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Jan Davidsz. De Heem

Netherlands (Utrecht 1606 -  Anversa 1683 ) Wikipedia® : Jan Davidsz. De Heem
de HEEM Jan Davidsz. Still Life Of Fruit

Sotheby's
Jan 28, 2016
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Artworks in Arcadja
192

Some works of Jan Davidsz. De Heem

Extracted between 192 works in the catalog of Arcadja
Jan Davidsz. De Heem - A Tulip, Roses, Apple Blossoms, Cornflowers And Other Flowers

Jan Davidsz. De Heem - A Tulip, Roses, Apple Blossoms, Cornflowers And Other Flowers

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Lot number: 19
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Jan Davidsz. de Heem (Utrecht 1606-1684 Antwerp) A tulip, roses, apple blossoms, cornflowers and other flowers in a glass vase on a stone ledge, with a pipe, taper, oysters and an orange, with a butterfly signed (strengthened?) 'J D.De Heem. fecit' (lower right, on the ledge) oil on panel 18¾ x 15¾ in. (47.6 x 40 cm.) Provenance Baroness zu Guttenberg, before 1948. with Schaeffer Galleries, New York, 1948, by whom sold to the following, with John Nicholson Gallery, New York, where acquired by the following, Dr. Louis A. Witzeman, Akron, Ohio, 1949, and by inheritance until sold; Christie\’s, London, 2 July 2013, lot 16 (£757,875).
Jan Davidsz. De Heem - Still Life With A Peeled Lemon

Jan Davidsz. De Heem - Still Life With A Peeled Lemon

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Lot number: 119
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PROPERTY FROM A PRIVATE COLLECTION Jan Davidsz. de Heem STILL LIFE WITH A PEELED LEMON, OYSTER AND A SILVER PLATE WITH GRAPES, PLUMS AND A FAÇON-DE-VENISE GLASS FILLED WITH WHITE WINE, ALL ON A WOODEN TABLE PARTIALLY DRAPED WITH A GREEN CLOTH UTRECHT 1606 - 1683/4 ANTWERP signed lower left: J . De. heem . f . oil on oak panel 40.1 x 52.4 cm.; 15 3/4 x 20 5/8 in. (including a 2.9 cm. addition at the top, which appears to be original) Provenance Elsen Collection, Antwerp, circa 1900; Thence by descent until sold New York, Sotheby's, 24 January 2008, lot 8, for $700,000; With Richard Green, London, from whom acquired by the present owner. Literature F.G. Meijer, Jan Davidsz. de Heem (1606-1684), doctoral diss., Amsterdam 2016, vol. I, p. 172, reproduced pp. 173 and 364, vol. II, pp. 167-68, cat. no. A 146.
Jan Davidsz. De Heem - Still Life

Jan Davidsz. De Heem - Still Life

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Lot number: 38
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Jan Davidsz. de Heem

STILL LIFE WITH A WHOLE AND A HALVED PEACH ON A PEWTER PLATE, TOGETHER WITH GRAPES, LEMONS AND CHERRIES, ALL ON A TABLE DRAPED WITH A GREEN CLOTH

UTRECHT 1606 - 1683/4 ANTWERP

signed upper right: J. De. heem f oil on panel, the reverse branded with the panel maker's mark of François de Bout 26.2 x 38.5 cm.; 10 1/4 x 15 1/4 in.

Collection Th.W.H. Ward, London, by 1928; With Wheeler, London; With P. de Boer, Amsterdam; In the collection of the family of the present owner since at least 1958.
Jan Davidsz. De Heem - Still Life Of Fruit

Jan Davidsz. De Heem - Still Life Of Fruit

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Lot number: 44
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Jan Davidsz. de Heem

UTRECHT 1606 - 1683/4 ANTWERP

STILL LIFE OF FRUIT ON A PEWTER PLATE AND IN A WAN-LI KRAK PORCELAIN BOWL, A PARTIALLY PEELED LEMON AND A SPRIG OF CHERRIES ON A TABLE DRAPED WITH A GOLD-HEMMED CLOTH

signed lower right on the edge of the table: J. D. de Heem f.

oil on panel

11 7/8 by 16 3/4 in.; 30.3 by 42.7 cm.

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Saleroom Notice

Provenance

Anonymous sale, London, Sotheby's, 14 December 1977, lot 87;

With Richard Green, London, 1978;

N. Pokutta, Munich, 1989;

With Galerie de Jonckheere;

By whom sold to a private collector, Switzerland;

By whom anonymously sold ("Property of a Private Swiss Collector"), New York, Sotheby's, 28 January 1999, lot 314, where purchased by the present collector.

Catalogue Note
Jan Davidsz. de Heem, son of the artist David de Heem, was born in Utrecht but moved to Leiden in 1625, and while little is known of his training, it was there that his painting began to flourish. De Heem's first still lifes date from the late 1620s and were influenced by the paintings of Balthasar van der Ast and the more muted style of Pieter Claesz. By 1636, he had moved to Antwerp, where he was exposed to the freer, more decorative and colorful style of the southern Netherlands. De Heem's great achievement was to synthesize these two approaches and forge a new style that was both painterly and extraordinarily illusionistic. He is perhaps best known today for his innovative pronkstillevens or luxury still lifes, with their tables heaped with exotic food, silver, and sea shells, but at the same time he painted smaller works, which, though simpler, convey a remarkable sense of the beauty and the physical presence of the objects depicted.
It is this more magisterial style that distinguishes his works of the 1650s. His paintings during these years, including the present example, are characterized by a greater monumentality and depth that distinguishes him from the artists of the previous generation; it is in panels such as this that de Heem shows to great effect his enormously influential integration of the colorful Flemish style with the more intimate scale and restrained mood of the northern Netherlands.
Based on photographs, Fred G. Meijer of the Rijksbureau voor Kunsthistoriche Documentatie, The Hague, has confirmed this painting to be a work by de Heem which can be dated to circa 1653. It will be included in his forthcoming catalogue raisonné on the artist.
Jan Davidsz. De Heem - Grapes, Peaches, Blackberries

Jan Davidsz. De Heem - Grapes, Peaches, Blackberries

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Lot number: 44
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Jan Davidsz. de Heem (Utrecht 1606-1684 Antwerp) Grapes, peaches, blackberries, scallops, chestnuts, and façon-de-Venise wine glasses on a partially draped stone ledge with a snail, a butterfly, and a bumblebee signed 'J D De Heem' (upper right) oil on oak panel 15 ½ x 18 ½ in. (39.4 x 47 cm.)
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