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Honore Daumier

France (Maerseille 1808 -  Valmondois 1879 ) Wikipedia® : Honore Daumier
DAUMIER Honore  Les Gens De Justice

888auctions
Feb 14, 2019
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Variants on Artist's name :

Daumier Honoré

Daumier Honoré Victor

 

Artworks in Arcadja
1686

Some works of Honore Daumier

Extracted between 1,686 works in the catalog of Arcadja
Honore Daumier - Le Ventre Legislatif, From: L'association Mensuelle

Honore Daumier - Le Ventre Legislatif, From: L'association Mensuelle

Original 1834
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Lot number: 37
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Description:
HONORÉ DAUMIER (1808-1879) Le Ventre Legislatif, from: L'Association mensuelle lithograph, on Chine appliqué on white wove paper, 1834, a very good impression, published by Aubert, Paris; together with Le Procureur-Général Plougoulm (deuxieme planche), by the same hand, lithograph, on thin white paper, 1833, a rare impression of the second, final state Image 280 x 431 mm., Sheet 329 x 465 mm. (D. 131) Image & Sheet 309 x 234 mm. (D. 167)
Honore Daumier - Les Amateurs De Tableaux

Honore Daumier - Les Amateurs De Tableaux

Original 1858-62
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Gross Price
Lot number: 406
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Description:
LES AMATEURS DE TABLEAUX Honoré Daumier 1810 - 1879 oil on board 31 x 24,4 cm; 12 1/4 x 9 5/8 in. Painted circa 1858-62. Henri Rouart, Paris (his sale: Galerie Manzi-Joyant, Paris, December 10,1912, lot 173) Galerie Eugène Blot, Paris Eugène Rehns, Paris (acquired before 1930) Private collection, Europe (by descent from the above) Galerie Brame & Lorenceau, Paris Acquired from the above by the present owner in 2005 Literature Erich Klossowski, Honoré Daumier, Munich, 1923, no. 362, mentioned p. 119 Eduard Fuchs, Der Maler Daumier, Munich, 1930, no. 113, illustrated pl. 113 K. E. Maison, Honoré Daumier, Catalogue Raisonné of the Paintings, Watercolours and Drawings,London, 1968, vol. I, no. I-132, illustrated pl. 88 Pierre Georgel & Gabriel Mandel, Tout l'œuvre peint de Daumier, Paris, 1972, no. 181, illustrated p. 103 Catalogue Note Daumier began exploring the theme of art connoisseurs at the end of the 1850s. The artist produced at least 20 drawings as well as 30 others works which deal with this motif. This artwork takes us into what is probably one of the fourteen rooms of the auction house known as the Hôtel Drouot, which had been inaugurated on June 1, 1852. Daumier was a fine observer of the France of Balzac, of the tumultuous daily life of the rapidly changing city of Paris that the writer described so astutely in his novels published at that time. Daumier was especially aware of the emergence of a new middle-class, which brought about new amateurs and collectors of all kinds. He himself was very well-integrated in the artistic and intellectual circles of the capital. He was friends with Charles Baudelaire, Eugène Delacroix, Gerard de Nerval and Théophile Gautier, among others. They would meet at the notorious parties held by the Club des Haschischinsat the Hôtel de Pimodan on the Île Saint-Louis, next to the artist\’s residence. In Les Amateurs de tableaux, Daumier did not resort to the conventions of satire, which otherwise permeated his work. Rather, he ventured into the realms of realistic painting by depicting a scene of Parisian contemporary life far in style and subject from the classical canons of academic painting.In this work he clearly moves beyond his scathing caricatures. Daumier himself, in one of his few recorded maxims, clearly stated: \“We must live in our time!\” (Arsène Alexandre, Honoré Daumier, l\’homme et l\’œuvre, Paris, 1888, p.203)
Honore Daumier - L'album Du Siège

Honore Daumier - L'album Du Siège

Original 1870-71
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Lot number: 166
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HONORÉ DAUMIER L'Album du Siège. Volume with text and 39 lithographs (including lithographs by Daumier and Cham), 1870-71. 300x235 mm; 11 3/4x9 1/2 inches (sheets), bound. Published by Charivari, Paris. Very good impressions. Red paste board portfolio cover. Delteil 3426, 3427, 3434, 3441, 3453, 3455, 3459 and 3461.
Honore Daumier - Tête D'homme

Honore Daumier - Tête D'homme

Original
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Gross Price
Lot number: 33
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HONORÉ DAUMIER (1808-1879) Tête d'homme pen, wash, ink and pencil on buff paper 7 x 5.4cm (2 3/4 x 2 1/8in). Footnotes Provenance Otto Gerstenberg Collection, Berlin. Margarethe Scharf Collection, Germany. Fritz & Peter Nathan Collection, Zurich. Anthony van Hoboken Collection, Vienna. Private collection; her sale, Sotheby & Co., 3 December 1958, lot 111. Piccadilly Gallery, London. Fritz Gross Collection, London, no. 564 A (acquired from the above in May 1961). Thence by descent to the present owner. Exhibited Oxford, The Ashmolean Museum, Impressionist and Modern, The art and collection of Fritz Gross, 14 August – 21 October 1990, no. 11. Literature K. E. Maison, Honoré Daumier, Catalogue Raisonné of the Paintings, Watercolours and Drawings, Vol. II, The Watercolours and Drawings, London, 1968, no. 18a (illustrated pl. 3).
Honore Daumier -  Les Gens De Justice

Honore Daumier - Les Gens De Justice

Original
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Lot number: 41
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Description:
French Two Etchings Initialed Honore Daumier Two etchings on paper. The first etching inscribed Les gens de justice and initialed HB Honore Daumier on the lower left of the etching and inscribed 162/20 on the lower right corner. On verso, stamped Editions Arterre Paris 18 and in pencil inscribed Hb 8 on the lower left corner. Also inscribed DISEGNI INCISIONI 200 in pencil. The second etching inscribed 163/200 in pencil on the lower right corner. On verso inscribed DISEGNI INCISIONI 200 in pencil. Honore Daumier (1808-1879) was a French painter and printmaker best known for his caricatures critiquing and satirizing society and politics in 19th-century France. His two most famous characters were the bourgeois Robert Macaire and the evil Ratapoil, each depicted with grotesquely exaggerated features. Born on February 26, 1808 in Marseille, France, the artist went on study at the Academie Suisse followed by a stint working for the Belliard publishing house, where he first learned lithography. During the rule of Louis Phillipe, he was imprisoned for his infamous depiction of the king as Gargantua (the gluttonous giant in François Rabelais\’ novel) in the magazine La Caricature. Charles Baudelaire once said of Daumier that he was, \“one of the most important men, I will not say only of caricature, but also of Modern Art.\” Daumier\’s works are in the collections of the Louvre Museum in Paris, The Metropolitan Museum of Art in New York, the Rijksmuseum in Amsterdam, the Hermitage Museum in St. Petersburg, the National Gallery in London, and the Neue Pinakothek in Munich, among others. Daumier died on February 10, 1879 in Valmondois, France.
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