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William Chadwick

United States (1879 -  1962 )
CHADWICK William Marina Landscape

Quinn's /May 17, 2014
291.65 - 437.48
Not disclosed

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Along with William Chadwick, our clients also searched for the following authors:
Agenore Fabbri, Josef Kien, Herbert Peters, Max Liebermann, Fritz Heidenreich, Michael Buthe, Jorg Immendorff
Artworks in Arcadja
38

Some works of William Chadwick

Extracted between 38 works in the catalog of Arcadja
William Chadwick - The Procession-old Lyme

William Chadwick - The Procession-old Lyme

Original
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Lot number: 604
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Description:
William Chadwick* (Old Lyme, Connecticut, 1879-1962) The Procession-Old Lyme, signed lower right "W. Chadwick", oil on canvas, 301-1/4 x 30-1/4 in.; original carved and gilt wood Newcomb-Macklin frame, 38-1/8 x 38-3/4 in. Notes: An important exhibition of the artist's works sponsored by R.H. Love Galleries, included a second work owned by the Tooleys. The exhibition travelled to various museums from August 13, 1978 - January 18, 1980. This painting was purchased the year following. The lot is accompanied by the photo-certificate, original receipt, Certificate and other documents from R. H. Love Galleries. Provenance: R.H. Love Galleries, Chicago, Illinois, purchased 1981, # C-75, 1308; Collection of Mr. and Mrs. Gordon Tooley, Brevard, North Carolina
William Chadwick - Seated Woman In A Kimono

William Chadwick - Seated Woman In A Kimono

Original
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Lot number: 95
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Lot Details Lot 95 William Chadwick American, 1879-1962 Seated Woman in a Kimono Oil on canvas 30 x 24 inches Provenance: Private collection Literature: Richard H. Love, William Chadwick (1879-1962): An American Impressionist, Chicago: The Richard H. Love Gallery, 1978, p. 16 illus. The passion for Japanisme that swept through American art in the 1890s is exemplified in Seated Woman in Kimono. Taking an approach inspired by Whistlerian aestheticism, Chadwick offset the broad sweep of his subject's flowered garment against the compact geometry of her space, creating as much a decorative conception as a rendering of his subject. Chadwick's Impressionist brush handling serves to suppress individual detail, adding to the overall harmony of the image. A native of Yorkshire, England, Chadwick emigrated to the United States in 1882. He studied at the Art Students League, traveled frequently to Europe, and settled with his family in Old Lyme, Connecticut, in 1915, where he remained an active art of the artists' colony. C
William Chadwick - Rocky Shore

William Chadwick - Rocky Shore

Original c.1922
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Lot number: 54
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William Chadwick (American, 1879-1962) Rocky Shore, c. 1922-23 oil on canvas W. Chadwick 20 x 24 inches. Provenance: Private Collection, Chadwick Estate O'Connell Collection, CT RH Love Galleries, Chicago, 1978 Acquired from above by the present owner Exhibited: Chicago, William Chadwick: An American Impressionist , RH Love Galleries, 1978 Please contact us for a condition report.
William Chadwick - Marina Landscape

William Chadwick - Marina Landscape

Original -
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Price: Not disclosed
Lot number: 239
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Description:
Chadwick, William (American, 1879-1962). . Oil on board. Marked on back with faint writing title and "William Chadwick." Signed l.r. Framed and behind glass. Sight: 7 1/2" x 9 1/2". Frame: 9 1/2" x 11 1/2".Condition: Slight staining to right side of composition. Missing areas of pigment in sky composition on left. Slight staining to right side of composition. Missing areas of pigment in sky composition on left.
William Chadwick - Beach Scene And Landscape With Stream

William Chadwick - Beach Scene And Landscape With Stream

Original 1934
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Price: Not disclosed
Lot number: 3356302
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Description:
Description William Chadwick, Am., 1879-1962, Beach Scene and Landscape with Stream, one 1934, oil on board, both signed, double sided works. (EV214) Provenance: Heritage, May 3-4, 2006, $1434., Marbella Gallery, New York, New York Note: Note: Mildred Thaler Cohen (1921 - 2012) Ms. Cohen, an alumna of New York's Hunter College, and her first husband began the collection in the late '50s, at a time when American paintings were not recognized as important works of art. The paintings were collected with passion and hung in the family's home. After her first husband's death, Ms. Cohen opened the Marbella Gallery on 72nd Street in Manhattan, specializing in 19th century American painting, but the collection remained a connoisseur’’s collection. Hung in her gallery and adjoining apartment, it was a personal reflection of a dedicated collector. Cohen was also a respected writer and acknowledged expert in traditional American fine art. Selections from her collection were donated to the Mattatuck Museum in Waterbury Connecticut. {TEC} (MARB1031) Marbella Gallery, New York New York 17 1/2 x 23, framed 24 x 29 Board is bowed, chip and surface loss upper right
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