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Artist data
Artist code
431787
Name
BEADY PATRICIA
Lots cataloged
4
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BEADY PATRICIA,From False Modesty,Kodner Galleries US 2013-09-26

BEADY PATRICIA

Painter

Artist's Artworks passed in Auctions

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Up to now 2024-04-20, based on the attribution to the author set in the filter (Original), Arcadja has cataloged 4 works for artist BEADY PATRICIA. The first pass in the listed auction is 2010-06-14, while the last is 2016-12-14. The auction houses that have treated this artist in the last 6 years are 0 with a volume of 0 lots, while in the last 3 years the houses have been 0 with 0 lots. For more statistics and information visit the BEADY PATRICIA ARTIST PROFILE, or change the attribution to the author in the FILTER.
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Totals 4, pages 1 to 1, current page 1
Press the pictures for details
BEADY PATRICIA
Abstract compositions
BEADY PATRICIA,Abstract compositions,Burstow and Hewett GB 2016-12-14
Lot number 180
Attribution
Original (Signed artwork)
Technique
Mixed media, Paper
Estimates
Award
Dimensions (H x W)
Auction data
Short description
Patricia Beatty, 4 mixed media paintings on paper, abstract compositions, all (...)
BEADY PATRICIA
From False Modesty
BEADY PATRICIA,From False Modesty,Kodner Galleries US 2013-09-26
Lot number 364
Attribution
Original (Signed artwork)
Technique
Acrylic, Paper
Estimates
Dimensions (H x W)
Auction data
Short description
Description: Patricia Beatty American-Southwestern States (Contemporary) (...)
BEADY PATRICIA
From False Modesty
BEADY PATRICIA,From False Modesty,Kodner Galleries US 2013-05-29
Lot number 222
Attribution
Original (Signed artwork)
Technique
Acrylic, Paper
Estimates
Dimensions (H x W)
Auction data
Short description
Description: Patricia Beatty American-Southwestern States (Contemporary) (...)
BEADY PATRICIA
EDGE OF NIGHT PART ONE
BEADY PATRICIA,EDGE OF NIGHT PART ONE,Joyner CA 2010-06-14
Lot number 201
Attribution
Original (Signed artwork)
Technique
Print
Estimates
Dimensions (H x W)
Auction data
Short description
LOT 201 PATRICIA BEADY EDGE OF NIGHT PART ONE, colour print and collage, (...)