Paul Cezanne

France (Aix-en-provence 1839Aix-en-provence 1906 ) - Artworks Wikipedia® - Paul Cezanne
CEZANNE Paul Page De Croquis ; La Partie De Campagne

Christie's /Nov 6, 2014
74,178.47 - 111,267.71
146,134.60

Find artworks, auction results, sale prices and pictures of Paul Cezanne at auctions worldwide.
Go to the complete price list of works Follow the artist with our email alert

 

Variants on Artist's name :

Cezanne

Cézanne Paul

 

Artworks in Arcadja
763

Some works of Paul Cezanne

Extracted between 763 works in the catalog of Arcadja
Paul Cezanne - Les Baigneurs (grande Planche)

Paul Cezanne - Les Baigneurs (grande Planche)

Original 1898
Estimate:

Price:

Gross Price
Lot number: 133
Other WORKS AT AUCTION
Description:
PAUL CÉZANNE Les Baigneurs (grande planche). Color lithograph on cream laid paper, circa 1896-98. 425x525 mm; 16 3/4x20 3/4 inches, full margins. Druick's second state (of 3), before the lithograph inscription lower right. An artist's proof in this state, before the text lower right, with bolder colors than the published impressions, aside from the edition of approximately 100. Dedicated "A Belot en sympathie d'art P. Cezanne," likely by Paul Cézanne (1872-1947), the artist's son, to the artist and printmaker Gabriel Belot (1882-1962). A superb, richly-inked impression of this large, important lithograph, with strong colors. According to Druick, there is another proof in the second state, before the lithograph inscription lower right, in the collection of The Museum of Modern Art, New York. Cherpin 7; Druick I.
Paul Cezanne - Femme Allaitant Son Enfant

Paul Cezanne - Femme Allaitant Son Enfant

Original 1872
Estimate:

Price:

