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Claudio Francesco Beaumont

(1694 -  1766 )
BEAUMONT Claudio Francesco Charles Emanuel Iii

Bruun Rasmussen
May 30, 2011
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Artworks in Arcadja
45

Some works of Claudio Francesco Beaumont

Extracted between 45 works in the catalog of Arcadja
Claudio Francesco Beaumont - Study Of A Reclining Male Figure And Two Subsidiary Studies Of His Left Arm

Claudio Francesco Beaumont - Study Of A Reclining Male Figure And Two Subsidiary Studies Of His Left Arm

Original
Estimate:

Price:

Lot number: 71
Other WORKS AT AUCTION
Description:
Claudio Francesco Beaumont STUDY OF A RECLINING MALE FIGURE AND TWO SUBSIDIARY STUDIES OF HIS LEFT ARM MONCALIERI 1694-1766 TORINO Black chalk, heightened with white chalk, on blue paper 308 by 482 mm Catalogue Note Whilst it has not been possible to securely connect the figure in this drawing to a painting by the Turinese artist Claudio Francesco Beaumont, its graphic style is highly consistent with that of other known drawings by the artist, similarly executed in a combination of black and white chalk on blue paper. It has been suggested that the figure in the present lot may depict an Allegory of Painting and could have been incorporated into a decorative scheme with other Allegories of the Arts.
Claudio Francesco Beaumont - An Allegory Of Summer With Flora And Zephyrus

Claudio Francesco Beaumont - An Allegory Of Summer With Flora And Zephyrus

Original
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Price:

Gross Price
Lot number: 881
Other WORKS AT AUCTION
Description:
Claudio Francesco Beaumont
(Turin 1694–1766)

An allegory of summer with Flora and Zephyrus, Mars and Venus, Apollo\’\’\’\’s sun chariot and the constellation Gemini,

bozzetto for a ceiling painting,

oil on canvas, 64 x 82 cm, framed

We are grateful to Dr Arabella Cifani for identifying the present painting as Beaumont\’\’\’\’s work on the basis of photographs. A certificate by Dr Cifani is available for this painting.

After a period of training in Turin, Claudio Francesco Beaumont travelled to Rome, where he copied the works of Raphael, the Carracci and Guido Reni. Upon his return to Turin, he worked in the service of the Savoyan court. He painted frescoes with allegorical and mythological subjects for the library and other apartments of the Palazzo Reale in Turin. An altarpiece by Beaumont depicting a Deposition from the Cross is preserved in the Chiesa di Santa Croce in Turin.
Claudio Francesco Beaumont - Portait Of Charles Emanuel Iii, King Of Sardinia And Duke Of Savoy (1730-1773) In The Red Robe Of The "supreme Order Of The Most Holy Annunciation"

Claudio Francesco Beaumont - Portait Of Charles Emanuel Iii, King Of Sardinia And Duke Of Savoy (1730-1773) In The Red Robe Of The "supreme Order Of The Most Holy Annunciation"

Original
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Price:

Gross Price
Lot number: 1003
Other WORKS AT AUCTION
Description:
Claudio Francesco Beaumont, b.

Turin 1694, d.

1766
Portait of Charles Emanuel III, King of Sardinia and Duke of Savoy (1730-1773) in the red robe of the "Supreme Order of the most Holy Annunciation".

Unsigned.

Inscribed on an old label on the stretcher: "Opera di Claudio Francesco Beaumont Nato a Torino nel 1694 morte nel 1766.

Celebre Pittore del Re di Sardegna Carlo Emanuele III".

Oil on canvas.

Oval.

74 x 60 cm.

Period frame.
Charles Emanuel III introduced the red robe to the Knights.

Note

The canvas is relined.

Numerous minimal crackles.

Repair.
Claudio Francesco Beaumont - Charles Emanuel Iii

Claudio Francesco Beaumont - Charles Emanuel Iii

Original
Estimate:

Price:

Lot number: 196
Other WORKS AT AUCTION
Description:
Claudio Francesco Beaumont, b.

Turin 1694, d.
1766
Charles Emanuel III, King of Sardinia and Duke of Savoy(1730-1773) in the red robe of the "Supreme Order of the most HolyAnnunciation".

Unsigned.

Inscribed on an oldlabel on the stretcher: "Opera di Claudio Francesco Beaumont Nato aTorino nel 1694 morte nel 1766.

Celebre Pittore del Re diSardegna Carlo Emanuele III".

Oil on canvas.
Oval.

74 x 60 cm.

Period frame.
Charles Emanuel III introduced the red robe to theKnights.
Claudio Francesco Beaumont - Venus And Cupid Enthroned Among Clouds

Claudio Francesco Beaumont - Venus And Cupid Enthroned Among Clouds

Original
Estimate:

Price:

Gross Price
Lot number: 1080
Other WORKS AT AUCTION
Description:
Claudio Francesco Beaumont (Turin, 1694-1766)
Venus and Cupid enthroned among clouds
oil on canvas, unlined
28¾ x 23 1/8 in. (73 x 58.7 cm.)
with paper label to the reverse inscribed 'Aug. Tavernier Mostradel Barocco Piemontese Exp. SAR il Principe di PiemonteBeaumont'
Provenance
S.A.R. Principe di Piemonte
Lot Notes
Although French by birth, Claudio Francesco Beaumont becameattached to the royal family of Savoy after securing the patronageof Vittore Amedeo II in Bologna in 1716. Vittore Amedeo sent him toRome to study with Franceso Trevisani and on his final return in1731 he was appointed court painter and entrusted with the mostimportant commissions, notably in the decoration of Palazzo Reale.On this he worked for much of his life, painting classicallyinspired frescoes deeply imbued with the work of SebastianoRicci.
Beaumont's oeuvre, however, extended beyond the walls of PalazzoReale. He made cartoons for the royal Turin tapestry factory and heenjoyed numerous commissions from churches within theprincipallity. His connection with the church was, furthermore, notmerely commercial - in 1751 he became prior of the Confraternitádella Misericordia in Turin which still owns his Saint John Nepomukbefore our Lady of Sorrows; others of his paintings can be seen inthe Louvre, Paris (Juno sending Iris to Turnus) and the Musée desBeaux Arts Chambéry, (The family of Darius before Alexander.)
The present picture can be compared to a ceiling painting in thePalazzo Reale, Turin, depicting The Triumph of Venus which Beaumontpainted in 1720 (See S. Pinto ed., Arte di Corte a Torino da CarloEmanuele III a Carlo Felice, Turin, 1957, p. 146, illustrated). Italso depicts Venus with a billowing cloak enthroned among theclouds. However in that work Venus is identified by the swans thatdraw her chariot rather than the doves represented in the presentcomposition. (See S. Pinto ed., Arte di Corte a Torino da CarloEmanuele III a Carlo Felice, Turin, 1957, p. 146,illustrated.)
We are grateful to Professor Daniele Sanguineti for confirming theattribution on the basis of a photograph.
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