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Giulio Benso

(1601 -  1668 ) Wikipedia® : Giulio Benso
BENSO Giulio The Martyrdom Of Saint Stephen

Christie's /Jan 24, 2008
1,022.98 - 1,363.98
2,573.08

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Along with Giulio Benso, our clients also searched for the following authors:
Andrea Sacchi, Jan I Brueghel, Ferdinand Bol, Simon Vouet, Guercino, Mattia Preti, Matteo Rosselli
Artworks in Arcadja
50

Some works of Giulio Benso

Extracted between 50 works in the catalog of Arcadja
Giulio Benso - The Miraculous Draught Of Fishes

Giulio Benso - The Miraculous Draught Of Fishes

Original
Estimate:
Starting price:

Price:

Lot number: 1141
Other WORKS AT AUCTION
Description:
Description: Giulio Benso, The Miraculous Draught of Fishes Dimensions: 13.5 x 10.1 cm Artist or Maker: Giulio Benso Medium: Brown ink on paper, mounted on laid paper Provenance: Collection of Santo Varni (1807-1885) Genoa (Lugt 3531. Inscribed below: Collez. Varni. - Santo Varni Sale, Boisgirard und Van Heeckeren, Paris 14.12.1981, lot 2. - Private ownership, Netherlands. Giulio Benso (1592 - 1668)
Giulio Benso - Apollo And Marsyas

Giulio Benso - Apollo And Marsyas

Original
Estimate:

Price:

Gross Price
Lot number: 1002
Other WORKS AT AUCTION
Description:
Giulio Benso (Pieve del Tecco 1601-1668)
Apollo and Marsyas (recto); A man lying on his back (verso)
with inscription '[...] Benso'
traces of black chalk, pen and brown ink (recto); black chalk(verso)
5 1/8 x 8¼ in. (13 x 21 cm.)
Provenance
Anonymous sale; Christie's, Rome, 19 December 1986, lot1188.
Giulio Benso - The
Mourning Of Christ

Giulio Benso - The Mourning Of Christ

Original
Estimate:

Price:

Lot number: 3405
Other WORKS AT AUCTION
Description:
Auktion A152 Lot 3405
- 26 March 2010 13:30

BENSO, GIULIO
(1592 Pievo di Teco 1668)

The mourning of Christ.

Brown pen, with old wove paper backing. Inscribed on backing: Luca Cambiaso.

13.1 x 11.8 cm.

€ 680.- / 1 010.-

BENSO, GIULIO
(1592 Pievo di Teco 1668)

Beweinung Christi.

Feder in Braun Mit altem Bütten hinterlegt. Dort alt bezeichnet: Luca Cambiaso.

13,1 x 11,8 cm.

€ 680.- / 1 010.-
Giulio Benso - The Martyrdom Of Saint Stephen

Giulio Benso - The Martyrdom Of Saint Stephen

Original
Estimate:

Price:

Gross Price
Lot number: 38
Other WORKS AT AUCTION
Description:
Giulio
Benso (Pieve di Teco 1592-1668)

The Martyrdom of Saint Stephen

with number '221'

pen and brown ink, brown wash

7 7/8 x 6 3/8 in. (199 x 161 mm.)
Provenance
A Genoese
(?) collector with corresponding numbering '221'.
William H. Crocker (1861-1937), Burlingame, California; thence by
descent to his son
Charles Crocker (1904-61), San Francisco; thence by descent to the
present owners.
Lot
Notes
We are
grateful to Dr. Mary Newcome for confirming the attribution to
Benso.
Giulio Benso - The Assumption Of The Virgin, With Two Bishops And Other Figures

Giulio Benso - The Assumption Of The Virgin, With Two Bishops And Other Figures

Original
Estimate:

Price:

Lot number: 48
Other WORKS AT AUCTION
Description:
Pen and brown ink and wash over traces of black chalk;
triangular shape;

bears various inscriptions in several hands and numbering top
center:
204; Palma Giovane/...jacop.
o
/il
Vecchio
;
sessanta; Benzo Genovese
and several others
cut
PROVENANCEWith Galerie de Bayser, Paris; acquired in 1995
CATALOGUE NOTEAs an adolescent, Benso left his native town and came to Genoa,
where he made such a strong impression on Giovanni Carlo Doria, the
city's most important patron, that he entered the workshop of
Giovanni Battista Paggi, the leading artist of the early
seventeenth-century Genoese school. Consequently, the young Benso
came to be influenced by numerous artists, not only Paggi and his
master, Luca Cambiaso, but also Vouet and Procaccini, who were in
Genoa at the end of the second decade.
Benso painted the subject of the Assumption many times. The
frequency with which the theme occurs in his work may be due to the
fact that in 1637 the Genoese Senate declared the Virgin the patron
saint of Genoa and its republic. Both the artist's fame and that of
the subject were not, however, confined to the city: in 1644 Benso
painted the same subject for the Schottenkirche in
Vienna.1 The present representation replaces the
Apostles who witnessed the event with two kneeling bishops, one of
whom may be St. Ambrose.
Stylistically, the Horvitz drawing can be compared to a sheet
depicting Christ and the Adulterous Woman, in the
Metropolitan Museum of Art, New York.2 In both drawings,
we see the same monumental figures, but combined with free,
expressive pen-work and a lightness in the use of wash which seems
particularly sensitive for the artist.
1. M. Newcome, Genoese Baroque Drawings, exhibition
catalogue, Binghampton, New York, University Art Gallery, 1972, p.
19
2. See C. Bambach and N.M. Orenstein, Genoa, Drawings and
Prints 1530-1800, exhibition catalogue, New York, Metropolitan
Museum of Art, 1996, p. 14, cat. no. 2
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