Cookies help Arcadja providing its services: browsing the portal you accept their use.
I cookies aiutano Arcadja a fornire i suoi servizi: navigando nel portale ne accettate l'utilizzo.
Cookies disclosure/Informativa cookies

  • Art Auctions, Ventes aux Encheres Art, Kunstauctionen, Subastas Arte, Leilões de Arte, Аукционы искусства, Aste
  • Research
  • Services
  • Enrollment
    • Enrollment
  • Arcadja
  • Search author
  • Login

Giuseppe Bernardino Bison

Italy (Palmanova 1762 -  Milano 1844 ) Wikipedia® : Giuseppe Bernardino Bison
BISON Giuseppe Bernardino Rest On The Flight Into Egypt

Galerie Koller
Mar 23, 2018
Find artworks, auction results, sale prices and pictures of Giuseppe Bernardino Bison at auctions worldwide.
Go to the complete price list of works Follow the artist with our email alert
Artworks in Arcadja
480

Some works of Giuseppe Bernardino Bison

Extracted between 480 works in the catalog of Arcadja
Giuseppe Bernardino Bison -  The Molo

Giuseppe Bernardino Bison - The Molo

Original 1831
Estimate:

Price:

Lot number: 410
Other WORKS AT AUCTION
Description:
Giuseppe Bernardino Bison (Palmanova 1762–1844 Milan) The Molo, looking towards the Zecca with Saint Teodoro column, Venice, oil on canvas, 59x73cm, framed The present view derives from a work of the same subject by Canaletto, which belonged first to the dukes of Leeds and then to Luigi Albertini (and is now in the collection of the Castello Sforzesco, Milan); it is the pendant to The Molo looking towards the Riva degli Schiavoni and the Column of San Marco. The two paintings became famous early on thanks to their being engraved by Antonio Visentini, who published them in the second part of his collection of views after Canaletto in 1742: Urbis Venetiarum Prospectus Celebriones. This composition represents the South side of the Piazzetta di San Marco that faces onto the Grand Canal, where we can see the column of San Teodoro, part of the Biblioteca Marciana and the Zecca next door, while on the left beyond the quay are the Punta della Dogana and the Basilica of Santa Maria della Salute. The present work captures the carefree climate of a Venetian day, with the descriptive liveliness of the figures and the terse crystalline light of the sky which dialogues with the green tones of the Grand Canal and the lagoon. This view was made famous by the view painters of the eighteenth century and Bison made use of engravings for his representation, as was dictated by academic discipline which prescribed that aspiring artists should exercise on the finest works of the art of the past. For Bison therefore, as an artist engaged in view painting, and the perspective that underpins this discipline, the paintings of Canaletto represented a fundamental point of reference. The painter from Palmanova could replicate these extensive Venetian views with great ability, capturing the breadth of the horizon described in exacting detail with attention to the architectural fabric, while also focusing attention on the episodes of everyday life that animate the city, finely rendered thanks to his distinctive \‘macchiette\’ or figures. In the present work that sensitivity for those locations that were most favoured by the painters of the eighteenth century is evident, this sensitivity is also witness to that mid-nineteenth century taste that would generate the myth of Venice. This appearance, combined with a particular firmness in the pictorial deployment of the pigments, allows us to suggest that this work should be dated to the end of the fourth, or beginning of the fifth decade of the nineteenth century, that is during the painter\’s final Milanese years. Giuseppe Bernardino Bison was one of the most interesting artists of that intermediary phase that marked the passage in Venetian culture from the eighteenth into the nineteenth century. He entered the cultural life of Venice while still a youth and attained notable success even as decorator of interiors. However, it was as a landscape and view painter that he gained the greatest acclaim, and so much so that by the beginning of the new century he had a substantial public at Trieste. This city was inhabited then by a wealthy bourgeoisie that was attentive to collecting contemporary art, and especially appreciated Bison for his idiosyncratic and original way of combining those qualities of painting \‘touched\’ by the delicacy of eighteenth century art, with a significant revitalisation of the subjects and style, proper to the cultural renewal of the nineteenth century. With these credentials, at an advanced age, he decided to move to Milan in 1831, where he continued to receive acclaim, and he participated in the exhibitions at Brera. We are grateful to Fabrizio Magani for his help in cataloguing the present painting. Specialist: Mark Mac Donnell
Giuseppe Bernardino Bison - The Penitent Magdalene, Writing In A Book

