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Janjansz. Ii De Heem

(1650 -  1695 )
de HEEM JanJansz. II Nature Morte

Galerie Moderne
Feb 18, 2014
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Artworks in Arcadja
4

Some works of Janjansz. Ii De Heem

Extracted between 4 works in the catalog of Arcadja
Janjansz. Ii De Heem - Still Life With Fruits And Oysters On A Table.

Janjansz. Ii De Heem - Still Life With Fruits And Oysters On A Table.

Original -
Estimate:

Price:

Lot number: 3035
Other WORKS AT AUCTION
Description:
*
HEEM,

JAN JANSZ.

DE
(Antwerp 1650 - circa 1695 London)

Still life withfruits and oysters on a table.

Oil on canvas.

60x 69.5 cm.

Provenance: - Private collection, Boston,acquired by the grandfather of the then owner before 1935. - ArtDealership Noortman, Maastricht. - Private collection , Europe.Expertise : Sam Segal, 14. 7. 2001.
€ 61 540.- / 92 310.-
*
HEEM, JAN JANSZ. DE
(Antwerpen 1650 - circa 1695London) Stilleben mit Früchten und Austern auf einem Tisch. Öl aufLeinwand. 60 x 69,5 cm.
Provenienz: - Privatsammlung, Boston,erworben vom Grossvater des damaligen Besitzers vor 1935. -Kunsthandel Noortman, Maastricht. - Privatsammlung, Europa.Gutachten: Sam Segal, 14. 7. 2001. Sam Segal identifiziert diesesStilleben als ein Werk des Utrechter Malers Jan Jansz. De Heem undvergleicht es mit anderen Gemälden aus dem Oeuvre des Künstlers. Sodasjenige im Kunsthaus in Zürich aus der Sammlung Koetser (Öl aufLeinwand, 41,5 x 56 cm), das im Kunstmuseum in Sankt Gallen (Inv.Nr. A142, Öl auf Leinwand, 47 x 61 cm), das in der NationalgalerieWarschau (Inv. Nr. 185967, Öl auf Holz, 47 x 67 cm), das in derAusstellung "Jan Davidsz. De Heem und sein Kreis" gezeigteStilleben (Ausstellung im Centraal Museum, Utrecht und Herzog AntonUlrich Museum, Braunschweig, 1991, S. 146, Abb. 11) sowie das 1990bei Gallery Otto Naumann, New York (Öl auf Holz, 48,5 x 64 cm)erwähnte Gemälde. Die qualitätsvolle Atmosphäre des Stillebensbeschreibt Segal wie folgt: "The fine atmosphere of the painting isdue to elements of space, the harmonious distribution of theobjects, the colour composition and the lively, fresh aspect by thewater drops. Space is determined by a diagonal from lower left toupper right, leaving the main objects with a rectangular trianglewhich occupies only one third of the surface of the painting. Mostcolours are soft hues in between red, green, yellow and grey, orrelated hues like orange, purplish and brownish, with manytransitions."

€ 61 540.- / 92310.-
Janjansz. Ii De Heem - Bodegón De Mesa

Janjansz. Ii De Heem - Bodegón De Mesa

Original 1695
Estimate:

Price: Not disclosed
Lot number: 62177
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Janjansz. Ii De Heem - A Silver Tazza And A Basket Laden With Fruit

Janjansz. Ii De Heem - A Silver Tazza And A Basket Laden With Fruit

Original
Estimate:

Price:

Gross Price
Lot number: 27
Other WORKS AT AUCTION
Description:
Jan Jansz. de Heem (Antwerp 1650-after 1695)
A silver tazza and a basket laden with fruit, silver platters with fruit and a partly peeled lemon, an overturned silver flagon, a glass cup and cover, a flute, and a lobster on a chest on a draped table, before a window with a view of a farm
signed 'J.de.Heem.ft.' (upper right)
oil on canvas
325/8 x 42½ in. (82.8 x 108 cm.)
Saleroom Notice
Mr. Fred Meijer of the RKD, to whom we are very grateful, regards this as a characteristic work of Jan Davidsz. de Heem.
Provenance
Provenance
Khokenko, Kiev, 1899, no. 326. Anon. Sale, Helbing, Munich, 28 April 1932, lot 196. Anon. Sale, Kende, Vienna, 9 November 1932, lot 37. Anon. Sale, Flechtheim, Helbing & Paffrath, Dusseldorf, 11 March 1933, lot 40. with Matthiessen Galerie, Gotenburg, 1939. Anon. Sale, Bulowski, Stockholm, 2 November 1976, lot 13.
Exhibited
Utrecht, Centraal Museum, Jan Davidsz de Heem en Zijn Kring, 1991, no. 34.
Lot Notes
This picture was for long regarded as a work by Jan Davidsz de Heem, and versions of it exist by his followers - including one in the Hamburger Kunsthalle in 1921, last sold in Paris 1969, and another in the Israel Museum, Jerusalem - until it was recognised as by the hand of his son, Jan Jansz. de Heem, and published as such by Sam Segal in the catalogue of the 1991 exhibition (loc. cit.). Jan Jansz. de Heem was a pupil of his father's, and is known to have lived and worked with him in Utrecht between 1667-1672, greatly influenced by his father's work - indeed his father is recorded by Houbraken as having retouched his son's work. Although little is known about his subsequent career, recent scholarship has re-attributed several works formerly regarded as by Jan Davidsz. to Jan Jansz.'s hand, including the Banqueting scene in the Metropolitan Museum, New York (inv. no. 12.195; formerly regarded as a work by Jan Davidsz. of the 1640s), the Still life with a monkey in the Wallace Collection, London (inv. no. P76) and a Still Life in the Mauritshuis, The Hague. The composition is certainly typical of Jan Davidsz. de Heem's pronkstilleven, however certain details support the revised attribution, for example the handling of the leaves and the highlights of the metal objects, as well the signature, which is untypical for the father (the style of the 'j' and 'f' are unusual, and the flourish on the 'h' is bigger than might normally be expected).
Janjansz. Ii De Heem - Nature Morte

Janjansz. Ii De Heem - Nature Morte

Original -
Estimate:

Price:

Net Price
Lot number: 161
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