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John Constable

(East Bergholt, Suffolk 1776 -  London 1837 ) Wikipedia® : John Constable
CONSTABLE John View On The Stour Near Dedham, Full-scale Sketch

Christie's /Jun 30, 2016
Not disclosed
17,835,486.25

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Artworks in Arcadja
615

Some works of John Constable

Extracted between 615 works in the catalog of Arcadja
John Constable - Study Of A Tree Trunk

John Constable - Study Of A Tree Trunk

Original 1828
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Net Price
Lot number: 94
Other WORKS AT AUCTION
Description:
Lot 94 JOHN CONSTABLE (1776-1837): STUDY OF A TREE TRUNK Oil on paper mounted on board, c. 1828, unsigned, with label from Salander-O'Reilly Galleries, Inc., NY. Literature: Graham Reynolds, The Early Paintings and Drawings of John Constable, no. 28.20A (illust.pl.1428). Provenance: Collection of Baron Duveen; Sold Sotheby's, March 9, 1988. Property from Salander-O'Reilly Galleries, Inc
John Constable - An Old Bridge At Salisbury

John Constable - An Old Bridge At Salisbury

Original -
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Net Price
Lot number: 184
Other WORKS AT AUCTION
Description:
Lot 184: John Constable (British, 1776-1837), An Old Bridge at Salisbury Description: etching on thin sheet laid down to white wove paper, 19th century, pencil inscription to wove sheet states title, additional pencil inscription to accompanying sheet included in framing states artist, dedication, and date, matted and presented in gilt frame. Original Sheet Size 4 7/8 x 7 1/2 in.; DOA 15 1/8 x 16 1/2 in. William Weston Gallery, London, 1983
John Constable - A Group Portrait Of The Barker Children In A Landscape

John Constable - A Group Portrait Of The Barker Children In A Landscape

Original
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Lot number: 218
Other WORKS AT AUCTION
Description:
John Constable, R.A. EAST BERGHOLT, SUFFOLK 1776 - 1837 HAMPSTEAD A GROUP PORTRAIT OF THE BARKER CHILDREN IN A LANDSCAPE: SOPHIA NORRIS BARKER, STANDING FULL LENGTH IN A BLACK DRESS, HER SISTER HARRIET, IN A BLACK DRESS AND WHITE COLLAR, AND THEIR BROTHER ROBERT, IN A WHITE SUIT oil on canvas, unlined 204.4 x 130.4 cm.; 80 1/2 x 51 1/4 in.
John Constable - View On The Stour Near Dedham, Full-scale Sketch

