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Jan I Brueghel

Belgium (1568 -  1625 ) Wikipedia® : Jan I Brueghel
BRUEGHEL Jan I Hans Efterföljd

Uppsala Auction /Feb 16, 2016
840.67 - 1,050.84
Not Sold

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Variants on Artist's name :

Breughel Jean Dit De Velours

Bruegel Jan I

Brueghel Jan, The Elder

 

Artworks in Arcadja
288

Some works of Jan I Brueghel

Extracted between 288 works in the catalog of Arcadja
Jan I Brueghel - The Feast Of Acheloüs

Jan I Brueghel - The Feast Of Acheloüs

Original 1606
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Lot number: 119
Other WORKS AT AUCTION
Description:
Lot Description Jan Brueghel I (Brussels 1568-1625 Antwerp) The Feast of Acheloüs signed and dated 'BRUEGHEL. 1606' (lower centre) oil on copper 4 3/8 x 4 3/8 in. (10.9 x 10.9 cm.) Special Notice These lots have been imported from outside the EU for sale using a Temporary Import regime. Import VAT is payable (at 5%) on the Hammer price. VAT is also payable (at 20%) on the buyer’’’’’’’’s Premium on a VAT inclusive basis. This VAT is not shown separately on the invoice. When a buyer of such a lot has registered an EU address but wishes to export the lot or complete the import into another EU country, he must advise Christie's immediately after the auction. Lot Condition Report I confirm that I have read this Important Notice and agree to its terms. View Condition Report Provenance Mr. and Mrs. Ronald Musker; Sotheby’’’’’’’’s, London, 9 May 1973, lot 7, as ‘J. Brueghel’’’’’’’’ (£900). View Lot Notes >
Jan I Brueghel - Forest Landscape With Ramblers

Jan I Brueghel - Forest Landscape With Ramblers

Original
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Starting price:

Price:

Lot number: 1232
Other WORKS AT AUCTION
Description:
Lot 1232: Jan Brueghel the Elder, Forest Landscape with Ramblers Description: This copper panel is one of a group of works painted by Jan Brueghel the Elder around 1600 which mark the transition from the “world landscape” of the 16th century to the more realistic landscapes of the 17th. Previous landscape depictions had suggested an elevated viewpoint, but since the late 16th century, artists had begun to develop the Netherlandish flat landscape. These were composed as if seen from a much lower viewpoint with a correspondingly low horizon. The traditional, strict division of the landscape into three planes, with fore-, middle- and backgrounds each dominated by brown, green and blue tones respectively, was softened, allowing one main tone to prevail. This heightened the illusion of distance and three-dimensionality, creating works that one could almost step into. Other paintings from this group include works by Brueghel in the Ambrosiana in Milan (inv. no. 74/20, Ertz op. cit., p. 209, no. 86), the Prado in Madrid (inv. no. 1385, Ertz op. cit., p. 214, no. 89) as well as a further, similar piece sold by Lempertz in Cologne in auction 969, 20.11.2010 as lot 1035. Before Klaus Ertz attributed this work to Brueghel, it was traditionally ascribed to Roeland Savery. Brueghel's forest landscapes do indeed display strong parallels to Savery's works, although the latter was not quite as influential for the new style of landscape. It was probably due to the similarity of the two artists' wooded landscapes that the subsequent inscription “Savary” was added to the lower right of this panel. Notes: VAT: Margin scheme Provenance: The Stroganoff collection, Rome, until 1988. – Coll. of Lars Bomann, until 1988. – Auctioned by Phillips, London, 7.7.1992. – Private collection, Germany. Dimensions: 16.5 x 22.5 cm Artist or Maker: Jan Brueghel the Elder Literature: Klaus Ertz & Christa Nitze-Ertz: Jan Brueghel der Ältere (1568-1625). Kritischer Katalog der Gemälde, 4 vols., Lingen 2008-10, vol. 1, p. 214, no. 88, illus. p. 213. Medium: Oil on copper
Jan I Brueghel - The Temptation Of Saint Anthony

Jan I Brueghel - The Temptation Of Saint Anthony

Original
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Price:

