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Paul Cezanne

France (Aix-en-provence 1839 -  Aix-en-provence 1906 ) Wikipedia® : Paul Cezanne
CEZANNE Paul Ferme En Normandie, Été

Christie's /Feb 2, 2016
5,913,661.07 - 8,541,954.88
6,752,479.50

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Variants on Artist's name :

Cezanne

Cézanne Paul

 

Artworks in Arcadja
821

Some works of Paul Cezanne

Extracted between 821 works in the catalog of Arcadja
Paul Cezanne - Rochers

Paul Cezanne - Rochers

Original
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Lot number: 408
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Description:
Paul Cézanne 1839 - 1906 ROCHERS oil on canvas 54 by 65cm., 21 1/4 by 25 1/2 in. Painted circa 1867–70. Provenance Private Collection, Switzerland Sale: Schüller, Zurich, 21st March, 1997, lot 4396A Purchased at the above sale by the present owner Literature Walter Feilchenfeldt, Jayne Warman & David Nash, The Paintings of Paul Cézanne, an online catalogue raisonné, www.cezannecatalogue.com, no. 381 (accessed on 4th January 2016) Catalogue Note Painted between 1867-70, Rochers is a highly significant example of Paul Cézanne’’’’s rare early landscapes. In its palette of deeply-hued blue and greens and contrasts between light and shadow the present work recalls the landscapes of Gustave Courbet as well as those of the Barbizon School painters such as Camille Corot or Théodore Rousseau. However, Cézanne’’’’s bold handling of paint and the rich texture of the pigment surface reveals his striving towards an entirely new pictorial language, one which, as it developed throughout his career, was to profoundly influence the direction of twentieth century painting. In his extensive study of Cézanne’’’’s early work, Lawrence Gowing has noted the following about this stage of Cézanne's career: ‘Cézanne was the first man [among the Impressionists], perhaps the first man in history, to realize the necessity for the manner in which paint is handled to build up a homogenous and consistent pictorial structure. This is the invention of forme in the French modernist sense—meaning the condition of paint that constitutes a pictorial structure. It is the discovery of an intrinsic structure inherent in the medium and the material’’’’ (quoted in Cézanne, The Early Years (exhibition catalogue), Royal Academy of Arts, London; Musée d'Orsay, Paris & The National Gallery of Art, Washington, D.C., 1988-89, p. 10). By the time Cézanne commenced work on Rochers in 1867, he had been rejected three times by the Salon in Paris and had subsequently participated in the notorious Salon des Refusés alongside Edouard Manet and Camille Pissarro. If the capital offered many gifts to the young artist, the lure of his native Aix-en-Provence nevertheless endured and he returned often to find inspiration in the surrounding countryside. The rocky hillside and shady forests were furthermore ideal subject matter for his experiments with painting en plein air as recommended by Pissarro. Cézanne was delighted with the results of this new technique and wrote to Emile Zola, ‘But you know all pictures painted inside, in the studio, will never be as good as those painted outside. When outdoor scenes are represented… the landscape is magnificent. I see some superb things, and I must resolve to paint only outdoors’’’’ (letter from Cézanne to Zola, 19 th October 1866). Indeed Cézanne’’’’s fascination with the wildly dramatic scenery of Provence would prove to be a defining feature of his art throughout his career, lending his paintings a personal poignancy even as they transcend genres and generations. The artist appears to have been particularly inspired by the particular scene depicted within Rochers, with its dramatically weathered rock and lush foliage, and executed a watercolour study of the same composition alongside the oil version.
Paul Cezanne - L'amour Et L'amitié, D'après Pigalle

