Massimo Campigli

Italy (Firenze 1895Saint Tropez 1971 ) - Artworks Wikipedia® - Massimo Campigli
CAMPIGLI Massimo Donna Con La Collana

Sotheby's /Jun 24, 2014
43,782.84 - 56,292.22
Not Sold

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Variants on Artist's name :

Campigli

Massimocampigli

 

Artworks in Arcadja
838

Some works of Massimo Campigli

Extracted between 838 works in the catalog of Arcadja
Massimo Campigli - Due Volti

Massimo Campigli - Due Volti

Original 1952
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Lot number: 206
Other WORKS AT AUCTION
Description:
Massimo Campigli (Italian, 1895-1971) Two works of art: Due Volti, 1952 Lithograph in colors (framed) Signed, dated and numbered XLVIII/LX 14" x 20 1/2" (sight) Teatro Uno, 1951 Lithograph (framed) Signed and numbered 82/200 14 1/8" x 18 5/8" (sight) Provenance: Private Collection, Pennsylvania Both works of art are in good condition. Both signed and numbered in pencil lower recto. Paper on both is slightly discolored commensurate with age. Not examined out of the frames.
Massimo Campigli - D'idole

Massimo Campigli - D'idole

Original 1961
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Lot number: 28
Other WORKS AT AUCTION
Description:
Description: Massimo Campigli (1885-1971) D'IDOLE (MELONI/TAVOLA 179) Color lithograph, 1961, signed and inscribed bon a tirer in pencil, published by L'Oeuvre Gravee, Paris, pale lightstain, some foxing and other discoloration in the bottom margin, otherwise in apparently good condition, with good margins, framed (unexamined out of the frame). 27 3/8 x 21 inches; 695 x 533 mm. C
Massimo Campigli - Senza Titolo

Massimo Campigli - Senza Titolo

Original 1964
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Price: Not disclosed
Lot number: 365
Other WORKS AT AUCTION
Description:
Massimo Campigli (1895-1971) senza titolo, 1964 soft paint,sample 51/102 cm.64,5x46 Signed in the lower left. Also signed on the CAMPIGLI 64 plate Folder edited by C.L. Ragghianti 1964 Editions The Bison, Florence Bibliography: CAMPIGLI, F. Meloni, Graphis Arts Livorno 1995 p.159 No. 187 Starting Price: €550
Massimo Campigli - Donna Con La Collana

Massimo Campigli - Donna Con La Collana

Original 1945
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Lot number: 182
Other WORKS AT AUCTION
Description:
The authenticity of this work has been confirmed by Nicola Campigli. Bertelli Collection, Milan Galleria Contini d'Arte, Venezia Acquired from the above by the present owner Massimo Campigli 1895 - 1971 DONNA CON LA COLLANA (WOMAN WITH NECKLACE) signed Campigli and dated 45 (lower right) oil on canvas 48 by 35.7cm., 18⅞ by 14in. Painted in 1945. The canvas is lined, but the surface has retained its rich texture and the impasto is well preserved. UV examination reveals no evidence of retouching. This work is in overall good condition. "In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Massimo Campigli - Pittrice E Modela Or Atelier

Massimo Campigli - Pittrice E Modela Or Atelier

Original 1949
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Gross Price
Lot number: 1128
Other WORKS AT AUCTION
Description:
Massimo Campigli * (Berlin 1895–1971 St. Tropez) Pittrice e modela or atelier, signed and dated Campigli 49, verso signed and dated Campigli 1948–49, oil on canvas, 63 x 78 cm, framed, (PP) Photo certificate from the artist Provenance: Galleria d’’’’Arte Sianesi, Milan (label on the reverse) Galleria Zanini, Rome (verso stamp) Private Collection, Italy Exhibitions: Taranto, Galleria d’’’’Arte Taras, ente provinciale Turismo, cinquanta pittori figurativi, 2 – 17 May 1949 (label on the reverse); Rome, Campigli, Galleria d’’’’arte Zanini, 1960 (opening: 16. Januar); Rome, Omaggio a Campigli: opere 1929–1971, Galleria Il Collezionista d’’’’arte contemporanea, 15 December 1971 – 30 January 1972, exh. cat., with ill. page 209 (curated by Giancarlo Serafin and Carlo Bestetti) Literature: Giancalo Serafini (ed.), Raffaele Carrieri, André Castel, Rafaele de Grada, Jean, Paulhan, Franeo Russoli, Galleria il Collezionista d’’’’arte Contemporanea, page 594, no. 49-010, Carlo Bestetti - Edizioni d’’’’arte, Rome 1972, Vol. II Although Massimo Campigli began painting towards the end of the 1910s, it was the discovery of Etruscan art during a visit to Villa Giulia in Rome in 1928 that marked a turning point in the artist’’’’s life, stimulating his artistic research throughout his career. Campigli always remained true to himself in his paintings, evoking a mythical, primeval dimension based on pure, essential forms. This purity appears in his work Pittrice e modella (‘painter and model’’’’ ), executed in 1949, depicting a small figure with a marked geometrical shape in the act of painting another figure that seems to reflect its mirror image. The formal archaism of the two women and the intimate, quiet atmosphere that permeates the painting, are accentuated by the choice of opaque, earthy shades of colour, almost like a fresco capturing a moment outside time; an eternal, constant dimension that constituted the aim of every formal research the artist conducted. “I would like people to be able to live together with my paintings as if they were a slow, silent pendulum”, stated Campigli on the occasion of a personal exhibition at Galleria del Naviglio, Milan, in 1953. Specialist: Mag. Patricia Pálffy
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