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Roberto Iras Baldessari

Italy (Innsbruck 1894 -  Roma 1965 )
BALDESSARI Roberto Iras Dinamismo Di Forme

Auctionata /Apr 28, 2016
24,000.00 - 31,200.00
Not Sold

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Variants on Artist's name :

Baldessari Roberto Marcello

 

Artworks in Arcadja
478

Some works of Roberto Iras Baldessari

Extracted between 478 works in the catalog of Arcadja
Roberto Iras Baldessari - Post-divisionist

Roberto Iras Baldessari - Post-divisionist

Original 1918
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Lot number: 3
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Roberto Marcello Iras Baldessari * (Innsbruck 1894–1965 Rome) Dinamismo di un vaso di fiori n. 2, c. 1918, signed R. M. Baldessari, signed on the reverse: Vaso di fiori- R. M. Baldessari, oil on cardboard, 64.5 x 52 cm, framed Photo certificate: Archivio Unico per il catalogo delle Opere Futuriste di Roberto Marcello Baldessari, under the no. B18–27, Rovereto, 12/06/2003 Provenance: Alfredo Hess Collection, Kron, Switzerland Corti Collection, Varese Private Collection, Italy Exhibited: Rome, Continuità del futurismo sud-nord, curated by Maurizio Scudiero and Anna Maria Ruta, M.I.C.R.O., February – March 2009, exh. cat., M.I.C.R.O. (ed.), p. 84 with ill. Agrigento, Futurismo, curated by Maurizio Scudiero, Anna Maria Ruta and Francesco Catalano, Fabbriche Chiaromontane, April – June 2009, exh. cat., Amici della Pittura Siciliana dell\\\’Ottocento (ed.), pp. 62-63 with ill. It is around 1918 that the various references which Baldessari had collected in his albeit brief Futurist sojourn up until that point begin to consolidate, and thus come to define his signature style. This is unanimously recognised by academics who have focused on Baldessari, from Rinaldo Corti, who saw to the first brief monograph on Baldessari\\\’s Futurist period in 1957, to Riccardo Maroni, who expanded on this in 1962, as well as Bruno Passamani and Enrico Crispolti, who curated two important retrospectives in 1967 and 1982 respectively. In this subject, which appears to have little in common with Futurism, we find instead the pinnacle of Futurist expression. This is visible first and foremost in the clarity of colour that Baldessari derived from the lessons of Beppe Ciardi, his teacher in Venice, who brought about that Baldessari became the only Futurist artist to paint with the glazing technique. Further elements are detectable in the \\\“post-divisionist\\\” brushstrokes that he saw in the Futurist and (from 1905 on) non-Futurist paintings that Boccioni exhibited at Ca\\\’ Pesaro in Venice in 1910. Also visible is the masterly application of the precepts that Boccioni established in his book, \\\“Pittura Scultura Futuriste – Dinamismo plastico\\\” (Futurist Painting Sculpture – Plastic Dynamism) of 1914, which became like a bible for the young generations that drew closer to Futurism. This is manifest in the application of lines of force, interpenetrations, simultaneous vision, etc. Thus, a simple vase of flowers becomes anexplosion of signs, colours, and volumes: a kind of sculpture (plastic) moving in space (dynamic) that Baldessari is able to depict as a vibrant body even within the constraints of the immediate and limited perspective of two-dimensional painting. All this, combined with the chromaticism of the flowers, moves this painting closer to the other works created in 1918, which distinguishes itself as one of the top, most intense years in the adventure of this extraordinary artist. Maurizio Scudiero Saleroom Notice: In the print catalogue a wrong exhibition is mentioned.
Roberto Iras Baldessari - Dinamismo Di Forme

Roberto Iras Baldessari - Dinamismo Di Forme

Original c.1915
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Price: Not disclosed
Lot number: 52
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Roberto M. Baldessari (1894-1965), Dinamismo di Forme, c. 1915 Oil on canvas Italy, c. 1915 Roberto Marcello Iras Baldessari (1894-1965) – Italian painter and graphic artist Signed lower left ‘R. M. BALDESSARI’’’’’’’’ Verso with gallery stamp (see provenance) and stamped ‘Jose Pedro Argul’’’’’’’’ Diverse exhibition labels verso on the stretcher (see exhibitions) With confirmation of authenticity: Archivio Unico per il Catalogo delle Opere Futuriste di Roberto Marcello Baldessari, Rovereto, 8.6.2009, No. B15-71 Dimensions: 54 x 72.5 cm Frame: 73.5 x 91.5 cm
Roberto Iras Baldessari - Riflessi Su Un Paese

