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Gaspar Miguel De Berrio

(1706 -  1762 )
DE BERRIO Gaspar Miguel Virgen Inmaculada

Christie's
May 28, 2003
Find artworks, auction results, sale prices and pictures of Gaspar Miguel De Berrio at auctions worldwide.
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Along with Gaspar Miguel De Berrio, our clients also searched for the following authors:
Miguel Cabrera
Artworks in Arcadja
4

Some works of Gaspar Miguel De Berrio

Extracted between 4 works in the catalog of Arcadja
Gaspar Miguel De Berrio - La Coronación De La Virgen Por La Santísima Trinidad

Gaspar Miguel De Berrio - La Coronación De La Virgen Por La Santísima Trinidad

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Lot number: 170
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Description:
School of Potosí, Attributed to Gaspar Miguel de Berrio (1706-1762) La Coronación de la Virgen por la Santísima Trinidad inscribed 'TOTA PULCRA ES MARIA ET MACULA NON ES IN TE, ALABADO SEA EL SANTISIMO SACRAMENTO, ALABADO SEA LA INDIVIDUA TRINIDAD' (flanking the central image) oil on copper 12 3/8 x 12 in. (32.1 x 30.5 cm.) Provenance Anticuario Jorge Nuñez, La Paz, Bolivia. Private collection, France (acquired 19 July 1975). Acquired from the above by the present owner.
Gaspar Miguel De Berrio - Adoration Of The Shepherds

Gaspar Miguel De Berrio - Adoration Of The Shepherds

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Lot number: 111
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Attributed to Gaspar Miguel de Berrio (School of Potosí, 1706-1762)
Adoration of the Shepherds
oil on canvas
32 1/2 x 39 1/2 in. (82.6 x 100.3 cm.)
Provenance
Forma Galleries, Coral Gables.
Bill Morgenstern, Miami .
Gaspar Miguel De Berrio - L'immaculée Conception

Gaspar Miguel De Berrio - L'immaculée Conception

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Lot number: 86
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Gaspar Miguel De Berrio - Virgen Inmaculada

Gaspar Miguel De Berrio - Virgen Inmaculada

Attributed 1760
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Lot number: 61
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Attributed to Gaspar Miguel de Berrio (18th Century) (1706-1762)
Virgen Inmaculada
oil on canvas
62½ x 43in. (159 x 109.5cm.)
Painted ca. 1750-1760
Provenance
Rui Quintela collection, Lisboa
Private collection, Bahia
Lot Notes
The criollo Gaspar Miguel de Berrio (1706-1762), one of Alto Peru's most prominent masters worked in Puno, Potosí and Sucre around 1744. This Immaculate Virgin presents an apocalyptic "Planet Woman" standing on a crescent moon. Her physiognomy is characteristic of the Madonnas depicted by Berrio. The rainbow nimbus which encircles the Virgin Mary's head is also a hallmark of his style. Angels in the painting are finely executed. The Brocateado (application of gold to simulate embroidered designs) and simulation of lace are enhancing features of the work.
Sorrounding the Virgin Mary are traditional attributes which derive from the Song of Songs and Hebrew prophecy. Among them are: Staircase to Heaven, the Rose of Sharon, the Cedar of Lebanon, the Portal to Heaven, the Spotless Mirror, and the Palm Tree. The lower terrain suggests the environ of Potosí, in particular on the left, the Cerro Gordo, where silver was mined.
Barbara von Barghahn
March 6, 1999
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