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Almir Silva De Mavignier

Brazil (1925 )
MAVIGNIER Almir de Silva Deformiertes Quadrat

Van Ham /Jun 2, 2015
25,000.00 - 30,000.00
70,000.00

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Artworks in Arcadja
81

Some works of Almir Silva De Mavignier

Extracted between 81 works in the catalog of Arcadja
Almir Silva De Mavignier - Rote Quadrate Auf  Schwarz

Almir Silva De Mavignier - Rote Quadrate Auf Schwarz

Original 1967
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Lot number: 932
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Description:
Almir da Silva Mavignier 1925 Rio de Janeiro - lebt und arbeitet in HamburgRote Quadrate auf Schwarz. 1967.Oil on canvas. Verso of canvas signed and dated 'hamburg juli 67' as well as with an arrow indicating the direction. 101 x 50.5 cm (39.7 x 19.8 in). PROVENANCE: Galerie Heseler, Munich (verso of stretcher with the stamp).Galerie Neher, Essen (verso of stretcher with a label).Private collection Rhineland. EXHIBITION: Kestnergesellschaft Hanover, 1968. Mavignier started studying painting in Rio de Janeiro in 1945; only four years later his first abstract pictures emerged. At that time he joined the first group of abstract painters in Brazil. In 1951 Mavignier travelled extensively through Europe. Afterwards he settled in Paris, where he attended the Académie de la Grande Chaumière until 1953. In 1952 he began with concrete painting and was allowed to exhibit at the 'Salon des Réalités Nouvelles' in Paris a year later. The same year, 1953, he moved to Germany, where he studied at the Hochschule für Gestaltung in Ulm as a pupil of Max Bill in the department for visual communication until 1958. In 1954 Mavignier met Josef Albers and he painted his first 'Punktbilder', followed by the 'Rasterbilder' in 1955. In these years Mavignier's artistic development was determined by his experimenting: in 1956 optical-art pictures appeared and in 1957 the artist created his first monochrome works. Since 1958 Mavignier collaborated with the artists of the artist group 'Zero', in 1959 he had his own studio in Ulm, where he worked as a freelance graphic designer and painter. Due to his artistic recognition, Mavignier was asked to participate in several important exhibitions the following years. As a result his works were shown at the exhibition 'Konkrete Kunst' at the Helmhaus in Zurich in 1960; in 1960/61 he was involved in the exhibition 'Nove Tendencije' in Zagreb as a co-organiser. In these years the first so-called 'permutations' arose pictures with mathematically calculated combinations of color and form. In 1964 Mavignier participated in the Biennale in Venice and the documenta III in Kassel. A year later, in 1965, he was appointed to the Staatliche Hochschule für Künste in Hamburg as a professor for painting. The same year he was involved in the touring exhibition 'The Responsive Eye', which was organised by the Museum of Modern Art in New York. In 1968 Mavignier participated once again in the documenta in Kassel.Mavignier's works are characterized by two elements: the strict geometry contrasts with the explosion of the color. The artist operates with glowing color contrasts and mixtures, as an expression of his South American descent, increasing their presence through the relief structure of the color cones that are subject to continual changing caused by different light reflections and shadows. On the other hand, Mavignier controls this vivacity and illuminating force through a precise, mathematical order that leaves nothing to chance in his works. The characteristic fascination of this piece is equally based on this contrast.He had another artistic breakthrough in 1982 with posters which were readable from all sides. In 1985 he received the art-and-design-prize of the Stankowski Stiftung. Recently, his works were shown at the Museu de Arte Moderna in Sao Paulo in 2000 and at the Museum für Konkrete Kunst in Ingolstadt.Called up: December 5, 2015 - ca. 17.12 h +/- 20 min.
Almir Silva De Mavignier - Untitled

Almir Silva De Mavignier - Untitled

Original
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Net Price
Lot number: 2211
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Description:
Almir "da" Silva Mavignier (1925-) Description: Geb. 1925 Rio de Janeiro, lebt und arbeitet in Hamburg. Untitled. Screen print in colours on wove paper. Signed lower right and numbered 46/60 lower left. Slight foxing. Unframed. Geb. 1925 Rio de Janeiro, lebt und arbeitet in Hamburg. Ohne Titel. Farbserigraphie auf Velin. U.r. sign. und u.l. 46/60 num. Leicht stockfleckig. H. 49, B. 76 cm (Darstellungsgröße). Ungerahmt.
Almir Silva De Mavignier - Punctum

Almir Silva De Mavignier - Punctum

Original 1965
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Gross Price
Lot number: 95
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Description:
Almir Silva Mavignier (b. 1925) Punctum the set of nine screenprints in colours, 1965, on wove paper, signed and dated in pencil, inscribed epreuve d’’’’artiste für Meissner artist’’’’s proofs dedicated to the printer, including two additional, unpublished plates (the final portfolio comprised only seven prints), with margins, in apparently good condition, unexamined out of their frames Image: 634 x 630 mm.
Almir Silva De Mavignier - Deformiertes Quadrat

Almir Silva De Mavignier - Deformiertes Quadrat

Original
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Net Price
Lot number: 206
Other WORKS AT AUCTION
Description:
Lot 206: MAVIGNIER, ALMIR DE SILVA 1925 Rio da Janeiro Deformiertes Quadrat.1954/1955. Oil on canvas. 60 x 60cm. Signed verso on the canvas: Mavignier. Dated above: 54/55. On the stretcher again signed and dated. Additionally signed, dated, titled and Description: 1954/1955. Oil on canvas. 60 x 60cm. Signed verso on the canvas: Mavignier. Dated above: 54/55. On the stretcher again signed and dated. Additionally signed, dated, titled and indications concerning the technique on the back panel of the frame. Framed. Mavignier, Almir de Silva 1925 Rio da Janeiro Deformiertes Quadrat 1954/1955. Öl auf Leinwand. 60 x 60cm. Signiert verso auf Leinwand: Mavignier. Darüber datiert: 54/55. Auf Keilrahmen nochmals signiert und datiert. Zudem auf der Rahmenrückwand nochmals signiert, datiert, betitelt und mit Angaben zur Technik versehen. Rahmen.
Almir Silva De Mavignier - Exhibitions Group Of 5 Posters

Almir Silva De Mavignier - Exhibitions Group Of 5 Posters

Original
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Lot number: 257
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Description:
ALMIR MAVIGNIER (1925- ) [EXHIBITIONS.] Group of 5 posters. Circa 1970s. Each approximately 33x23 1/2 inches, 83 3/4x59 3/4 cm. Condition varies, generally A- / A. Silkscreen. Paper. Born in Rio de Janeiro, Mavignier moved to Europe in the early 1950s, where he studied under Max Bill and Josef Albers at the Hochschule für Gestaltung in Offenbach. Toward the end of the decade he had his own studio and was working both as a painter and a graphic designer. His specialty was concrete and Op art, within which he worked with dot pictures, grid patterns and other geometrical studies. Between 1957 and 1970, he designed 55 posters for the Ulm Museum, as well as many other posters for different exhibitions around the world. Group includes: Plakate / Retrospective ; Mavignier / Edition Meissner ; Mavignier / Galerie Schoeller ; Soto ; and Kunsthalle Bielefeld . Kunstler Plakate p. 62.
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