Richard Estes

(1932 ) - Artworks Wikipedia® - Richard Estes
ESTES Richard Urban Landscapes

Bukowskis /Nov 14, 2013
8,914.62 - 11,143.27
Not Sold

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Richard Estes

 

Artworks in Arcadja
285

Some works of Richard Estes

Extracted between 285 works in the catalog of Arcadja
Richard Estes - Golf Bag

Richard Estes - Golf Bag

Original 1965
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Price:

Lot number: 68
Other WORKS AT AUCTION
Description:
Meisel Gallery, New York ACA Galleries, New York Acquired by the present owner from the above 68 PROPERTY OF A DISTINGUISHED AMERICAN COLLECTION Richard Estes B.1936 GOLF BAG oil on masonite image: 23 by 15 1/2 in. 58.4 by 39.4 cm. panel: 27 by 18 in. 68.6 by 45.7 cm Executed in 1965. Estimate 40,000 - 60,000 USD Print This work is in very good condition. There are faint abrasions along the top edge of the board and a few scattered brown accretions along the bottom edge. There are a few very minor pinpoint losses. There is no evidence of restoration visible under UV light. Framed under Plexiglas.
Richard Estes - Storefront Reflections Miami

Richard Estes - Storefront Reflections Miami

Original 1969
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Price:

Lot number: 195
Other WORKS AT AUCTION
Description:
Richard Estes (b. 1932) Storefront Reflections Miami oil on canvas 35¼ x 43 5/8 in. (89.5 x 110.8 cm.) Painted in 1969. Louis K. Meisel Gallery, New York Anon. sale; Sotheby's, New York, 19 February 1988, lot 98 Acquired at the above sale by the present owner PROPERTY FROM AN IMPORTANT EUROPEAN COLLECTION L. K. Meisel, Richard Estes: The Complete Paintings 1966-1985, New York, 1986, p. 134, no. 168 (illustrated).
Richard Estes - Subway

Richard Estes - Subway

Original 1981
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Gross Price
Lot number: 39
Other WORKS AT AUCTION
Description:
Description: Richard Estes (American, b. 1932) Subway , from URBAN LANDSCAPES III , 1981, edition of 250 (Arthur, p. 121). Signed "Richard Estes" in pencil l.r., numbered "223/250" in pencil l.l. Color screenprint on paper, image size 14 x 20 in. (35.5 x 50.7 cm), framed. Condition: Not examined out of frame. Condition Report: Sheet size measures 19 5/8 x 27 in. Domberger Screenprint blindstamp in l.l. corner of sheet. Very minor surface abrasions in matte area at bottom. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Condition requests can be obtained via email (lot inquiry button) or by telephone to the appropriate gallery location (Boston/617.350.5400 or Marlborough/508.970.3000). Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Skinner Inc. shall have no responsibility for any error or omission.
Richard Estes - Urban Landscapes

Richard Estes - Urban Landscapes

Original 1972
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Lot number: 214
Other WORKS AT AUCTION
Description:
214. Richard Estes United States Born 1936 "Urban landscapes". The complete set of eight silkscreens in colours, 1972, each signed in pencil and numbered 42/75, published by Parasol Press, New York. Scr. 37,5 x 61 cm. S. 50 x 70 cm. Galerie Arnesen, Copenhagen. Galleri Weinberger, Copenhagen. Arthur 112-13
Richard Estes - Hot Foods

Richard Estes - Hot Foods

Original 1967
Estimate:

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Gross Price
Lot number: 185
Other WORKS AT AUCTION
Description:
Lot Description Richard Estes (b. 1932) Hot Foods oil on masonite 48¼ x 30¼ in. (122.5 x 76.8 cm.) Painted in 1967. Provenance Allan Stone Gallery, New York Anon. sale; Christie's, New York, 12 November 1998, lot 37 Acquired at the above sale by the present owner Pre-Lot Text PROPERTY FROM A PRIVATE EUROPEAN COLLECTION Literature L. Meisel, Photorealism, New York, 1980, p. 232, no. 500 (illustrated). L. Meisel, Richard Estes: The Complete Paintings 1966-1985, New York, 1986, p. 46, no. 31 (illustrated). View Lot Notes > Undisputed Photo-Realist master Richard Estes records the visual experience of everyday life in New York City with his signature firm, deliberate brushstrokes and clear, immediate detail. Painting directly from his own photographs, his cool, objective scenes of storefronts, subways, sidewalks, and escalators evince his expert draftsmanship and belie a striking sense of urban calm. Hot Foods employs a crystal-clear window's reflective surface as a visual vehicle, splicing the humming fluorescent lights, tabletop condiments, and slick red chairs of a diner's interior with the clean, geometric New York City skyline. This fluent, dizzying reconciliation of simultaneous perspectives-in which a pair of crisp white curtains frame both an interior and exterior scene--is a hallmark of Estes' working style. In the words of gallerist Louis Meisel, who is credited with coining the term Photo-Realism: "Estes invented a way to paint what appears to be two entirely different points of focus-the close-up and the distant panorama-as part of one canvas. Neither the eye nor the camera can capture images in this way, but Estes convinces us that it can be done" (L. Meisel, Photorealism Since 1980, New York, 1993, p. 179). With his striking yet straightforward juxtaposition of the monumental and the intimate, Estes coaxes optical wonder from the everyday.
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