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Charles Emile Carolus-Duran

France (1838 -  1917 )
CAROLUS-DURAN Charles Emile Portrait Of Dr. Ramacciotti

Christie's /Dec 17, 2014
593.43 - 890.14
1,298.15

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Variants on Artist's name :

Durand Charles Émile Aug.

Duran Carolus

Carolus-Duran Charles Émile

 

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Artworks in Arcadja
127

Some works of Charles Emile Carolus-Duran

Extracted between 127 works in the catalog of Arcadja
Charles Emile Carolus-Duran - Portrait De Lady campbell-clarke

Charles Emile Carolus-Duran - Portrait De Lady campbell-clarke

Original 1893
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Price:

Lot number: 81
Other WORKS AT AUCTION
Description:
Charles-Emile-Auguste Durand dit Carolus Duran LILLE 1837 - 1917 PARIS PORTRAIT DE LADY CAMPBELL-CLARKE CAROLUS DURAN ; PORTRAIT OF LADY CAMPBELL CLARKE ; SIGNED AND DATED LOWER LEFT CAROLUS DURAN 1893 ; OIL ON CANVAS Signé daté en bas à gauche Carolus Duran 1893 Huile sur toile, dans son cadre d'origine 212 x 100 cm ; 83 3/8 by 39 1/4 in Provenance Collection de Lady Anne Campbell-Clarke ;
Charles Emile Carolus-Duran - Portrait Of A Lady

Charles Emile Carolus-Duran - Portrait Of A Lady

Original
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Price:

Lot number: 8
Other WORKS AT AUCTION
Description:
Charles-Auguste-Émile Carolus-Duran (French, 1837-1917) Portrait of a lady oil on canvas 28 ¾ x 23 ¾ in. (73 x 60.3 cm.) Provenance Marie Marquet, Paris. Mr. and Mrs. Oscar Kolin, New York, acquired from the above, 1938. Gifted to the Metropolitan Museum of Art by the above, 1981. Pre-Lot Text Property of the Metropolitan Museum of Art, Sold to Benefit the Acquisitions Fund Exhibited Portland, Maine, Portland Museum of Art, Monet to Matisse, Homer to Hartley: American Masters and Their European Muses , 24 June – 17 October 2004.
Charles Emile Carolus-Duran - Portrait Of Mrs Harry Vane Milbank, Neé Alice Sidonie Van Den Bergh

Charles Emile Carolus-Duran - Portrait Of Mrs Harry Vane Milbank, Neé Alice Sidonie Van Den Bergh

Original
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Gross Price
Lot number: 73
Other WORKS AT AUCTION
Description:
Charles Emile Auguste Carolus-Duran (French, 1838-1917) Portrait of Mrs Harry Vane Milbank, neé Alice Sidonie Van den Bergh signed and dated 'Carolus-Duran./Paris - Mars 1877.' (upper left) oil on canvas 117.5 x 94cm (46 1/4 x 37in). Provenance From the sitter to her son, Albert de Belleroche (French 1864-1944)
Charles Emile Carolus-Duran - Portrait Of Dr. Ramacciotti

Charles Emile Carolus-Duran - Portrait Of Dr. Ramacciotti

Original 1865
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Gross Price
Lot number: 100
Other WORKS AT AUCTION
Description:
Charles Emile Auguste Carolus-Duran (French, 1837-1917) Portrait of Dr. Ramacciotti signed, dated, inscribed and dedicated 'Carolus Duran./ a son ami/ Ramaccioti/ Roma/ 65.' (right center) oil on canvas 9½ x 7½ in. (24.1 x 19.1 cm.) Painted in 1865. Anonymous sale; Christie's, New York, 25 November 1997, lot 108.
Charles Emile Carolus-Duran - Portrait Of Henri Fantin-latour