Paul Cezanne - L'amour Et L'amitié, D'après Pigalle

Original 1895
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Lot number: 232
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Paul Cézanne (1839-1906) L'Amour et l'Amitié, d'après Pigalle (recto); Deux fruits (verso) inscribed 'XXVI' (recto; upper left) pencil on paper (recto); watercolour on paper (verso) 9 1/2 x 8 in. (24 x 20.3 cm.) Drawn circa 1895 (recto); 1885-1890 (verso) Special Notice These lots have been imported from outside the EU for sale using a Temporary Import regime. Import VAT is payable (at 5%) on the Hammer price. VAT is also payable (at 20%) on the buyer’’’’s Premium on a VAT inclusive basis. This VAT is not shown separately on the invoice. When a buyer of such a lot has registered an EU address but wishes to export the lot or complete the import into another EU country, he must advise Christie's immediately after the auction. Provenance The artist's estate. Paul Cézanne, Jr., Paris, by descent from the above. Paul Guillaume, Paris. A. Chappuis, Tresserve. Anonymous sale, Maurice Rheims, Palais Galliera, Paris, 23 March 1965, lot 14. Private collection, New York, by whom acquired in 1965. Acquired from the above in 2007; sale, Sotheby's, London, 23 June 2010, lot 265. Saleroom Notice Please note that this work will be included in the forthcoming online catalogue raisonné Paul Cézanne's watercolors, under the direction of Walter Feilchenfeldt, David Nash and Jayne Warman and is not currently online, as suggested in the last line of literature in the printed catalogue. Literature L. Venturi, Cézanne, son art, son oeuvre, vol. I, Paris, 1936, no. 1316, p. 312 (illustrated, vol. II, pl. 355). G. Berthold, Cézanne und die alten Meister, Stuttgart, 1958, no. 161, p. 104 (illustrated pl. 138). A. Chappuis, The Drawings of Paul Cézanne, A Catalogue Raisonné, vol. I, London, 1973, no. 1044, p. 242 (illustrated vol. II, pl. 1044). J. Rewald, Paul Cézanne, The Watercolours, A Catalogue Raisonné, London, 1983, no. 227, p. 139 (the verso illustrated).
Paul Cezanne - The Large Bathers

Paul Cezanne - The Large Bathers

Original
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Lot number: 1160
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Lot 1160: PAUL CEZANNE (French, 1839-1906) "THE LARGE BATHERS". Lithograph in colors . Housed in a giltwood frame. Signed lower right in plate "P. Cezanne". Note: Published by Ambrose Vollard, Paris, c. 1896-98 (Venturi 1157), in an edition of 100. A wonderful history on this print can be found at www.tate.org.uk SIZE: Plate size: 16-1/4" x 20-1/8". Sheet size: 19" x 24-1/2". Overall: 26" x 28-3/4" PROVENANCE: Prominent Newport, Rhode Island Collection CONDITION: Very good, printed on MBM paper with watermark, minor fading, mat burn, small tear upper left edge of sheet 49872-4
Paul Cezanne - Ferme En Normandie, Été

