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Arcadja Auctions

Carel De Moor

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Netherlands (Leiden 1656Varmond 1738 ) - Artworks Wikipedia® - Carel De Moor
DE MOOR Carel Portrait Of A Lady, Three-quarter Length, In A Purple And Gold Dress, Holding A Watch, Seated Beside A Plinth With A Formal Garden And Country House Beyond

Bonhams /Oct 31, 2007
4,302.31 - 7,170.52
4,589.79
Find artworks, auction results, sale prices and pictures of Carel De Moor at auctions worldwide.
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Artworks in Arcadja
43

Some works of Carel De Moor

Extracted between 43 works in the catalog of Arcadja
Carel De Moor - An Elegant Company In A Garden Landscape

Carel De Moor - An Elegant Company In A Garden Landscape

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Lot number: 49
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Description:
Carel de Moor II (Leiden 1656-1738 Warmond) An elegant company in a garden landscape signed 'MOOR f' (lower right) oil on panel 52.9 x 70.4 cm. Lot Notes Carel de Moor was considered one of the most important Dutch portrait painters of the late 17th and early 18th Century. In his early career he also produced genre pictures in which he conformed closely to the Leiden fine painters of the preceding generation, as can be seen in the present lot. De Moor studied, amongst others, with Gerrit Dou and Frans van Mieris. Around 1694 he founded the 'Leidsche Tekenakademie' together with Willem van Mieris and Jacob van Toorenvliet. In 1714 he was knighted by Emperor Charles VI.
Carel De Moor - Portrait Of A Man

Carel De Moor - Portrait Of A Man

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Lot number: 150
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Carel de Moor (Leiden 1656-1738 Warmond) Portrait of a man, three-quarter-length, in a gold-embroidered doublet and a silk mantle, standing beneath a column draped with a silk curtain, a sculpture garden beyond signed and dated 'C·D·Moor i683 2/24' (lower left, on the plinth) oil on panel 12¼ x 9¼ in. (31.2 x 23.5 cm.) Provenance Anonymous sale; Sotheby's, London, 8 December 1993, lot 139.
Carel De Moor - Vis Man Med Uggla

Carel De Moor - Vis Man Med Uggla

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Lot number: 2384
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Description:
2384 - CAREL DE MOOR Leiden 1656-1738 Warmond/Leiden Vis man med uggla Signerad med initialer K.N. Olja på duk, 33 x 26 cm. Signed. Oil on canvas. EXPERTIS: Cabinet Turquin, Stéphane Pinta, Paris PROVENIENS: Philips, London, 7 december 1993. Konstnären N. J. Oppenheimers samling Estimate: SEK 70 000-80 000 (EUR 6 500-7 300) Contact our experts about this object Place an absentee bid on this object Bidding closes 2009-05-28 - 11:00 (CET)
Carel De Moor - Portrait Of A Lady, Three-quarter Length, In A Purple And Gold Dress, Holding A Watch, Seated Beside A Plinth With A Formal Garden And Country House Beyond

Carel De Moor - Portrait Of A Lady, Three-quarter Length, In A Purple And Gold Dress, Holding A Watch, Seated Beside A Plinth With A Formal Garden And Country House Beyond

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Lot number: 225
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Description:
inscribed with a coat-of-arms (lower right) oil on canvas 44 x 36 cm. (17¼ x 14 1/8 in.) Estimate: £3,000 - 5,000, ?4,300 - 7,200 Footnote: PROVENANCE: Collection of Their Royal Highnesses the Prince and Princess Frederick Duleep Singh Collection of M. and Mme. Kieffer, Paris Binette Sale, Sangiorgi, Rome, 1892 EXHIBITED:
Carel De Moor - Portrait Of A Gentleman, Three-quarter-length, In A Brown Coat With A Blue Wrap, Standing Before A Stone Statue, A Young Couple In A Park Landscape Beyond

Carel De Moor - Portrait Of A Gentleman, Three-quarter-length, In A Brown Coat With A Blue Wrap, Standing Before A Stone Statue, A Young Couple In A Park Landscape Beyond

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Lot number: 12
Other WORKS AT AUCTION
Description:
Carel Moor (Leiden 1656-1738 Warmond)
Portrait of a gentleman, three-quarter-length, in a brown coat with a blue wrap, standing before a stone statue, a young couple in a park landscape beyond
signed 'DeMoor' (centre left)
oil on canvas
53.7 x 45 cm. (21 1/8 x 17½ in.)

Additional Notes:
The present portrait relates to the composition of a signed drawing by Carel de Moor, in which the right hand is in a similar pose, which was sold at Lempertz,Cologne, 21 May, 2005. According to the Lempertz catalogue, the physiognomy and composition of the drawing in turn relate to an etched self-portrait of the artist aged thirty-four, the reference of which they gave as Hollstein 169.