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Marc-Aurele Foy De Suzor-Cote

Canada (1869 -  1937 )
DE SUZOR-COTE Marc-Aurele Foy Femmes De Caughnawaga

Heffel
Jun 1, 2019
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Variants on Artist's name :

Suzor-Coté Marc-Aurèle De Foy

 

Along with Marc-Aurele Foy De Suzor-Cote, our clients also searched for the following authors:
Jack Leonard Shadbolt, William Hadd Mcelcheran, Frederick Grant Banting, Jean Albert Mcewen, Arthur Lismer, Herbert Sidney Palmer, Clarence Alphonse Gagnon
Artworks in Arcadja
269

Some works of Marc-Aurele Foy De Suzor-Cote

Extracted between 269 works in the catalog of Arcadja
Marc-Aurele Foy De Suzor-Cote - Femmes De Caughnawaga

Marc-Aurele Foy De Suzor-Cote - Femmes De Caughnawaga

Original 1924
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Price:

Lot number: 623
Other WORKS AT AUCTION
Description:
Marc-Aurèle de Foy Suzor-Coté CAC RCA 1869 - 1937 Canadian Femmes de Caughnawaga bronze sculpture signed, titled, editioned 3/25, dated 1924 and inscribed "Roman Bronze Works Inc. NY" and on verso titled incorrectly Indiennes de Caughnawaga, editioned and dated on a gallery label 19 x 24 x 13 in 48.3 x 61 x 33cm
Marc-Aurele Foy De Suzor-Cote - La Modèle (or Démangeaison)

Marc-Aurele Foy De Suzor-Cote - La Modèle (or Démangeaison)

Original 1925
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Price:

Gross Price
Lot number: 61
Other WORKS AT AUCTION
Description:
61 MARC-AURÈLE DE FOY SUZOR-COTÉ, R.C.A. LA MODÈLE (OR DÉMANGEAISON) bronze signed, dated 1925, and inscribed \“Roman Bronze Works, N.Y.\” and \“Copyright Canada & U. States\” on the base 15 ins x 14.5 ins x 11 ins; 38.1 cms x 36.8 cms x 27.9 cms About artist/note: This work is one of only two female nude sculptures produced by Marc-Aurèle de Foy Suzor-Coté (1869-1937), and while the edition size is not indicated on the work, Laurier Lacroix lists only three bronze casts and four plaster versions of other known casts, besides this one, which was included in the National Gallery of Canada's 2002 exhibition Suzor-Coté: Light and Air. According to Pierre L\’Allier, this 1925 bronze was originally called La Modèle but became known as Démangeaison (or The Itch) by 1926. L\’Allier notes that the new title \“n\’est pas sans evoquer ironiquement les interdits de l\’epoque concernant la representation du nu integral.\” In conservative Quebec during this period, when the nude female form was rendered in art, the subject was often \“clothed\” with an allegorical allusion or classically themed title. Not so for The Itch which Suzor-Coté presents unabashedly, and uncensored by such niceties. Laurier Lacroix writes effusively about this fine work: \”Here the body\’s helicoidal position makes the sculpture interesting from all angles. The laughing, almost flirting figure with her long hair streaming down her back is the personification of lightness and grace. The trivial gesture that gives the work its title becomes an excuse for the revelation of beautiful forms. Suzor-Coté multiplies the planes and viewpoints, and the arrangement of the arms inscribes a wide oval around the body that guides the spectators eyes over the entire height of the sculpture.\” Literature: Pierre L\’Allier, Suzor-Coté, L\’Oeuvre Sculpte, Musée du Québec, Québec, 1991, page 85 and pages 84-85 for the painted plaster of La Modèle, reproduced. Laurier Lacroix, Suzor-Coté: Light and Air, National Gallery of Canada, Ottawa, 2002, page 290, pages 294 and 350, cat. no.126 for The Itch (The Model), reproduced in colour. Provenance: Private Collection, Montreal Exhibited: Suzor-Coté: Light and Air, National Gallery of Canada, Ottawa, 2002, cat. no. 126. Additional Info: Department: Canadian Fine Art Medium: Sculpture Signed
Marc-Aurele Foy De Suzor-Cote - Après La Débacle, Fin Mars, Arthabaska

Marc-Aurele Foy De Suzor-Cote - Après La Débacle, Fin Mars, Arthabaska

Original 1914
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Price:

Lot number: 435
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Description:
Marc-Aurèle de Foy Suzor-Coté CAC RCA 1869 - 1937 Canadian Après la débacle, fin mars, Arthabaska oil on board circa 1914 signed and on verso signed and titled 5 3/8 x 9 1/4 in 13.7 x 23.5cm Provenance: Galerie Michel-Ange, Montreal Private Collection, Quebec Literature: Laurier Lacroix, Suzor-Coté: Light and Matter, National Gallery of Canada, 2003, the 1914 canvas entitled After the Breakup, collection of the National Gallery of Canada, reproduced page 215, catalogue #89 This is the study for the 1914 canvas entitled After the Breakup in the collection of the National Gallery of Canada.
Marc-Aurele Foy De Suzor-Cote - Fin De Jour En Septembre

Marc-Aurele Foy De Suzor-Cote - Fin De Jour En Septembre

Original 1915
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Price:

Lot number: 337
Other WORKS AT AUCTION
Description:
Marc-Aurèle de Foy Suzor-Coté CAC RCA 1869 - 1937 Canadian Fin de jour en septembre oil on board signed and on verso signed, titled, dated 1915 and inscribed with the Kenneth G. Heffel inventory #332-4 C163 6 x 8 in 15.2 x 20.3cm Provenance: Galerie d'Art Michel Bigue, Montreal Kenneth G. Heffel Fine Art Inc., Vancouver Private Collection, Vancouver
Marc-Aurele Foy De Suzor-Cote - Le Vieux Pionnier Canadien #5/10

Marc-Aurele Foy De Suzor-Cote - Le Vieux Pionnier Canadien #5/10

Original 1912
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Price:

Lot number: 114
Other WORKS AT AUCTION
Description:
Artist Marc-Aurele de Foy Suzor-Cote Title Le Vieux Pionnier Canadien #5/10 Media bronze sculpture Dated 1912 --14 Size 15.5 x 16 x 8.25 in. / 39.4 x 40.6 x 21 cm. Notes signed, titled, dated and numbered on base; on stone plinth [1.25 inches high]; lot includes copy of certificate of authenticity for the pair
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