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Olivier Debre

(1920 -  1999 )
DEBRE Olivier Etude

Aguttes
Mar 27, 2019
Find artworks, auction results, sale prices and pictures of Olivier Debre at auctions worldwide.
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Variants on Artist's name :

Debré Olivier

 

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Artworks in Arcadja
1126

Some works of Olivier Debre

Extracted between 1,126 works in the catalog of Arcadja
Olivier Debre - Untitled

Olivier Debre - Untitled

Original
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Net Price
Lot number: 597
Other WORKS AT AUCTION
Description:
Untitled. Signed Debré, 39775. Lithograph in colours. Sheet size 58×77 cm. Unframed. This lot is subject to Artist's Royalty. Artist\’s Royalty In accordance with Danish copyright law, an additional royalty fee is to be paid for the purchase of works by contemporary Danish artist and some international artists who are either still alive or who have been dead for less than 70 years. × Olivier Debré (b. Paris 1920, d. 1999)
Olivier Debre - Untitled

Olivier Debre - Untitled

Original
Estimate:

Price:

Lot number: 639
Other WORKS AT AUCTION
Description:
Untitled. Signed Debré, 39775. Lithograph in colours. Sheet size 58×77 cm. Unframed. This lot is subject to Artist's Royalty. Artist\’s Royalty In accordance with Danish copyright law, an additional royalty fee is to be paid for the purchase of works by contemporary Danish artist and some international artists who are either still alive or who have been dead for less than 70 years. × Olivier Debré (b. Paris 1920, d. 1999)
Olivier Debre - Etude

Olivier Debre - Etude

Original 1953/54
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Price:

Lot number: 57
Other WORKS AT AUCTION
Description:
OLIVIER DEBRÉ (1920 1999) Etude, 1953/1954 Huile sur isorel 15 x 28 cm - 6 x 11 in. Oil on panel Un certificat rédigé par Madame Sylvie Debré-Huerre en date du 30 mars 2018 sera remis à l'acquéreur Peintre français, représentant majeur del\’abstraction lyrique, Olivier Debré estné en 1920 à Paris où il est mort en 1999. Sa peinture est abstraite et solidementconstruite dans les années 1940-1950.En 1938, il est reçu à l\’École des beauxartset intègre l\’atelier \’architecture dirigé par son oncle, en même tempsqu\’il fréquente celui de Le Corbusier.Il participe pour la première fois en1954 au salon Comparaisons et Michel Warren organise sa première expositionindividuelle à Paris en 1956. L\’annéesuivante, la seconde exposition chezMichel Warren le fait figurer «désormaisen bonne place parmi les chefs de filede l\’École de Paris », écrit John Prossot.L\’artiste a pu dire « Je suis très proche,je le répète, des impressionnistes. Queje peigne par larges coups de brosse ouque je pose des touches, je peins monémotion.» Olivier Debré, a leading lyrical abstract painter,was born 1920 in Paris, where he died in 1999.In 1938 he was admitted to the School of FineArts and joined his uncle\’s architecture studiowhile also attending that of Le Corbusier. Debrédeveloped his abstract, solidly built style inthe 1940s-1950s. He participated in the Comparisons exhibitionfor the first time in 1954 and Michel Warrenorganised his debut solo show in Paris in 1956.The next year, his second show at Warren\’ssecured his place as \“a leader of the ParisSchool\”, John Prossot wrote. \“I\’m very close,I repeat, to the Impressionists,\” Debré said.\“Whether applying wide brushstrokes or smalltouches, I paint my feelings.\”
Olivier Debre - Petit Bleu Pâle, Tâches Roses Etrouges

