Eugene Boudin

France (Honfleur 1824Deauville 1898 ) - Artworks Wikipedia® - Eugene Boudin
BOUDIN Eugene Les Hauteurs De Trouville

Van Ham /Nov 14, 2014
50,000.00 - 60,000.00
Not Sold

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Variants on Artist's name :

Boudin Eugène

 

Artworks in Arcadja
1235

Some works of Eugene Boudin

Extracted between 1,235 works in the catalog of Arcadja
Eugene Boudin - Marine

Eugene Boudin - Marine

Original
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Lot number: 1
Other WORKS AT AUCTION
Description:
Eugène Boudin 1824-1898 MARINE Signed E. Boudin (lower left) and stamped with the initials E.B. (Lugt L.828, lower right) Pastel on paper 4 1/4 by 5 3/4 in. 10.9 by 14.6 cm Read Condition Report Read Condition Report Register or Log-in to view condition report Saleroom Notice Authentication To be included in the forthcoming Catalogue Raisonné of the Works on Paper of Eugène Boudin (1824-1898) being prepared by Manuel Schmit. Provenance Private Collection, London Acquired from the above by the present owner in November 2006 Fig. 1 The present owner Lillian Gladstone (center) with Salvador Dalí (left) in 1960, just prior to his creating the present works
Eugene Boudin - Sortie De Messe En Bretagne

Eugene Boudin - Sortie De Messe En Bretagne

Original 1870
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Lot number: 297
Other WORKS AT AUCTION
Description:
Lot Description Eugène Boudin (Honfleur 1824-1898 Deauville) Sortie de messe en Bretagne: the widows of Touque, Bretagne signed and annotated 'A Mr Ferdinand Martin. E Boudin' (lower right) oil on panel 27 x 22 cm. Painted circa 1865-70. Lot Condition Report I confirm that I have read this Important Notice and agree to its terms. View Condition Report Provenance Mr. Ferdinand Martin, Le Havre. Mr. Muller, Paris. Anonymous sale; Tajan, Paris, 27 October 1995, lot 13. with Galerie Beres, Paris, 2006, where acquired by the present owner. Literature Robert Schmit, Eugene Boudin 1824-1898, Vol. 1, Paris, 1973, p. 137, no. 373, as: Sortie de messe en Bretagne.
Eugene Boudin - Étude De Trois Crinolines

Eugene Boudin - Étude De Trois Crinolines

Original 1865
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Gross Price
Lot number: 560
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Description:
Eugène Boudin ÉTUDE DE TROIS CRINOLINES Stamped with initials E.B. (lower right) and dated 1865 (upper right) Watercolor, wash and pencil on paper 5 1/2 by 7 1/2 in. 13.8 by 18.9 cm Executed in 1865. Read Condition Report Read Condition Report Register or Log-in to view condition report Saleroom Notice Authentication To be included in the forthcoming Catalogue Raisonné of the Works on Paper of Eugène Boudin being prepared by Manuel Schmit. Provenance Léon Bourgeois, Paris Mme. Léon Bourgeois, Paris (by descent from the above) Private Collection (a gift from the above and sold: Sotheby Parke Bernet & Co., London, March 26, 1980, lot 145)
Eugene Boudin - Les Hauteurs De Trouville