Giuseppe Bernardino Bison - The Penitent Magdalene, Writing In A Book

Original
Estimate:
Starting price:

Price:

Lot number: 3422
Other WORKS AT AUCTION
Description:
Description: BISON, GIUSEPPE BERNARDINO (Palmanova 1762 - 1844 Milan) The Penitent Magdalene, writing in a book. Verso: Study of St. Mary Magdalene. Pen and brown ink over black chalk. 22.3 x 16 cm. Framed. --------------- BISON, GIUSEPPE BERNARDINO (Palmanova 1762 - 1844 Mailand) Die büssende Magdalena, in ein Buch schreibend. Verso: Studie zur heiligen Magadalena. Feder in Braun über schwarzer Kreide. 22,3 x 16 cm. Gerahmt.
Giuseppe Bernardino Bison - Rest On The Flight Into Egypt

Giuseppe Bernardino Bison - Rest On The Flight Into Egypt

Original
Estimate:
Starting price:

Price:

Lot number: 3061
Other WORKS AT AUCTION
Description:
BISON, GIUSEPPE BERNARDINO (Palmanova 1762 - 1844 Milan) Rest on the flight into Egypt. Oil on canvas. 63 x 49.5 cm. Expertise: - Prof. Giancarlo Sestieri, 18.2.2017 (as Giuseppe Bernardino Bison). - Mina Gregori, 2017 (as Giuseppe Bernardino Bison). Provenance: European private collection. With an art-historical study by Dr. Federica Spadotto. --------------- BISON, GIUSEPPE BERNARDINO (Palmanova 1762 - 1844 Mailand) Die Rast auf der Flucht nach Ägypten. Öl auf Leinwand. 63 x 49,5 cm. Gutachten: - Prof. Giancarlo Sestieri, 18.2.2017 (als Giuseppe Bernardino Bison). - Mina Gregori, 2017 (als Giuseppe Bernardino Bison). Provenienz: Europäische Privatsammlung. Mit kunsthistorischer Untersuchung von Dr. Federica Spadotto.
Giuseppe Bernardino Bison - Venice

Giuseppe Bernardino Bison - Venice

Original
Estimate:

Price:

Net Price
Lot number: 4
Other WORKS AT AUCTION
Description:
Giuseppe Bernardino Bison (Italian 1762-1844) Venice Oil on canvas 38.2 x 53.5 cm (15 x 21 in) Provenance: Private collection, America. Dr. Dario Succi has kindly confirmed the attribution, from a transparency (private communication, 9th November 2009) The canvas has been relined. Stretcher mark to upper edge, areas of craquelure and paint thin in places. Some frame rubbing to the edges. Ultraviolet light reveals evidence of retouching to the edges and some other scattered spots.
Giuseppe Bernardino Bison -  Venice

Giuseppe Bernardino Bison - Venice

Original 18th century
Estimate:

Price:

Gross Price
Lot number: 1207
Other WORKS AT AUCTION
Description:
Giuseppe Bernardino Bison (Palmanova 1762–1844 Milan) Venice, the Grand Canal with the Rialto bridge, oil on canvas, 84 x 126 cm, framed, (GG) We are grateful to Prof Fabrizio Magani who confirmed the authenticity on the basis of a photograph. The present work will be included and illustrated in Prof Fabrizio Magani\’s forthcoming publication \“La Venezia dei Grubacs\”. Bison was born in Palmanova. He began his art studies early in life and by the age of fourteen he had enrolled at the Venetian Academy.He is now considered to be one of the last artists to work in the 18th century vedute tradition in Italy following in the grand tradition of Canaletto and Guardi. With his views of Venice, Bison established a commercial genre to satisfy the demand of tourists and collectors. The present lot depicts a detailed view of the Grand Canal with the Rialto Bridge in the distance. The Rialto Bridge was the heart of commercial life in Venice, as ships from all over the world arrived to sell their merchandise, such as silk, spices and textiles. Bison\’s detailed panorama includes the octagonal dome of San Bartolomeo, which can be seen above the palazzi in the distance, the Palazzo Dolfin-Marin to the right and the busy traffic of the waterway with gondolas and figures in the foreground. Specialist: Gautier Gendebien
Arcadja LogoServices
Subscription
Advertising
Sponsored Auctions
Subscription

Arcadja
Our Product
Follow Arcadja on Facebook
Follow Arcadja on Twitter
Follow Arcadja on Google+
Follow Arcadja on Pinterest
Follow Arcadja on Tumblr