Lot number: 67
Other WORKS AT AUCTION
Description:
Jan Brueghel I (Brussels 1568–1625 Antwerp)The Temptation of Saint Anthony,oil on panel, 14 x 23,6 cm, framed Provenance:Private collection, BelgiumWe are grateful to Klaus Ertz for confirming the authenticity ofthe present painting. A written certificate, dated 23 December2015, is available.Ertz dates the present painting to around 1595, Brueghel’’’’s Italianperiod. He writes: ‘In his early years, Jan Brueghel the Elder hadalready dealt with the subject of Saint Anthony in severalversions, including one dated from around 1595 and a second, whichis preserved in Dresden and was painted ten years later (see K.Ertz/Ch. Nitze-Ertz, Jan Brueghel der Ältere, Lingen, 2008–10, vol.II, pp. 616-623, cat. nos. 293 and 295). In all of these versions,the artist invented the infernal landscape. The motif of the Templeof the Tiburtine Sibyl near Rome, which the artist frequently usedat the time, also speaks in favour of this early date of execution.It is typical of Jan Brueghel the Elder that he treated a theme ina version on copper and slightly varied it on panel. Probably thepresent little panel is one of the earliest versions of the subjecton which the Dresden painting is based. In all of his compositionsdevoted to the theme of Saint Anthony, it seems to have beenunthinkable for Jan the Elder to set the scene of the temptation indifferent surroundings, such as in an intimate forest. The presentcomposition thus proves a theory frequently voiced in this context,namely that Jan the Elder, as soon as he had chosen a compositionaltype for a certain subject, would remain true to it.’’’’In his monograph on Jan Brueghel the Elder, Ertz comments uponBrueghel’’’’s special iconography for the subject: ‘With suchinfernal landscapes, Jan Brueghel the Elder presents himself as ahighly typical exponent of Mannerist painting around 1600. AFleming, he particularly adopted the theme of monsters and spookyand fantastic creatures that had been introduced by HieronymusBosch and which in Brueghel’’’’s art culminated in a genre of its ownright. It goes without saying that he was also influenced by thespectres in the art of his father, such as those encountered in theFall of the Rebel Angels in Brussels. In literature and general artjargon, the name ‘Hell Brueghel’’’’ is often wrongly used as asynonym for landscapes ravaged by fire or illuminated by lightningand populated by fantastic and eerie creatures, the darknessfrequently being torn apart by dazzling lights. However, thisnickname has always been associated with one of the two Pieters andespecially became a rigid formula for Jan’’’’s brother, although ithas meanwhile turned out that Pieter the Younger did not paint asingle so called infernal landscape.’’’’
Jan I Brueghel - Hans Efterföljd

Jan I Brueghel - Hans Efterföljd

Original -
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Lot number: 278
Other WORKS AT AUCTION
Description:
Jan Brueghel I Flanders 1568‑1625. Hans efterföljd, 1600-tal. Väderkvarnar i holländskt landskap. Olja på koppar. 11 x 14. Jan Brueghel I Flanders 1568‑1625. Hans efterföljd, 1600-tal. Väderkvarnar i holländskt landskap. Olja på koppar. 11 x 14. Follower of, 17th century. Wind mills in a Dutch landscape. Oil on copper, 11 x 14 cm. Färgbortfall, i hörnen samt längs marginal under figurerna. Smärre fläckar. Retuscher vid boskapen. Kopparplåt med smärre buckla vid nedre marginal. Rammått: 15 x 18. Paintloss, in the corners and along the margin under the figures. Minor spots. Retouches by the cattle. The copper plate with minor buckle in the lower margin. Frame size: 15 x 18 cm.
Jan I Brueghel - Panoramic Landscape With Travellers With Horses Carts And Cattle On A Sandy Road

Jan I Brueghel - Panoramic Landscape With Travellers With Horses Carts And Cattle On A Sandy Road

Original -
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Price:

Lot number: 31
Other WORKS AT AUCTION
Description:
Jan Brueghel the Elder BRUSSELS 1568 - 1625 ANTWERP PANORAMIC LANDSCAPE WITH TRAVELLERS WITH HORSES CARTS AND CATTLE ON A SANDY ROAD signed and indistinctly dated lower right: BRUEGHEL 1*** oil on copper 22.2 by 33 cm.; 8 3/4 by 13 in. Exhibited New York, Bob P. Haboldt, Fifty Paintings by Old Masters, 1995, no. 12; Essen, Villa Hügel; Vienna, Kunsthistorisches Museum, Pieter Brueghel der Jüngere–Jan Breughel der Ältere, 26 August 1997–14 April 1998, no. 66; Phoenix, Art Museum; Kansas City, Nelson-Atkins Museum of Art; The Hague, Mauritshuis, Copper as Canvas: Two Centuries of Masterpiece Painting on Copper, 1575–1775, 19 December 1998–22 August 1999, under no.8. Literature K. Ertz, Breughel - Brueghel, exhibition catalogue, Lingen 1997, pp. 235–237, cat. no. 66, reproduced p. 236; M.K. Komanecky, in Copper as Canvas: Two Centuries of Masterpiece Paintings on Copper, 1575–1775, exhibition catalogue, New York 1998, pp. 150–54, part of section 8, reproduced p. 154; K. Ertz and C. Nitze-Ertz, Jan Brueghel der Ältere (1568– 1625). Kritischer Katalog der Gemälde, vol. I, Landschaften mit profanen Themen, Lingen 2008, pp. 150–52, cat. no. 49, reproduced p. 151, fig. 49.
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