Eugene Boudin - Les Hauteurs De Trouville

Original 1875
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Lot number: 611
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Description:
Description: BOUDIN, EUGÈNE 1824 Honfleur - 1898 Deauville Les hauteurs de Trouville. Hill near Trouville. 1875. Oil on wood. 20 x 41 cm. Signed lower right: E. Boudin. Dated lower left Trouville -75-. Framed. Provenance: - Hôtel Drouot, Paris, May 20-21, 1901, no. 7 - Collection Diéterle, Paris - André Schoeller, Paris - Arthur Tooth & Sons, London - Sotheby's, London, June 22, 1966, Lot 7 - Richard Feigen Gallery, New York (label) - Private collection, Houston, Texas - Hammer Galleries, New York; gallery's documentation present. Literature: Schmit, Robert: Eugène Boudin 1824-1898, Paris 1973, Tome I, cat.rais.no. 1047 with b/w ill. Exhibitions: Hammer Galleries, New York: "Decades of Light, early modern French Painting", October 8-25, 1980 (ill. exhibition cat. p. 28) Boudin is often referred to as "impressionist of the very beginning". With his bold and free painting he paves the way for the later impressionists. He has a great sense for capturing light reflexes, his works show the lively flickering of the atmosphere by the means of a spacious brushwork. Boudin is the first to discover major talent of Claude (actually "Oskar") Monet and will be his first teacher. In 1874 Boudin, whom Corot gave the nickname "King of Skies", participated in the first exhibition of the impressionists. Not only his harbour and marine scenes are famous, but especially his impressionistic beach scenes which he vitalised by the means of bathing people and ladies in crinolines. One of these paintings shows the accompanied Empress Eugénie at the beach of Trouville. For "Les hauteurs de Trouville" Boudin climbs the hill and shows us the view on the small town and the beach. This delicate masterstroke reveals that Boudin is a sensitive observer of the sky and the sea. Special-Edition-Catalogue_Collection_Stinner Text-Special-Edition-Catalogue_Collection_Stinner
Eugene Boudin - Argenteuil, Promeneurs Sur La Berge

Eugene Boudin - Argenteuil, Promeneurs Sur La Berge

Original 1866
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Gross Price
Lot number: 43
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Description:
Eugène Boudin ARGENTEUIL, PROMENEURS SUR LA BERGE signed oil on canvas 11 3/4 by 18 1/2 in. 30 by 47 cm. Executed in 1866. Read Condition Report Read Condition Report Register or Log-in to view condition report Saleroom Notice Provenance Belvalette, Paris Jean Noblet, Paris Hôtel Drouot, Paris, June 24, 1963, Lot 50 Galerie Schmit, Paris Collection of Mr. and Mrs. Paul Mellon (acquired from the above in October 1963) Exhibited Washinton, D.C., National Gallery of Art, French Paintings from the Collections of Mr. and Mrs. Paul Mellon and Mrs. Mellon Bruce, Twenty-Fifth Anniversary Exhibition, 1941-1966, 1966, cat. no. 23, illustrated Hartford, Wadsworth Atheneum, Impressionist at Argenteuil, 2000, cat. no. 1 Literature Robert Schmit, Eugène Boudin, 1824-1898, vol I, Paris, 1973, cat. no. 392, p. 145, illustrated Haruki Yaegashi, Les Peintres Impressionistes: Boudin, Tokyo, 1978, illustrated Paul Hayes Tucker, Monet at Argenteuil, New Haven, 1981, cat. no. 73, p. 99, illustrated (as dating from 1869) Editions Herscher, Boudin, La Ciel, La Mer, Paris, 1993, illustrated A sweeping view of the boats on the Seine at Argenteuil is the subject of Boudin's nautical composition from 1866. While the beaches of Le Havre and Trouville were frequent locations for his painting campaigns at this point in his career, this particular expedition to Argenteuil exemplifies the artist's links to members of the Impressionist group, most notably his student Monet, who would be influenced by his example here. Boudin and his fellow avant-garde painters were fascinated by the affects of light reflecting off the water, and Argenteuil was one of the locations where they came to experiment with new aesthetic techniques that would ultimately give rise to Impressionist painting in the 1870s. The artist's practice of painting largely en plein air, though often finishing his paintings in the studio, enabled him to endow his works with an energetic immediacy and freshness. As Boudin inscribed in one his notebooks, “Beaches. Produce them from nature as far as is possible... things done on the spot or based on a very recent impression can be considered as direct paintings” (quoted in Gustave Cahen, Eugène Boudin, sa vie et son oeuvre, Paris, 1900, p. 183). Very good condition. The canvas is lined. Under UV, some very told retouching at the extreme edge at lower left due to frame abrasion. In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
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