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Jasper Francis Cropsey

(1823 -  1900 ) Wikipedia® : Jasper Francis Cropsey
CROPSEY Jasper Francis Mounts Adam And Eve—haymaking

Sotheby's /Nov 21, 2016
56,438.72 - 75,251.62
199,877.50

Find artworks, auction results, sale prices and pictures of Jasper Francis Cropsey at auctions worldwide.
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Artworks in Arcadja
207

Some works of Jasper Francis Cropsey

Extracted between 207 works in the catalog of Arcadja
Jasper Francis Cropsey - The Meeting

Jasper Francis Cropsey - The Meeting

Original
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Price:

Lot number: 100
Other WORKS AT AUCTION
Description:
Jasper Francis Cropsey THE MEETING signed J.F. Cropsey and indistinctly dated 1894 (lower right) oil on canvas 12 1/8 by 20 1/2 inches (30.8 by 52.1 cm) This painting will be included in the forthcoming Volume II of the catalogue raisonné of the artist\\\’s work to be published by the Newington-Cropsey Foundation. Provenance Plaza Art Galleries, New York Private collection, Katonah, New York (sold: Sotheby's, New York, December 3, 1997, lot 76, illustrated) Godel & Co. Fine Art, New York (acquired at the above sale) Acquired by the present owner from the above, 1999 100 PROPERTY OF A COLLECTOR Jasper Francis Cropsey signed J.F. Cropsey and indistinctly dated 1894 (lower right) oil on canvas 12 1/8 by 20 1/2 inches (30.8 by 52.1 cm) This work is in very good condition. The canvas is lined. Under UV: there are some scattered dots and pindots of inpainting in the sky, otherwise fine. In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Jasper Francis Cropsey - Lake View In Fall

Jasper Francis Cropsey - Lake View In Fall

Original 1889
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Net Price
Lot number: 286
Other WORKS AT AUCTION
Description:
Description: Jasper Francis Cropsey (American, 1823-1900) Lake View in Fall, alternatively titled Autumn Foliage on the Ramapo River Signed and dated "J.F. Cropsey 1889" l.l. Watercolor, gouache, and pencil on paper 17 x 27 in. (43.2 x 70.5 cm), framed. Condition: Not examined out of frame. Provenance: Christie's New York, Important American Paintings, Drawings and Sculpture of the 18th, 19th and 20th Centuries, Friday, December 2, 1998, Lot 23; to a private New Jersey collection. Exhibitions: American Watercolor Society, Twenty-second Annual Exhibition, held at the National Academy of Design, New York, 1889, as no. 749, as Autumn Foliage on the Ramapo River
Jasper Francis Cropsey - Saw Mill River, Hastings-on-hudson

Jasper Francis Cropsey - Saw Mill River, Hastings-on-hudson

Original
Estimate:

Price: Not disclosed
Lot number: 170
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Description:
Property from the Collection of Alice Whitney Lorillard, Far Hills, New Jersey Jasper Francis Cropsey (1823-1900) Saw Mill River, Hastings-on-Hudson signed and dated 'J.F. Cropsey 1885' (lower center) oil and charcoal on canvas 12 x 20 in. (30.5 x 50.8 cm.) Painted in 1885. Lot Notes This painting will be included in a forthcoming volume of the catalogue raisonné of the works of Jasper Francis Cropsey by the Newington-Cropsey Foundation, Hastings-on-Hudson, New York. Provenance: Kennedy Galleries, Inc., New York. Syracuse University, Syracuse, New York, gift from the above. Sotheby's, New York, 8 December 1983, lot 78. Literature: "An Artists\\\’ Gazeteer: Portraits of Places in 19th Century American Art," The Kennedy Quarterly, vol. 10, April 1971, p. 197, no. 275, illustrated (as Saw Mill Creek, Hastings on Hudson).
Jasper Francis Cropsey - Mounts Adam And Eve—haymaking

