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Nicholas De Grandmaison

(1892 -  1978 )
GRANDMAISON de Nicholas Tom Bull, Cree, Hobbema

Hodgins /May 25, 2015
10,343.40 - 13,791.20
14,481.60

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Along with Nicholas De Grandmaison, our clients also searched for the following authors:
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Artworks in Arcadja
76

Some works of Nicholas De Grandmaison

Extracted between 76 works in the catalog of Arcadja
Nicholas De Grandmaison - Blood Indian From Browning, Montana

Nicholas De Grandmaison - Blood Indian From Browning, Montana

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Lot number: 306
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Nicholas de Grandmaison ARCA OC 1892 - 1978 Canadian Blood Indian from Browning, Montana pastel on sandpaper signed indistinctly and inscribed � and on verso titled and inscribed "Property of ON de Grandmaison" and "N de Grandmaison" 28 7/8 x 20 1/2 in 73.3 x 52.1cm Browning, Montana, is a town in Glacier Country situated on American Blackfeet Indian lands directly across the border from Canada. It is part of the Blackfoot Confederacy. These lands were among the places visited by Meriwether Lewis and William Clark in their Corps of Discovery Expedition (1804 - 1806). The Blood Indians, or Kainai people of Alberta, are also a part of the Blackfoot Confederacy, and were among the many different groups of Plains Indians that de Grandmaison immortalized in his work.
Nicholas De Grandmaison - Untitled - Papoose

Nicholas De Grandmaison - Untitled - Papoose

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Lot number: 25
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NICHOLAS DE GRANDMAISON ~ [1892-1978] Canadian Untitled - Papoose Media: pastel on sandpaper 13.5 x 11 in. / 34 x 28 cm. Notes: signed lower right; artist's copyright stamp verso; framed; repair along right side noted - see verso image Provenance: purchased from the artist; from a Banff estate and by descent
Nicholas De Grandmaison - Papoose In Pigtails

Nicholas De Grandmaison - Papoose In Pigtails

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Lot number: 26
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NICHOLAS DE GRANDMAISON PAPOOSE IN PIGTAILS pastel signed 11 ins x 8.75 ins; 27.9 cms x 22.2 cms Provenance: Private Collection, Ontario Literature: Hugh A. Dempsey, History in Their Blood , Douglas & McIntyre, Vancouver/Toronto, 1982, page 16. Note: De Grandmaison did not often title his portraits of women and children, preferring to label them generically as “Squaw” or “Papoose.” Belatedly, he realized the historical significance of recording the names of all his subjects, as he did for the Indian Chiefs he drew. Nonetheless, his portraits of children such as this lot were far from being stock types and were said to be so faithful to their subjects that, according to Dempsey, a relative might exclaim: “Ki-ai-yowww” or “it’’s just like him (or her).”
Nicholas De Grandmaison - Tom Bull, Cree, Hobbema

Nicholas De Grandmaison - Tom Bull, Cree, Hobbema

Original 1946
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Lot number: 76
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Canadian RCA [1892-1978] TOM BULL, CREE, HOBBEMA; ca 1946 pastel on paper 17.75 x 13.75 in. (45.1 x 34.9 cm) signed; titled verso Provenance: Estate of Eric Connelly, Calgary Note: Also known as Good Man (Pahkakino), illustrated plate 46, page 96 "History in Their Blood" (Hugh A. Dempsey, Douglas & McIntyre, 1985) with the caption: ..."Like his father (Chief Muddy Bull), Good Man farmed and provided leadership for his people, particularly through the Indian Association of Alberta. He was one of the most popular and respected men on the four reserves that made up the Hobbema agency." Reference: A portrait of this subject (oil on canvas board) can be found in the collection of the University of Lethbridge Art Gallery (Accession #1994 373).
Nicholas De Grandmaison - Papoose In Pigtails

Nicholas De Grandmaison - Papoose In Pigtails

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Lot number: 17
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NICHOLAS DE GRANDMAISON PAPOOSE IN PIGTAILS pastel signed 11 ins x 8.75 ins; 27.9 cms x 22.2 cms Private Collection, Oakville De Grandmaison’’s early career began with childrens’’ portrait commissions in Winnipeg. While he would become best-known for his majestic renditions of Native Canadian elders, he continued to do portraits of children, particularly native children.
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