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Pieter Ii Brueghel

Belgium (1564 -  1637 ) Wikipedia® : Pieter Ii Brueghel
BRUEGHEL Pieter II Winter Landscape With Skaters

Sotheby's
Dec 5, 2018
Find artworks, auction results, sale prices and pictures of Pieter Ii Brueghel at auctions worldwide.
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Variants on Artist's name :

Breughel Pieter Ii

Breughel Pierre Dit D'Enfer

Bruegel Pieter Ii

 

Artworks in Arcadja
387

Some works of Pieter Ii Brueghel

Extracted between 387 works in the catalog of Arcadja
Pieter Ii Brueghel - The Netherlandish Proverbs

Pieter Ii Brueghel - The Netherlandish Proverbs

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Lot number: 7
Other WORKS AT AUCTION
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Pieter Brueghel, the Younger (Brussels 1564/5-1637/8 Antwerp) The Netherlandish Proverbs oil on canvas 47 ¾ x 65 5/8 in. (121.3 x 166.7 cm.) Provenance Jonkheer Adriaan Johan Hugo Repelaer van Spijkenisse (1845-1884), Brussels, and by inheritance to his brother, Jonkheer Johan Adriaan Paulus Repelaer van Spijkenisse (d. 1913), Haarlem, and by descent to, Jonkheer O.S. Repelaer van Spijkenisse; Christie\’s, Amsterdam, 6 May 1993, lot 99, as 'Attributed to Pieter Brueghel II'. with Johnny van Haeften, London, 1994, as 'Pieter Brueghel II', from whom acquired by the present owner.
Pieter Ii Brueghel - Winter Landscape With Skaters

Pieter Ii Brueghel - Winter Landscape With Skaters

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Lot number: 27
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WINTER LANDSCAPE WITH SKATERS Pieter Brueghel the Younger BRUSSELS 1564 - 1637/8 ANTWERP signed lower left: P BREVGHEL oil on oak panel 40.9 x 56.5 cm.; 16 1/8 x 22 1/4 in. Provenance Anonymous sale, Paris, Galerie Charpentier, 16 June 1960, lot 32; With Galerie Robert Finck, Brussels, 1960 (when advertised in Weltkunst, 15 November 1960); Jacques Grazia-Empain, Brussels, by 1969; With Galerie Robert Finck, Brussels, by 1985 (and advertised in Weltkunst, 15 September 1987); From whom acquired by the grandfather of the present owner.
Pieter Ii Brueghel - Peasants Brawling

Pieter Ii Brueghel - Peasants Brawling

Original 1619
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Lot number: 11
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Pieter Brueghel II (Brussels 1564/5-1637/8 Antwerp) Peasants brawling signed and dated 'P.BREUGHEL. 1619' (lower left) oil on panel 28 ¾ x 40 ½ in. (73 x 103 cm.) Provenance Count Cornet de Ways-Ruart de Vanêche, Brussels. Etienne Le Roy, Brussels, 1871. The Metropolitan Museum of Art, New York (inv. no. 7125), by 1931, deaccessioned; Sotheby's, New York, 19 January 1984, lot 130. with Colnaghi, London, 1985. Anonymous sale; Sotheby's, London, 10 December 1986, lot 55, when acquired by the following, Anonymous sale; Christie's, New York, 29 January 1999, lot 76, when acquired by the present owner.
Pieter Ii Brueghel - The Quarrelsome Housewife

Pieter Ii Brueghel - The Quarrelsome Housewife

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Lot number: 131
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PROPERTY FROM AN IMPORTANT BELGIAN COLLECTION Pieter Brueghel the Younger 'THE QUARRELSOME HOUSEWIFE', OR 'THE SCOLDING WOMAN AND THE CACKLING HEN' BRUSSELS 1564 - 1637/8 ANTWERP signed lower right: P.BRVEGHEL oil on oak panel, circular diameter: 16.5 cm.; 6 1/2 in. Provenance Philippe Vanderlinden, Brasschaat, acquired in the 1950s; Thence by descent to the present owner. Catalogue Note Pieter Brueghel painted a large number of roundels on this scale depicting Flemish proverbs. Passed down within the collection of the same family during the 20th century, this panel has never been published, and indeed is the first known painted example of this particular subject, otherwise found only in Jan Wierix\’s print of circa 1568, after a presumed lost painting or drawing by Pieter Bruegel the Elder.1 Although some of the meanings of the Bruegel proverbs remain unclear to modern audiences, this image conveys a rather more blatant message – it depicts the old Flemish saying: 'T is 't huys geheel verdraeyt, waer t'haentje zwygt en 't hintje kraeyt ('the home isin turmoil when the rooster is silent and the hen crows'). The crowing hen mirrors the wife, while the man (and the rooster beside him) appear toendeavour to ignore her.A monkey – symbolic of vice, lust and general debasement – crouches in the background, ready to cause havoc. Brueghel the Younger is known to have worked from his father\’s drawings and to have made detailed drawings of his father\’s works himself, which he and his studio would follow. TheOutdoor Wedding Dance, formerly in the Coppée collection, for example, employs a combination of tracing and free-hand drawing.3 Infra-red reflectography reveals that the present composition was indeed also traced (pinprick marks along many of the lines indicate pouncing), with additional underdrawing consistent with that of the Brueghel workshop (fig. 1). 1 See, for example, the engraving in the Metropolitan Museum, New York, inv. no. 46.21(23); see M. Sellink (ed.), Pieter Bruegel the Elder. The New Hollstein, Ouderkerk aan den IJssel 2006, p. 166, cat. no. A7, reproduced p. 170. Klaus Ertz included Wiericx's engraving of this subject for the sake of completionin his monograph on Pieter Brueghel the Younger, but stated that he knew no related works by the artist (see K. Ertz,Brueghel der Jüngere, Lingen 1988/2000,vol. 1, p. 114). 2 Wierix's engraving containsthe quatrain: Femme qui tanse sans raison/ Ne fait quenuÿa la maison('A woman who nags without reason doesn't do anything but make trouble at home'). Around the edge of the roundel is engraved, in Flemish:Een leeckende dack, ende een roockende schouwe, Ja daer de simme aenden heijrt sit en siet, Een craijende hinne, een kijfachtige vrouwe, Is ongheluck in Huijs ja quellinghe en vertriet. ('A leaking roof and a smoking chimney, yes, where the monkey sits at the hearth and looks around. A crowing hen, a scolding woman means bad luck in the house, yes, trouble and grief'). 3 Sold London, Sotheby's, 9 July 2014, lot 12, for £1,538,500. Fig. 1 Infra-red reflectogram of the present lot
Pieter Ii Brueghel - Christ With The Woman Taken In Adultery

Pieter Ii Brueghel - Christ With The Woman Taken In Adultery

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Lot number: 32
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OLD MASTERS FROM THE VAN DEDEM COLLECTION Pieter Brueghel the Younger Pieter Brueghel the Younger BRUSSELS 1564 - 1637/8 ANTWERP signed and dated lower left: ·P·BREVGHEL·1628· oil on oak panel,the reverse branded with the clover leaf mark of the panel maker Michiel Claessens (active in Antwerpcirca1590–1637) 26.8 x 37.7 cm.; 10 1/2 x 14 7/8 in.
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