Jasper Francis Cropsey - Mounts Adam And Eve—haymaking

Original 1883
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Gross Price
Lot number: 48
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Description:
PROPERTY FROM THE ESTATE OF ROBERT PRICE Jasper Francis Cropsey 1823 - 1900 MOUNTS ADAM AND EVE—HAYMAKING signed J.F. Cropsey and dated 1883 lower left oil on canvas 12 by 20 inches (30.5 by 50.8 cm) This painting will be included in the forthcoming Volume II of the catalogue raisonné of the artist’’’’’’’’s work to be published by the Newington-Cropsey Foundation. Sold: Ortgies & Co., New York, March 20, 1885, lot 44 (as Mt. Adam and Eve, Hay Making) David McCabe, Greenwich, Connecticut Berry-Hill Galleries, New York, by 1983 David S. Purvis, Weston, Connecticut Berry-Hill Galleries, New York, 1998 Acquired by the present owner from the above, 2001 Amherst, Massachusetts, Mead Art Museum, Amherst College, Collegial Collectors: American Art from the Class of 1967, May 15-June 7, 1992, pp. 6-8, 21, illustrated (as dated 1882 [p. 8] and 1883 [p. 21]) "Selling J.F. Cropsey’’’’’’’’s Works," New York Times, March 21, 1885, p. 5 (as Mount Adam and Eve, Hay Making) Bruce W. Chambers, American Paintings III, New York, Berry-Hill Galleries, 1985, p. 24, illustrated Frederick Baekeland, Images of America: The Painters Eye, 1833-1925, Birmingham, Alabama, 1991, p. 42n4 The Historical Society of the Township of Warwick, New York, 1999 Calendar, "July," illustrated (as Hay Making) Bruce Weber, American Paintings and Sculpture VIII, New York, Berry-Hill Galleries, 1999, pp. 48-49, illustrated Kenneth W. Maddox, "A Forgotten Mountain: Jasper F. Cropsey's Paintings of Sugar Loaf," Metropolitan Museum Journal 35 (2000), p. 236, note 26 "Vistas Revisited: Landscapes in Oil and Life," The New York Times, May 27, 2001, p. 1, illustrated (as dated 1882) Kirk Johnson, "A Sight that Remains and Inspires: Landscapes of 19th Century Join Generations in Warwick," The New York Times, May 27, 2001, p. 29, illustrated p. 30 (as dated 1882) Michael Kimmelman, "Cropsey’’’’’’’’s Seasonal Vistas a Steady Weave of Grace and Harmony," The New York Times, May 27, 2001, p. 30 (as dated 1882)
Jasper Francis Cropsey - Autumn Landscape

Jasper Francis Cropsey - Autumn Landscape

Original 1879
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Gross Price
Lot number: 13
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Description:
Lot Details Lot 13 Jasper Francis Cropsey American, 1823-1900 Autumn Landscape, 1879 Signed JF Cropsey and dated 1879 (ll) Oil on canvas 12 x 20 inches Provenance: Newhouse Galleries, New York, inv. no. 17323 In an email dated August 17, 2016, Dr. Kenneth W. Maddox wrote of the present work, "I suspect the scene can never be precisely identified, and may not be topographically accurate, but it is obviously inspired by Cropsey's recollections of the Ramapo Valley near his summer home at Warwick. The decrepit bridge in the foreground, or variations of it, appear in over forty-five paintings by Cropsey. William Talbot termed it 'the capriccio of the spindly bridge,' a label I have adopted. Its origins came from the foreground bridge in Church's New England Scenery (which Cropsey felt was overrated)--a painting which Cropsey utilized for his compositions of Summer, Lake Ontario. Cropsey incorporated in his compositions not only Church's foreground bridge (without the covered wagon), the waterfall (without the mill), the church in the middle distance, the framing elm trees on the right, and even the distant spit of land, with trees and cattle. By 1862 when Cropsey was in England he used what was now his personal variation of the bridge for his painting Indian Summer on the Delaware River. The title is documented. Upon returning to America in 1863, beginning at the time he built his summer home, Aladdin, near Warwick, the spindly bridge was used as a motif in a series of paintings of the Ramapo River. There are a number of nineteenth-century stereoscopic views of the bridge, but it has not been located. In your painting the artist has reduced the size of the bridge and the scene does not portray the Ramapo River, but a waterfall. Your painting closely relates to Autumn Days, 1874, oil on canvas on board, NCF 1582; Autumn on the Wawayanda, (title inscribed on stretcher) 1877, oil on canvas, NCF 301; Late Fall Afternoon, 1875, NCF 679; and Autumn in the Warwick Valley, 1883, oil on canvas, NCF 874. Luckily, just before he died, Cropsey related in a letter dated 5 March 1900 [Collection, Newington-Cropsey Foundation] to his St. Louis dealer, M. Alfred Newhouse, purchaser of one of his The Mellow Autumn Time compositions, the significance to him of the Ramapo Valley bridges: 'There was [sic] a number of old Rustic Bridges-built by the miners-to team their iron ore to the smelting mills: some were very picturesque-But in the Course of Time they have mostly passed away.'" We are deeply grateful to Dr. Maddox, author of the catalogue raisonne of the artist's work published by the Newington-Cropsey Foundation, for kindly confirming the attribution of this painting and for generously allowing us to share his comments. C Property from a New York State Collection
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