Gross Price
Lot number: 138
Other WORKS AT AUCTION
Description:
Paul Cézanne 1839 - 1906 FEMME ALLAITANT SON ENFANT oil on canvas 23.2 by 23.2cm., 9 1/8 by 9 1/8 in. Painted circa 1872. Read Condition Report Read Condition Report Register or Log-in to view condition report Saleroom Notice Provenance Henri Rouart, Paris (sale: Galerie Manzi-Joyant, Paris, 11th December 1912, lot 93) Joseph 'Jos' Hessel, Paris Auguste Pellerin, Paris Jean-Victor Pellerin, Paris & Sweden (by descent from the above) Professor D. Carlstrom, Sweden (acquired from the above in 1947; sale: Sotheby's, London, 4th April 1989, lot 30) Purchased at the above sale by the present owner Exhibited Lausanne, Fondation de l'Hermitage, L'Impressionnisme dans Les Collections Romandes, 1984, no. 103, illustrated in the catalogue Literature Arsène Alexandre, La Collection Henri Rouart, Paris, 1912, p. 70 (titled as Femme et enfant) Charles Louis Borgmeyer, The Master Impressionists, Chicago, 1913, illustrated p. 276 (titled as Woman and Child) Evelyn Marie Stuart, 'Cézanne and his place in Impressionism,' Fine Arts Journal 35, no. 5, New York, May 1917, illustrated p. 330 (titled as Woman and Child) Élie Faure, 'Toujours Cézanne', Amour de l'Art, December 1920, illustrated p. 269 (titled as Maternité) Atzouji Zeisho, Paul Cézanne, Tokyo, 1921, illustrated fig. 32 Georges Riviére, Le Maître Paul Cézanne, Paris, 1923, illustrated p. 142 (titled as Femme et Enfant and dated 1873) Élie Faure, P. Cézanne, Paris, 1926, illustrated pl. 3 (titled as Maternité) Eugenio d'Ors, Paul Cézanne, Paris, 1930, New York, illustrated p. 37 Georges Riviére, Cézanne, La Peintre solitaire, Paris, 1933 and 1942, illustrated p. 29 Eugenio d'Ors, Paul Cézanne, New York, 1936, illustrated pl. 50 John Rewald, 'A propos du catalogue raisonné de l'œuvre de Paul Cézanne et de la chronologie de cette œuvre', La Renaissance 20, March-April 1937, illustrated p. 54 Gualtieri di San Lazzaro, Paul Cézanne, Paris, 1938, illustrated fig. 50 (cropped) André Leclerc, Cézanne, New York, 1948, n.n., illustrated p. 9 Paul Gachet, Deux Amis des Impressionnistes - Le Dr. Gachet et Murer, Paris, 1956, illustrated fig. 21 Sandra Orienti, Tout l'œuvre peint de Cézanne, Paris, 1975, no. 248, illustrated p. 97 Lionello Venturi, Cézanne, Son Art - son Œuvre, San Francisco, 1989, vols. I & II, no. 233, ilustrated pl. 63 John Rewald, Walter Feilchenfeldt & Jayne Warman, The Paintings of Paul Cézanne, A Catalogue raisonné, London, 1996, vols. I & II, no. 216, illustrated p. 72 Madame Cézanne (exhibition catalogue), Metropolitan Museum of Art, New York, 2014, mentioned p. 4, listed p. 192, illustrated in colour p. 23 Catalogue Note This wonderfully intimate portrait returns to the market amidst a flurry of re-appraisal for Cézanne’’s paintings of his companion Hortense Fiquet: this important series is currently the subject of a major exhibition at The Metropolitan Museum in New York titled Madame Cézanne. Of the twenty-nine known paintings of Fiquet, the present work and one other, whose whereabouts remains unknown, are the earliest: both date from 1872, the year of Paul fils’’ birth and a period of escape for Cézanne and his young companion. In 1870, fearful of angering his banker father and losing his allowance, Cézanne and Fiquet had fled Paris for the more remote rural surroundings of Auvers-sur-Oise, just a few miles from Pontoise where Pissarro was based at the time. Another sixteen years of risky subterfuge would ensue before Louis-Auguste Cézanne (the artist's father) finally found out about the existence of his son's companion and child. Cézanne’’s later disenchantment with his wife is well documented and indisputable. Looking at his portraits of her as a whole, critics have repeatedly cited the mainly sad and vacant images of Hortense as reflective of the emotional distance that famously built up between the couple. It is against this context of subsequent apathy, that this early and romantic work becomes all the more compelling. In contrast to the later more detached portraits, here we are caught in the frame of a close and private family moment; the baby Paul breast-feeding, his mother, only twenty-two years old, gently sleeping on her own shoulder, and Cézanne himself close at hand, making up the family trio. Knowing that Cézanne was living in secret, young, and with his first child, lends this work an extraordinarily poignant sense of romance and intimacy. It is painted with an energetic and gestural handling and a rich palette of dark ochre and dashed greens, blues and blacks: Rewald proposes that it ‘may very well have been one of the first pictures Cézanne painted inside after his ‘conversion’’ to Impressionism; as such it strikes a new note in his work’’ (J. Rewald, The Paintings of Paul Cézanne, A Catalogue raisonné, London, 1996, p. 158). The provenance of this work is also of note: it was initially in the collection of Henri Rouart, industrialist, engineer, amateur pupil of Millet, and great collector. As well as several works by Cézanne, Rouart brought together pictures by Manet, Degas, Monet, Pissarro, Renoir, Daumier and over fifty painting by Corot. In his breadth and understanding, few could surpass this sympathetic and conoisseurial collector, and it was at the famous Rouart sale, upon his death in 1912, that the present work first changed hands. Rewald tells us this painting ‘was estimated at 3,000 francs but reached 10,000, at which price Jos Hessel purchased it, possibly for Auguste Pellerin’’ (ibid., p. 158). There was great international interest in the Rouart auction, where Degas’’s Danseuses à la barre sold to Louisine Havemeyer for the then unheard of price of 478,000 francs ($95,700). Hessel and Havemeyer were in good company, for the buyer of three of the five Cézannes on offer was Dr Albert Barnes, amongst the very earliest purchases for what was to become the Barnes Foundation. From one famed collector to another: Auguste Pellerin was the second owner of this work and overseer of the greatest collection of Cézanne pictures ever assembled, amassing close to 150 works over a quarter of a century. The present work is one of very few portraits of Hortense to remain in private hands: twenty-one of the twenty-nine known oil paintings of her are in museum collections. Fig. 1 Paul Cézanne, Portrait de Madame Cézanne , 1885-90, oil on canvas, Musée d'Orsay, Paris Fig. 2 Paul Cézanne, Madame Cézanne with Green Hat , 1891-92, oil on canvas, Barnes Foundation, Philadelphia Fig. 3 Paul Cézanne, Madame Cézanne in the conservatory , 1891, oil on canvas, The Metropolitan Museum of Art, New York Fig. 4 Paul Cézanne, Madame Cézanne in a yellow chair , 1888-89, oil on canvas, The Art Institute of Chicago, Chicago See More See Less
Paul Cezanne - Autoportrait