Olivier Debre - Petit Bleu Pâle, Tâches Roses Etrouges

Original 1983
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Gross Price
Lot number: 101
Other WORKS AT AUCTION
Description:
Olivier Debré PETIT BLEU PÂLE, TÂCHES ROSES ETROUGES 1920 - 1999 signed, titled and dated Royan 83 on the reverse oil on canvas 16,5 x 27 cm; 6 5/16 x 10 5/8 in. Executed in 1983. Provenance Edouard & Jeannine Chapet, Paris (acquired directly from the artist) Catalogue Note INTRODUCTION TEXT ENGLISH: The Renand-Chapet Collection Georges Renand compiled one of the most important collections of artworks of his time. When a part of it was dispersed at the auction house Drouot-Montaigne between 1986 and 1987, over four memorable sessions, the public was able to discover a series of masterpieces such as The Piebald Horse by Paulus Potter, today kept at The Getty Museum, Paysanne près de l\’âtre de Van Gogh or A View of the Seine by Seurat, now in the collection of the Musée d\’Orsay and the Metropolitan Museum in New York, without counting other beautiful pieces by Ingres, Corot, Seurat, Cézanne, Matisse or Modigliani (La Belle Romaine and La Femme à la cravate noire among others). A learned and passionate collector, Georges Renand showed a remarkable eclecticism in his choice of purchases. The paintings and art objects that decorated his apartment on the Quai de Béthune on the Ile Saint-Louis or his villa near Paris gave an overview of art in one glance from different centuries, from Europe and Asia. He began his collection with a drawing by Bonnard. His second purchase was a primitive artwork and his frequent visits to auction houses (The Fénéon sale, at Rheims, at Ader), or galleries (Drouant, Galerie Charpentier, De Bayser et Mikailoff, Paul Rosenberg, Petiet…) meant he brought together a surprisingly varied group of works which nevertheless retain a certain homogeneity, in a reflection of an original humanist vision of the course of art through history. He also purchased works from private collectors, including those introduced to him by his friend Jean Walter, an architect and husband to Paul Guillaume\’s widow. During his numerous encounters, he occasionally exchanged paintings, in order to free a place on the wall for a new impassioned acquisition. He thus gave away a Cézanne for Watteau\’s Bal Champêtre, exchanged Seurat\’s Le Liseur for a work by Ter Borch, sacrificed Les Cyprès by Van Gogh for a Gauguin or swapped a Corneille de Lyon for a drawing by Daumier and another by Ingres. His daughter Jeannine was always attentive to her father\’s occupations and when she married Edouard Chapet, himself a great art lover, the couple followed a double approach. They endeavoured on the one hand to buy pieces from their father\’s and stepfather\’s collection but also to compile their own collection. The whole collection reunited testifies to the Chapet\’s interest in continuing the game of correspondences between eras, styles and subjects. At the core of the collection presented today can be found here a Greek marble head, there a Baoulé mask. Alongside these pieces, the vigour of two horses by G seems to reply to the quivering of Dürer\’s Grand Cheval whilst further along, the dome of Saint Paul\’s cathedral sits imperturbable in Corot\’s soft light. And always the taste for audacity and thoughtfulness that inhabited Georges Renand, two components at work in the painting by Cézanne, Abricots et cerises sur une assiette. A more personal part of the collection finds its origins in Jeannine\’s ardent temperament - she was an outstanding ski champion and fervent traveller - as well as in the friendships this sociable and endearing couple made with the artists of their time which fed into and enriched the collection. Olivier Debré, Poliakoff and Estève thus joined the heritage of the past and accompanied Edouard and Jeannine\’s discovery of abstract art. Sotheby\’s and Pierre Bergé & Associés today have the pleasure and the honour to reveal the result of these two passions combined over a century.
Olivier Debre - Ocre Voilé Gris Rose Aux Teints Sombres D'hiver

Olivier Debre - Ocre Voilé Gris Rose Aux Teints Sombres D'hiver

Original 1984
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Gross Price
Lot number: 199
Other WORKS AT AUCTION
Description:
Olivier Debré OCRE VOILÉ GRIS ROSE AUX TEINTS SOMBRES D'HIVER 1920 - 1999 signed, titled and datedTouraine 84-5on the reverse oil on canvas 119,5 x 119,5 cm; 47 1/16 x 47 1/16 in. Executed in 1984. Provenance Galerie Daniel Gervis, Paris Worms Bank Collection, Paris Sale: Cornette de Saint Cyr,Art Contemporain, 11 October 2003, lot 10 Private Collection, France Literature Pierre Cabanne,Olivier Debré,Paris, 1998
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