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Paul Cezanne

France (Aix-en-provence 1839 -  Aix-en-provence 1906 ) Wikipedia® : Paul Cezanne
CEZANNE Paul Etudes De Personnages (recto); Sainte-antoine (verso)

Christie's
Nov 12, 2018
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Variants on Artist's name :

Cezanne

Cézanne Paul

 

Artworks in Arcadja
1011

Some works of Paul Cezanne

Extracted between 1,011 works in the catalog of Arcadja
Paul Cezanne - A Portrait Of Armand Guillaumin With Hanged Man

Paul Cezanne - A Portrait Of Armand Guillaumin With Hanged Man

Original
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Lot number: 76
Other WORKS AT AUCTION
Description:
Paul Cezanne French Post Impressionist Etching Paul Cezanne (1839-1906, French). An original etching featuring a portrait of Armand Guillaumin with Hanged Man in the upper left corner. 6 x 4.5 in. (15.2 x 11.4 cm). The creation of original lithographs and etchings played a relatively small role within Cezanne's artistic oeuvre. This is somewhat surprising as one of his closest friends, Camille Pissarro, was perhaps the greatest and most prolific Impressionist etcher. It was only through the insistence of Pissarro, and that of another close painting associate, Armand Guillaumin (1841-1927), that Cezanne experimented with etching. In 1873 Pissarro had invited Cezanne and Guillaumin to stay with him at Pontoise and had also introduced them to Dr. Gachet. Gachet was an enthusiastic amateur etcher and prevailed on all the artists who came to see him to try their hand at etching; he even prepared the copper plates, supervised the biting and pulled the proofs on his own press. In total, Cezanne created five etchings during 1873 at the press of Dr. Gachet. The first attempt was a landscape etching based upon one of Guillaumin's paintings. The second etching was the Portrait of Guillaumin with the Hanged Man. The third etching was a landscape of the valley of the Bievre, the fourth a portrait entitled, Girl's Head, followed by the fifth and final etching, Landscape at Auvers. Each of these etchings was printed in only a handful of contemporary impressions. Cezanne only made nine prints during his lifetime, five etchings and four lithographs. All of the etchings date from July 1873 when he was experimenting with his friend, the painter Armand Guillaumin, who is portrayed in the etching entitled "At the sign of the hanged man." According to Michel Melot, The Impressionist Print (Yale University Press, 1996), the artists made their prints at the studio of Dr. Gachet, who had an etching press and had himself made a number of etchings. Melot describes Cezanne's etchings as characterized by the "extraordinary violence" with which Cezanne attacked the plate, experimenting with a technique in which he had never been trained. Raisonne: Michel Melot and Jean Leymarie, Les Gravures Des Impressionnistes, Paris, Arts et Metiers Graphiques, 1971. PROVENANCE: Private collection, Montreal, QC
Paul Cezanne - D'après G. Coustou: Nicolas Coustou

Paul Cezanne - D'après G. Coustou: Nicolas Coustou

Original
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Gross Price
Lot number: 282
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Description:
Paul Cézanne (1839-1906) D'après G. Coustou: Nicolas Coustou pencil on paper 8 5/8 x 4 7/8 in. (22 x 12.4 cm.) Drawn circa 1895-1898 Provenance Paul Cézanne (the artist's son), Paris, by descent from the artist. Paul Guillaume, Paris, by whom acquired from the above, and thence by descent. Adrien Chappuis, Tresserve, by whom acquired from the above in 1934, and thence by descent to the Barut family, Chembéry; sale, Christie's London, 26 June 2003, lot 330. Acquired at the above sale; sale, Christie's, London, 9 February 2006, lot 555. Private collection, France, by whom acquired at the above sale; sale, Christie's, Paris, 26 March 2015, lot 66. Acquired at the above sale by the present owner.
Paul Cezanne - Nature Morte De Pêches Et Poires

Paul Cezanne - Nature Morte De Pêches Et Poires

Original
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Gross Price
Lot number: 6
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Description:
Paul Cézanne (1839-1906) Nature morte de pêches et poires oil on canvas 15 x 18 1/8 in. (38 x 46.3 cm.) Painted in 1885-1887 Provenance Ambroise Vollard, Paris (nos. 3424 & 4348), by whom acquired directly from the artist, between 1899 - April 1904. Kurt von Mutzenbecher, Wiesbaden, by whom acquired from the above, on 24 August 1904. Otto Henkell, Wiesbaden, by whom acquired from the above, before 1929. Mrs Otto Henkell, Wiesbaden, by descent from the above, and thence by descent, until at least May 1949. Walter Feilchenfeldt, Zurich, by whom acquired in 1962. Dr Fritz & Dr Peter Nathan, Zurich (no. C-1248), by 1972. Col Edgar William & Bernice Chrysler Garbisch, Florida, New York & Maryland; their estate sale, Sotheby Parke Bernet, Inc., New York, 12 May 1980, lot 22. The Lefevre Gallery (Alex Reid & Lefevre, Ltd.), London (no. 9219). Acquired from the above by the present owners, on 30 May 1985.
Paul Cezanne - Etudes De Personnages (recto); Sainte-antoine (verso)

Paul Cezanne - Etudes De Personnages (recto); Sainte-antoine (verso)

Original 1860-1865
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Lot number: 161
Other WORKS AT AUCTION
Description:
Paul Cézanne (1839-1906) Etudes de personnages (recto); Sainte-Antoine (verso) pencil on paper (recto); watercolor and pencil on paper (verso) 4 ¾ x 8 ¼ in. (12.3 x 21 cm.) Drawn circa 1860-1865 (recto); Executed in 1873-1875 (verso) Provenance Paul Cézanne fils, Paris. Huguette Berès, Paris. Mr. and Mrs. Morton Rosenfeld, New York. Acquired from the above by the late owner, 1956.
Paul Cezanne - Garçon Assis

Paul Cezanne - Garçon Assis

Original 1890/95
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Lot number: 276
Other WORKS AT AUCTION
Description:
Paul Cézanne (1839-1906) Garçon assis oil on canvas 14 ¾ x 19 3/8 in. (37.5 x 49.2 cm.) Painted in 1890-1895 Provenance (possibly) Ambroise Vollard, Paris. (possibly) Galerie Moos, Geneva. Nordmark collection, Stockholm. E.V. Thaw, New York (acquired from the above, circa 1983). Giuseppe Eskenazi, London (acquired from the above). Acquired from the above by the late owner, by 1998.
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