Paul Cezanne - Ferme En Normandie, Été

Original 1882
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Lot number: 20
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Paul Cézanne (1839-1906) Ferme en Normandie, été (Hattenville) oil on canvas 25 5/8 x 31 7/8 in. (65.1 x 81.1 cm.) Painted in 1882 Special Notice These lots have been imported from outside the EU for sale using a Temporary Import regime. Import VAT is payable (at 5%) on the Hammer price. VAT is also payable (at 20%) on the buyer’’’’s Premium on a VAT inclusive basis. This VAT is not shown separately on the invoice. When a buyer of such a lot has registered an EU address but wishes to export the lot or complete the import into another EU country, he must advise Christie's immediately after the auction. Provenance Victor Chocquet, Paris, by whom acquired directly from the artist. Marie Chocquet, Paris, by descent from the above in 1891; her estate sale, Galerie Georges Petit, Paris, 1-4 July 1899, lot. 3 (as 'Été'). Georges Viau, Paris; his sale, Galerie Durand-Ruel, Paris, 4 March 1907, lot 11. Marquise de Ganay, Paris, by 1910, and thence by descent; sale, Sotheby's, London, 24 June 1997, lot 9. Acquired at the above sale by the present owner. Pre-Lot Text PROPERTY FROM AN IMPORTANT PRIVATE COLLECTION Literature J. & G. Bernheim-Jeune, eds., Cézanne, Paris, 1914, p. 67 (illustrated pl. XXV; titled 'Le Verger'). G. Rivière, Le Maître Paul Cézanne, Paris, 1923, p. 208 (titled 'Eté' or 'Le Verger' and dated '1880'). I. Arishima, Sezannu [Cézanne], Tokyo, 1925 (illustrated pl. 59). L. Venturi, Cézanne: Son art - son oeuvre, vol. I, Paris, 1936, no. 447, p. 161 (illustrated vol. II, pl. 130; titled 'Ferme en Normandie: Le verger' and dated '1885-1886'). D. Cooper, 'Two Cézanne Exhibitions', in The Burlington Magazine, vol. 96, no. 620, November 1954, p. 378 (titled 'Ferme en Normandie: Le verger'). L. Gowing, 'Notes on the Development of Cézanne', in The Burlington Magazine, vol. 98, no. 639, June 1956, p. 189 (titled 'Le Verger'. F. Elgar, Cézanne, London, 1969, no. 115, p. 280 (illustrated p. 197; titled 'Farm in Normandy: The Orchard' and dated '1885-1886'). J. Rewald, 'Chocquet et Cézanne', in Gazette des Beaux-Arts, vol. 6, no. 74, July-August 1969, p. 61 F. Elgar, Cézanne, New York, 1975 (illustrated fig. 115). J. Rewald, Studies in Impressionism, London, 1985, pp. 121-187 (illustrated figs. 22 & 43, pp. 82 & 91). J. Rewald, The Paintings of Paul Cézanne: A Catalogue Raisonné, New York, 1996, no. 509, pp. 343-344 (illustrated vol. II, pl. 163). T. Reff, 'The Paintings of Paul Cézanne, A Catalogue Raisonné by John Rewald: Review', in The Burlington Magazine, vol. 139, no. 1136, November 1997, p. 801 (dated '1882 or later'). W. Feilchenfeldt, J. Warman & D. Nash, The Paintings of Paul Cézanne, an online catalogue raisonné, no. 181 (accessed 2015). Exhibited Paris, Galerie Bernheim-Jeune, Paul Cézanne, January 1910, no. 25 (titled 'Paysage d'été'). Paris, Galerie Paul Rosenberg, Grands maîtres du XIXe siècle, May - June 1931, no. 6, p. 2 (dated '1885' and titled 'Le Verger en été'). Paris, Musée des Arts Décoratifs, Cinquante Ans de peinture française dans les collections particulières de Cézanne à Matisse, March - April 1952, no. 27 (titled 'Le verger'). Edinburgh, Royal Scottish Academy, Paintings by Cézanne, August - September 1953, no. 29 (dated 'circa 1882' and titled 'Ferme en Normandie: le Verger'); this exhibition later travelled to London, Tate Gallery, September - October 1954. Aix-en-Provence, Pavillon de Vendôme, Exposition pour commémorer le cinquantenaire de la mort de Cézanne, July - August 1956, no. 21 (illustrated; dated '1880-1881'). Zurich, Kunsthaus, Paul Cézanne, August - October 1956, no. 55. Winterthur, Sammlung Oskar Reinhart "am Römerholz", Victor Chocquet: Freund und Sammler der Impressionisten: Renoir, Cézanne, Monet, Manet, February - June 2015, no. 24, p. 172 (illustrated p. 173).
Paul Cezanne - Les Baigneurs

Paul Cezanne - Les Baigneurs

Original 1896
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Lot number: 46
Other WORKS AT AUCTION
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Paul Cézanne 1839 - 1906 LES BAIGNEURS (GRAND PLANCHE) (VENTURI 1157; DRUICK 11) Lithograph printed in colors, 1896-1898, Venturi's second and final state, one of approximately 100 impressions, on MBM laid paper, printed by Auguste Clot, Paris, published by Ambroise Vollard, Paris, framed image: 415 by 515 mm 16 3/8 by 20 1/4 in sheet: 482 by 637 mm 19 by 25 1/8 in
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