Charles Emile Carolus-Duran - Portrait Of Henri Fantin-latour

Original 1861
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Gross Price
Lot number: 3
Other WORKS AT AUCTION
Description:
Charles-Emile-Auguste Durand, called Carolus-Duran 1837-1917 FRENCH PORTRAIT OF HENRI FANTIN-LATOUR signed Carolus Duran. and dated 1861. (upper right) oil on canvas 18 by 14 7/8 in. 45.7 by 37.6 cm Read Condition Report Read Condition Report Register or Log-in to view condition report Saleroom Notice Carolus-Duran moved to Paris in 1853 and most likely met Henri Fantin-Latour in the rooms of the Louvre between 1855 and 1860, when both were registered copyists. The present work is a portrait of his friend and clearly relates to the double portrait of the same year, Fantin-Latour et Oulevay in the collection of the Musée d’’ Orsay (fig. 1). While Fantin-Latour’’s life and career is both celebrated and well-documented, Henri-Charles Oulevey, the sitter on the left of the double portrait, did not make such a name for himself as a painter. In both the present work and the double portrait, Carolus-Duran presents a painterly homage to Fantin-Latour, perhaps anticipating the artist’’s ambitious group portraits, the first of which, Hommage à Delacroix (1864, Musée d’’Orsay, fig. 2) being painted just three years after the present work. One of the most sought after portrait painters in Paris, Carolus-Duran painted the likenesses of many friends, fellow artists and art-world professionals including Félix Tournachon (Nadar), Zacharie Austruc, Fritz Thaulow and Edouard Manet, among others, and in many ways adapted his painterly technique to each sitter. Unlike the dramatic chiaroscuro of the present work, in his Portrait d’’Édouard Manet (circa 1877, Musée d’’ Orsay, fig. 3), for example, his brushwork is loose and open, detail is spare and form is hinted at only through subtle shifts in color. In addition to being a portraitist, Carolus-Duran was well-known for his role as the founder and director of an innovative studio in Paris, where the emphasis in training was on color rather than line. As one of the artist's American pupils, J. Alden Weir explained: "Carolus-Duran, who is the great portrait painter of France of the present day, teaches his pupils still in a different way. He puts them in front of the living model with the brushes in their hands to represent the model as well as possible, making them draw and paint both at the same time" (as quoted in Dorothy Weir Young, The Life and Letters of J. Alden Weir, New Haven, 1960, p. 28). Fig. 1 Carolus-Duran, Portrait de Fantin-Latour et Ouvelay (1861, oil on canvas, 19 5/8 by 24 in.; 50 by 61 cm, Musée d’’’’Orsay) Fig. 2 Henri Fantin-Latour, Hommage à Delacroix (1864, oil on canvas, 63 by 98 3/8 in.; 160 by 250 cm, Musée d’’’’Orsay; left to right, standing: Louis Cordier, Alphonse Legros, James McNeill Whistler, Édouard Manet, Félix Bracquemond, Albert de Balleroy. Left to right, seated: Edmond Duranty, Henri Fantin-Latour, Jules Champfleury, Charles Baudelaire) Fig. 3 Carolus-Duran, Portrait d’’’’Édouard Manet (circa 1877, oil on canvas, 25 1/2 by 21 1/4 in.; 65 by 54 cm, Musée d’’’’Orsay) The following condition report was kindly provided by Simon Parkes Art Conservation, Inc.:In many respects, the condition of this painting is beautiful. The canvas has never been removed from its original stretcher. The painting is somewhat under-restored, although it is clean. The vigor and bravura of the paint layer is clearly visible throughout. Strong pentimenti in the upper right have created texture in this area. Some cracking has developed on the left side of the face. There is perhaps the beginning of a slight transparency that has developed in the left side of the forehead that has given rise to the dark color that can be seen here. There are faint stretcher marks around the edges and running across the center of the picture. The amount of retouching is minimal and is confined almost entirely to the cracking. It is quite broad and aimless in the upper right. Only the face and collar have been completely cleaned. The remainder of the picture still contains a layer of old varnish. One un-restored small paint loss on the extreme right edge is visible as the picture is framed today. Overall, the condition is very good. "This lot is offered for sale subject to Sotheby's Conditions of Business, which are available on request and printed in Sotheby's sale catalogues. The independent reports contained in this document are provided for prospective bidders' information only and without warranty by Sotheby's or the Seller."
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