Salvador Dali

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Spain ( Figueras 1904 - Figueras 1989 ) - Artworks Wikipedia® - Salvador Dali

Auction House:
Christie's / May 9, 2013
Estimate:€30,663.09 - €45,994.63
Price:€71,334.38

Find artworks, auction results, sale prices and pictures of Salvador Dali at auctions worldwide.

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Variants on Artist's name :

Dali' Salvador

Dalí Salvador

Dali Salvator

Along with Salvador Dali, our clients also searched for the following authors:
Caspar Netscher, Umberto Boccioni, Fernandez Arman , Filippo De Pisis, Mario Schifano, Roberto Gaetano Crippa, Ubaldo Gandolfi, Antonio Possenti, Pier Francesco Mola, Juan De Arellano Y Francisco Camilo, Mario Sironi

Artworks in Arcadja

9516

Some works of Salvador Dali

Extracted between 9,516 works in the catalog of Arcadja

Salvador Dali - The Dentist From L'aventure Medicale

Original

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Auction: Gray's Auctioneers - May 15, 2013- Cleveland

Lot number: 79
Other WORKS AT AUCTIONDescription:

Salvador Dali (1904-1989) The Dentist from L'Aventure Medicale, Color lithograph on paper, Signed lower right. Artist proof. Dimensions: h: 23 x w: 18 in. Estimate $ 500-700 Note condition: hinge mounted at upper edge to bottom mat and backing board, some minor handling marks at hinge mounts, paper tearing on verso at right hinge, minor acid damage halo at mat opening.

Salvador Dali - Don Quichotte

Original 1965

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Auction: Palais Dorotheum - May 15, 2013- Vienne

Lot number: 1420
Other WORKS AT AUCTIONDescription:

Salvador Dali * (Figueras 1904–1989) Don Quichotte, 2 pages, signed, dated and inscribed Dalí 1965, Don Quichotte “Pour Alfred” (on the left page) et chavalier”W(illisible) en appreciAtioN/de sa colaboratioN/et (illisible) Ami ” (on the right page), pen on thick paper, right sheet is the frontispiece of the publication “The World of Salvador Dalí” by Robert Descharnes, 29.6 x 25 and 29.6 x 24.4 cm, framed, (PS) Expertise: Nicolas, Robert and Olivier Descharnes, Archive Descharnes, Azay-le-Rideau, October 11, 2012 The work is archived under number d5182.

Salvador Dali - Destino Project For Peintre-scaphandrier

Original

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Auction: Leslie Hindman - May 12, 2013- Chicago

Lot number: 1021
Other WORKS AT AUCTIONDescription:

Salvador Dali (Spanish, 1904-1989) Destino Project for Peintre-scaphandrier pencil on paper 5 3/4 x 7 3/4 inches. Estimate $ 4,000-6,000 Exhibited: Newport Beach, California, Salvador Dali at Newport Lexus , June 19-30, 2008 Fort Worth, Texas, Dali 100 Years , June 10-27, 2004 San Francisco, California, Dali 100 Years , May 10 - 30, 2004 New York, New York, Dali in Manhattan , April 20 - May 1, 2002 This work is accompanied by a certificate of authenticity from the Fundacio Gala-Salvador Dali.

Salvador Dali - Paris

Original

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Auction: Christie's - May 9, 2013- New York

Lot number: 129
Other WORKS AT AUCTIONDescription:

Lot Description Salvador Dali (1904-1989) Paris signed 'Salvador Dalí' (lower left) oil, gouache, watercolor and pen and ink on paper laid down on canvas 9 1/8 x 9 1/8 in. (23.1 x 23.1 cm.) Executed circa 1962-1963 Provenance Beatrice Atkin Ostern, New York (circa 1965). By descent from the above to the present owners. Pre-Lot Text Property from the Estate of Beatrice Atkin Ostern View Lot Notes > Robert and Nicolas Descharnes have confirmed the authenticity of this work.

Salvador Dali - L'oeil Fleuri

Original 1944

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Auction: Christie's - May 9, 2013- New York

Lot number: 316
Other WORKS AT AUCTIONDescription:

Lot Description Salvador Dali (1904-1989) L'oeil fleuri oil and tempera on joined canvas 74 x 76 in. (188 x 193 cm.) Painted in 1942-1944 Provenance Marqués de Cuevas (acquired from the artist, 1944). Mrs. Margaret Rockefeller de Cuevas (by descent from the above). Raymundo Larrain, Santiago (by descent from the above, 1976). By descent from the above to the present owner. View Lot Notes > Robert and Nicolas Descharnes have confirmed the authenticity of this painting. Prominent artists have long been involved in set design and in the 20th century Pablo Picasso, Salvador Dalí, Georges Braque, Juan Gris, Georges Rouault, Georgio de Chirico and others saw the theater as a fitting venue to present large scale works of art. Sergei Diaghilev engaged Picasso between 1917 and 1924 to design the backdrops and costumes for his Ballets Russes, providing an opportunity for experimental design and close collaboration on ballets that were often choreographed by Léonide Massine. Dalí was designing for theater productions as early as 1927 and later the extent of his involvement went beyond creating stage décor and costumes to providing the libretto for the ballet's Bacchanale (1939) and Labyrinth (1941). Massine, whom Dalí had met in the mid-1930s, choreographed these performances as well as Tristan Fou. Based on the opera Tristan and Isolde by Richard Wagner, it was produced by Ballet International and premiered at the International Theater in Manhattan in December 1944 before touring to London where the Grand Ballet de Monte Carlo performed it another five times. It was described by Dalí as "The First Paranoiac Ballet based on the Eternal Myth of Love in Death." Tristan, in Dalí's conception, has been driven insane with love, and in this state he sees himself slowly devoured by Isolde's Chimera, a horrible and awesome transformation of his beloved. "Thus," the program for the ballet read, "in the sublimity of the human being, are reincarnated the perverse and tragic nuptial rites of the praying mantis, wherein the female devours the male as the consummation of their union." Dalí explained in a 1944 interview with Cue magazine that Wagner's opera is "presented from the angle of love in death and death in love, the great theme of life." In this way, Dalí brings together love and destruction and allows them to evolve into one another. The present work, painted in 1942-1944, was part of the extravagant décor for the performance: "Dalí's set depicted a fantastic island with three jutting masonried horses' heads rising up from the sea. On the periphery were a car flung out on a rampart, fleurs-de-lis sprouting from human eyes, crumbling balustrades and stairs winding up to nowhere. The ballet's highlight was the fantastic final section, when the large horses' heads on the backcloth parted for the death and transfiguration of Tristan... Overall, Robert Bagar found Dalí's work 'superb, painted with Mr. Dalí's wonted mastery'" (L. Norton, Léonide Massine and the 20th Century Ballet, Jefferson, 2004, p. 286).