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Horia Damian

Romania (București 1922 -  Paris 2012 )
DAMIAN Horia Bleu-marine Aux Traces Dorées

Christie's
Apr 14, 2015
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Variants on Artist's name :

Damien Horia

Horia Damin

 

Artworks in Arcadja
243

Some works of Horia Damian

Extracted between 243 works in the catalog of Arcadja
Horia Damian - Hexagonal Blue

Horia Damian - Hexagonal Blue

Original 1959
Estimate:

Price:

Gross Price
Lot number: 255
Other WORKS AT AUCTION
Description:
Sale 1802 Lot 255 Horia Damian (Romanian/Paris, 1922-2012) "Hexagonal Blue", 1959 oil on canvas verso with several exhibition labels including "Museum of Modern Art, Carnegie Institution, Pittsburgh, Pennsylvania" and "The American Federation of Arts, New York", each with artist name, title and dimensions. Presented in a thin contemporary frame. 72-7/8" x 70-7/8", framed 74" x 72-1/4" Provenance: Deaccessioned property of a Southern institution.
Horia Damian - Le Chevalier Endormi

Horia Damian - Le Chevalier Endormi

Original 2006
Estimate:

Price:

Lot number: 13
Other WORKS AT AUCTION
Description:
Horia Damian 1922, Bucureşti - 2012, Paris 2006 2006 acrylic on plywood glued on plywood, 59 × 60.5 cm, signed and dated lower right, in grey, "HD, 8.8.6"; numbered upper centre, in red, "7"; signed, entitled, dated and dedicated on the back, in pencil, "Damian, Le chevalier endormi, 2006, Pour Wolfgang, pour notre vieille amitie et pour ton text d'intelligence et de ferveur, Merci, Horia, Frankfurt
Horia Damian - Bleu-marine Aux Traces Dorées

Horia Damian - Bleu-marine Aux Traces Dorées

Original 1961
Estimate:

Price:

Gross Price
Lot number: 209
Other WORKS AT AUCTION
Description:
Lot Description

Horia Damian (1922-2012)
Bleu-marine aux traces dorées
signed and dated 'DAMIAN 61' (lower right)
oil, gold leaf and polyester on canvas
220 x 167 cm.
Executed in 1961

Special Notice



Provenance

Galerie Stadler, Paris. Acquired from the above by the present owner in 1961.

Pre-Lot Text

PROPERTY FROM AN IMPORTANT BELGIAN COLLECTION
Horia Damian - Eve Endormie

Horia Damian - Eve Endormie

Original
Estimate:

Price:

Net Price
Lot number: 5
Other WORKS AT AUCTION
Description:
Eve endormie
[2004]
Horia Damian
1922, București - 2012, Paris
acrylic, canvas and collage on wooden panel, 80 × 85 cm, signed, dated and dedicated on the back, in black, "Je l'ai donné à Stephane, car j'ai aimé son travail, son talent et son enthusiasme", Damian, le 8.1.(20)04
Pentru a licita trebuie să fiți autentificat

SELECTED EXHIBITIONS:

1942 – Participates at the Venice Biennale

1952 – Exhibition with André Enard, Arnaud Gallery, France

1956 – Solo exhibition, Stadler Gallery, Paris, France

1957 – Solo exhibition, Leo Castelli Gallery, New York, USA

1962 – Solo exhibitions, Museum of Modern Art, New York, USA

1972 – Solo exhibition Museum of Modern Art, Paris, France

1973 – Participates at the Sao Paolo Biennale

1976 – Solo exhibition, Guggenheim Museum, New York, USA

1980 – Solo exhibiton, Georges Pompidou Centre, Paris, France

SELECTED AWARDS :

1946 - \“Anastase Simu\” Award

1956 – Lissone Award, Milano, Italy
Horia Damian - Joueurs De Rugby

Horia Damian - Joueurs De Rugby

Original 1949
Estimate:

Price:

Gross Price
Lot number: 316
Other WORKS AT AUCTION
Description:
Provenance

Acquis avant 1982

Exhibited

Paris, Musée d'Art Moderne de la Ville de Paris et Museum of Fine Arts, Houston, Fernand Léger, l'esprit moderne, 1982, no. 137

Paris, Galerie 1900-2000, RETRO SPORT 1850-1940, 1984, no. 363.

316

Horia Damian

1922 - 2012

JOUEURS DE RUGBY, 1949

signé du monogramme et daté 49 en bas à gauche (apocryphe)

huile sur toile

115 x 146 cm (45 1/4 x 57 1/2 in.)

Peint dans l'atelier de Fernand Léger en 1949.

EUR

Print

The canvas is not lined. There is a network of hairline craquelure, particularly visible in the yellow pigment, and some shrinkage, notably in the black below the number "10" shirt. Examination under UV light reveals several scattered spots that fluoresce predominantly in the lower half, indicating considerable retouching, notably to repair a 5cm tear visible in the black towards the centre of the composition. Otherwise this work remains in stable condition.
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