Roberto Iras Baldessari - Riflessi Su Un Paese

Original c.1917
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Gross Price
Lot number: 455
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Roberto Marcello Iras Baldessari* (Innsbruck 1894–1965 Rome) Riflessi su un paese (Romagna), c. 1917, signed R. M. Baldessari, oil on cardboard, 56 x 54.5 cm, framed, (MCC) Photo certificate: The work is registered in the Archivio Unico per il catalogo delle Opere futuriste di Roberto Marcello Baldessari, under the number B17–59, Rovereto 14/1/2008 Provenance: N. Carozzi Collection, Lerici (label on the reverse) Private Collection, Italy Exhibited: Rome, Continuita del Futurismo Nord-Sud, M.I.C.R.O. Arte, February– March 2009, curated by Maurizio Scudiero and Anna Maria Ruta, exh. cat. p. 81, with ill. Agrigento, FUTURISMO, Fabbriche Chiaromontane, April–June 2009, exh. cat. p. 69 with ill. In the spring of 1916, Baldessari sojourned in Lugo di Romagna at an especially vital moment in his personal and artistic experience. His memories of the landscapes in the Romagna region and their intense light became for Baldessari a recurring motif in his landscape painting, which is often based on a view from above emphasising the “verticality“ of houses, in contrast with the light’’’’ ’’’’s lines of force illuminating them from above. In terms of composition and colour, the present painting is undoubtedly the most accomplished in this long series of studies.
Roberto Iras Baldessari - Dinamismo Di Forme

Roberto Iras Baldessari - Dinamismo Di Forme

Original c.1915
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Price:

Lot number: 61
Other WORKS AT AUCTION
Description:
Roberto M. Baldessari (1894-1965), Dinamismo di Forme, c. 1915 Oil on canvas Italy, c. 1915 Roberto Marcello Iras Baldessari (1894-1965) – Italian painter and graphic artist Signed lower left ‘R. M. BALDESSARI’’’’ Verso with gallery stamp (see provenance) and stamped ‘Jose Pedro Argul’’’’ Diverse exhibition labels verso on the stretcher (see exhibitions) With confirmation of authenticity: Archivio Unico per il Catalogo delle Opere Futuriste di Roberto Marcello Baldessari, Rovereto, 8.6.2009, No. B15-71 Dimensions: 54 x 72.5 cm Frame: 73.5 x 91.5 cm Good condition Provenance: G. M. Galleria Montevideo de Artes Plasticas, Montevideo, Uruguay (stamp on verso); private collection, Rome; Christie’’’’s Milan, May 24/25, 2011, purchased there by the previous owner Exhibitions (each with exhibition label on verso): Chiang Kai-Shek Memorial Hall: ‘Futurism’’’’, Taipei 2009, cat. p. 195 (ill.); Galleria Edieuropa: ‘Ambientazioni futuriste’’’’, Rome 2009/10, cat. (ill.); Museo Vittoria Colonna: ‘Futurismo. Dinamismo e colore’’’’, Pescara 2010, cat. p. 62. During his studies in Florence, Roberto Marcello Iras Baldessari attended the group of Florentine Futurists, including, for instance, Campana, Conti, Lega, Notte, Rosai Soffici and Venna. The painting ‘Dinanimso di Forme’’’’ is a typical early futuristic composition and gives a good impression of the artistic questions discussed at that time. Condition: The painting is in good condition, consistent with age. The paint surface shows evenly spread craquelure that increases towards the edges. These craquelured tears have been retouched, visible under UV light, as well as partly with the naked eye. Besides, the paint is slightly rubbed along the edges. The stretcher measures 54 x 72.5 cm and the frame 73.5 x 91.5 cm. Baldessari was born in Innsbruck. In 1908 he began his artistic training at the Academy in Venice and became a student of Guglielmo Ciardi and Emanuele Brugnoli. In 1915 he continued his studies at the Scuola d'Arte S. Croce in Florence, where he was introduced to fresco painting. In Florence, he also joined the group of futurists. In 1920 he traveled to the Baltic States and met Archipenko. Under the influence of Boccioni, he increasingly focused on futuristic compositions. In 1925 Baldessari returned to Italy and developed a rather figurative style. Between 1926 and 1930, he made further travels through Europe and temporarily settled in Germany and Spain. From 1940 the artist permanently established his studio in Rovereto. Here, his late style became increasingly rigorous and figurative. Roberto Marcello Iras Baldessari works of are preserved, for example, at the National Gallery in Berlin and at the Kunsthalle in Hamburg. (cbo)
Roberto Iras Baldessari - Lake Garda

Roberto Iras Baldessari - Lake Garda

Original -
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Lot number: 333
Other WORKS AT AUCTION
Description:
Lot 333: Roberto Baldessari (Italian/Austrian, 1894-1965), Lake Garda Description: oil on canvas, signed at lower left, retaining a label from Galerie Commeter in Hamburg listing the title as "malcesine a Gardaru," presented in the original frame, inscribed on the stretcher "Weihnachten 1957 / f. Mammi Ising / v. Vati." SS 11.25 x 15 in.; DOA 16 x 20 in. Galerie Commeter, Hamburg, Germany
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