodin
, no. 184. pp. 321-322; Hawley, pp.
75-83
Jean Jacques Feuchere - Other Properties Michelangelo
Original
Auction:
Sotheby's -
Jun 28, 2007- London
Lot number:
20
Other WORKS AT AUCTIONDescription:
JEAN-JACQUES FEUCHÈRE (1807-1852) - OTHER PROPERTIES
MICHELANGELO -
Mis: 44cm., 17¼in.
signed: Feuchère Scpt, inscribed: E. de Labroue. Flt, the plaque inscribed: Michel Angelo / Buonaroti / Pittore Scultore e / Architetto Fiorentino bronze, dark brown patina
CATALOGUE NOTE
RELATED LITERATURE Romantics to Rodin, pp. 267-8
Mis: 44cm., 17¼in.
signed: Feuchère Scpt, inscribed: E. de Labroue. Flt, the plaque inscribed: Michel Angelo / Buonaroti / Pittore Scultore e / Architetto Fiorentino bronze, dark brown patina
CATALOGUE NOTE
RELATED LITERATURE Romantics to Rodin, pp. 267-8
Jean Jacques Feuchere - Satan
Original 1833
Auction:
Sotheby's -
Nov 16, 2006- London
Lot number:
35
Other WORKS AT AUCTIONDescription:
catalogue note feuchère's satan is a synthesis of both literary and artistic sources but mainly from milton's paradise lost, dante's inferno and dürer's melancolia (a copy of which feuchère owned). the broken sword and isolating canopy formed by the wings symbolise satan after his fall. feuchère's composition masterfully conveys satan's angst-ridden frame of mind, as he sits with hunched back, one leg clamped over the other and biting his fingers with a downward dejected stare. the model was first exhibited in plaster at the 1834 salon and in bronze the following year. related literature un age d'or, pp.305-06; romantics to rodin, cat.no.137
signed and dated: j feuchere 1833 bronze, dark brown patina
Jean Jacques Feuchere - Satan
Original
Auction:
Christie's -
Jun 17, 2004- London
Lot number:
60
Other WORKS AT AUCTIONDescription:
Jean-Jacques Feuchère (French, 1807-1852)
Satan
bronze, dark-brown patina; on variegated green marble plinth
8¼ in. (21 cm.) high, the bronze
with Joanna Barnes Fine Arts, London, 1996.
Literature
Exhibition catalogue, Un Age d'Or des Arts Décoratifs 1814-1848, Galeries nationales du Grand Palais, Paris, 1991, pp.305-6 (another cast).
P. Fusco, H. W. Janson ed., Exhibition catalogue, The Romantics to Rodin, Los Angeles County Museum of Art, Los Angeles, 1980, cat. no. 137 (a larger cast).
Lot Notes
As with many of the Romantic sculptors, Feuchère drew inspiration from literary works such as Dante's Inferno, Milton's Paradise Lost and Goethe's Faust. He also owned a copy of Dürer's famous engraving of Melancolia. Satan was first exhibited in plaster at the Salon in 1833 (no. 2037), and then in bronze in 1835 (no. 2243; now in the Musée de Douai). The image of the seated melancholic creature, biting his nails and with dejected stare, was singled out for special praise by critics, and may have even influenced later artists and work such as Carpeaux's Ugolin and Rodin's Thinker.