Paul Cezanne - Autoportrait

Original 1896
Estimate:

Price:

Gross Price
Lot number: 76
Other WORKS AT AUCTION
Description:
Paul Cezanne (1839-1906) Autoportrait three duplicate lithographs, in various tones of grey and black, 1896, on watermarked laid MBM paper, published by Ambrose Vollard, Paris, 1914, each with minor surface defects, generally in good condition Lithograph: 331 x 275 mm., Sheet: 640 x 490 mm. (and similar) (3) Cherpin 8, Venturi 1158
Paul Cezanne - Page De Croquis ; La Partie De Campagne

Paul Cezanne - Page De Croquis ; La Partie De Campagne

Original
Estimate:

Price:

Gross Price
Lot number: 106
Other WORKS AT AUCTION
Description:
Paul Cezanne (1839-1906) Page de croquis (recto); La partie de campagne (verso) watercolor, pen and brown ink and pencil on paper (recto); watercolor and pencil on paper (verso) 5 ¾ x 6½ in. (14.6 x 16.5 cm.) Executed circa 1875 Paul Cézanne fils, Paris. Ambroise Vollard, Paris. Maurice Renou, Paris. Galerie Feilchenfeldt, Zurich. Fine Arts Associates (Otto M. Gerson), New York. Acquired from the above by the late owner, December 1955. PROPERTY FROM THE ESTATE OF ROSALYND C. PFLAUM A. Vollard, Paul Cézanne, Son art, Paris, 1914, pp. 79 and 81 (recto and verso full sheets illustrated). L. Venturi, Cézanne—son oeuvre, Paris, 1936, vol. I, p. 247, no. 876 (verso illustrated, vol. II, pl. 278; dated 1872-1877) and p. 298, no. 1225 (recto full sheet illustrated, vol. II, pl. 341; dated 1872-1883). G. Berthold, Cézanne, und die alten Meister, Stuttgart, 1958, p. 127, no. 260 (recto full sheet illustrated and dated 1872-1883). A. Chappuis, The Drawings of Paul Cézanne, A Catalogue Raisonné, London, 1973, vol. I, p. 123, no. 356 (recto full sheet illustrated, vol. II). J. Rewald, Paul Cézanne, The Watercolors, A Catalogue Raisonné, Boston, 1983, p. 95, no. 45 (verso full sheet illustrated).
Paul Cezanne - Large Bathers

Paul Cezanne - Large Bathers

Original 1896
Estimate:

Price:

Gross Price
Lot number: 47
Other WORKS AT AUCTION
Description:
Paul Cézanne 1839 - 1906 LARGE BATHERS (VENTURI 1157; DRUICK 1) Lithograph, 1896-98, the first state (of three), from the edition of c. 100, on MBM laid paper with the MBM (France) watermark, framed image: 425 by 503 mm 16 3/4 by 19 7/8 in sheet: 480 by 625 mm 19 by 24 5/8 in Read Condition Report Read Condition Report Register or Log-in to view condition report Saleroom Notice The print is in generally good condition, with full margins. Mat-stain, darkest at the mat opening, with associated damp-stain. The verso is backboard-stained with scattered foxing occasionally showing through to the recto. A piece of tape, presumably from a prior hinging, across the top sheet edge. Sheet is somewhat brittle. In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
Arcadja LogoProducts
Subscriptions
Advertising
Sponsored Auctions
Subscriptions

Who we are
Our Product
Follow Arcadja on Facebook
Follow Arcadja on Twitter
Follow Arcadja on Google+
Follow Arcadja on Pinterest
Follow Arcadja on Tumblr