John Constable - View On The Stour Near Dedham, Full-scale Sketch

Original
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Gross Price
Lot number: 12
Other WORKS AT AUCTION
Description:
Lot Description John Constable, R.A. (East Bergholt 1776-1837 London) View on the Stour near Dedham, full-scale sketch c. 1821-22 oil on canvas 51 x 73 in (129.4 x 185.3 cm). Special Notice On occasion, Christie's has a direct financial interest in lots consigned for sale which may include guaranteeing a minimum price or making an advance to the consignor that is secured solely by consigned property. This is such a lot. This indicates both in cases where Christie's holds the financial interest on its own, and in cases where Christie's has financed all or a part of such interest through a third party. Such third parties generally benefit financially if a guaranteed lot is sold successfully and may incur a loss if the sale is not successful. Provenance (Probably) The artist’’’’’’’’s sale; Foster & Sons, London, 15-16 May 1838, lot 36 (part of lot), as ‘Sketch for the picture, View on the Stour [and A Landscape]’’’’’’’’ (12 gns. to Morris). (Probably) Thomas Woolner, R.A. (1825-1892); his sale, Christie’’’’’’’’s, London, 12 June 1875, lot 134, as ‘On the Stour’’’’’’’’ (54 gns. to Denison). John Macmillan Dunlop (1818-1878), Holehird, Windermere; (†) Christie’’’’’’’’s, London, 5 May 1883, lot 61 (1190 gns. to Martin, by whom acquired for the following), Thomas Holloway (1800-1883), by whom bequeathed to, Royal Holloway College, from whom acquired privately in 1995. Pre-Lot Text THE PROPERTY OF A LADY Literature Lord Windsor, John Constable, R.A., London, 1903, p. 40; Appendix I, p. 199; Appendix II, pp. 208-209; and Appendix III, p. 214. H. Isherwood Kay, ‘The Hay Wain’’’’’’’’, The Burlington Magazine, LXII, 1933, pp. 286-9, pl. IIA. C.R. Leslie, Hon. A. Shirley (ed.), Memoirs of the Life of John Constable, R.A., London, 1937, p. lxix, pp. 127 and 137, pl. 78a. R.B. Beckett, John Constable and the Fishers: The Record of a Friendship, London, 1952, p. 80. G. Reynolds, Victoria and Albert Museum: Catalogue of the Constable Collection, London, 1960, p. 27. G. Reynolds, Constable. The Natural Painter, London, 1965, pp. 69 and 148. R.B. Beckett (ed.), John Constable’’’’’’’’s Correspondence, Suffolk, 1968, VI, p. 75. R. Hoozee, L’’’’’’’’opera complete di Constable, Milan, 1979, p. 120, no. 329. A. Wilton, Constable’’’’’’’’s ‘English Landscape Scenery’’’’’’’’, London, 1979, p. 56. J. Walker, John Constable, London, 1979, p. 108, fig. 39. J. Chapel, Victorian Taste: The Complete Catalogue of paintings at the Royal Holloway College, London, 1982, pp. 72-74, no. 5. M. Rosenthal, Constable: The Painter and his Landscape, New Haven and London, 1983, pp. 137-141, fig. 178. G. Reynolds, The Later Paintings and Drawings of John Constable, New Haven and London, 1984, I, p. 100, no. 22.2; II, fig. 335. I. Fleming-Williams and L. Parris, The Discovery of Constable, London, 1984, pp. 18 and 20. M. Cormack, Constable, Oxford, 1986, pp. 133 and 140-141, pl. 144. C. Rhyne, ‘Constable’’’’’’’’s First Two Six-Foot Landscapes, in Studies in the History of Art, vol. 24, National Gallery of Art, Washington, 1990, pp. 121 and 125, note 3. R. Parkinson, John Constable: The Man and his Art, London, 1998, p. 123. R. Asleson and S.M. Bennett, British Paintings at the Huntington, San Marino, 2001, p. 60, fig. 23. T. Willcox, Constable and Salisbury: The Soul of Landscape, exhibition catalogue, Salisbury, 2011, p. 100. Exhibited London, Tate Gallery, Centenary Exhibition of Paintings and Watercolours by John Constable R.A., 4 May-31 August 1937, no. 46, p. 21. Lisbon and Madrid, British Council, A Century of British Art, 1730-1830, 1949, no. 5, p. 6. Hamburg, Kunsthalle; Oslo, Kunstnernes Hus; Stockholm, Nationalmuseum; Copenhagen, Statens Museum for Kunst, British Paintings from Hogarth to Turner, 1949-50, no. 15, p. 12. Venice, The Biennale, Exhibition of Works by John Constable, Matthew Smith, Barbara Hepworth, 1950, no. 20 [not paginated]. London, Royal Academy of Arts, The First Hundred Years of the Royal Academy, 1769-1868, 8 December 1951-9 March 1952, no. 209, p. 94. Paris, Orangerie des Tuileries, Le Paysage Anglais de Gainsborough a' Turner, February-April 1953, no. 12 [not paginated]. New York, Museum of Modern Art; St Louis, City Art Museum; San Francisco, California Palace of the Legion of Honor, Masters of British Painting 1800-1950, October 1956-May 1957, no. 88, pp. 30-1. Moscow, Pushkin Museum; and Saint Petersburg, The State Hermitage Museum, British Painting 1700-1960, 4 May-4 July 1960, no. 58 [not paginated]. Montreal, Expo 67, Man and his World: International Fine Art Exhibition, 17 May-14 October 1967, no. 84, p. 170. London, Royal Academy of Arts, Bicentenary Exhibition, 14 December 1968-2 March 1969, no. 89, p. 58. Vienna, Museum für Völkerkunde, Two Centuries of British Painting: The Great Age of Hogarth to Turner, 12 September-19 October 1969, no. 6, p. 18. Paris, Petit Palais, La Peinture Romantique Anglaise et les Pre-Raphaelites, January-April 1972, no. 52 [not paginated]. Milan, Palazzo Reale, Pittura inglese 1660-1840: due secoli di cultura, storia, e costume in Inghilterra, 29 January-16 March 1975, no. 142, p. 190. London, Tate Gallery, Constable: Paintings, Watercolours & Drawings, 18 February-25 April 1976, no. 201, pp. 124-25. New York, Metropolitan Museum of Art, Constable’’’’’’’’s England, 16 April-4 September 1983, no. 19, p. 68. London, Tate Britain; Washington D.C., National Gallery of Art; and San Marino, Huntington Art Gallery, Constable: The Great Landscapes, 1 June 2006-29 April 2007, no. 38, p. 150, illustrated. Engraved D. Lucas, mezzotint, 1831. View Lot Notes >
John Constable - Beached Fishing Boats With Fishermen Mending Nets On The Beach At Brighton

John Constable - Beached Fishing Boats With Fishermen Mending Nets On The Beach At Brighton

Original
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Lot number: 89
Other WORKS AT AUCTION
Description:
John Constable, R.A. (East Bergholt 1776-1837 Hampstead) Beached fishing boats with fishermen mending nets on the beach at Brighton, looking West with inscription 'Brighton Beach by/ John Constable I got/ this sketch from his son/ Captain Charles Constable/ Walter May.' and 'Bought this sketch from Mrs May/ 1897/ E. Hayes' (verso) black chalk, pen and grey ink, grey and ochre wash, watermark '[WHA]TMAN/ [TURKE]Y MILL/ [18]21' 4 ½ x 7 1/8 in. (11.4 x 18.1 cm.)
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