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Roberto Iras Baldessari

Italy (Innsbruck 1894 -  Roma 1965 )
BALDESSARI Roberto Iras Knabenbildnis

Ketterer /Jun 11, 2015
3,000.00 - 4,000.00
5,250.00

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Variants on Artist's name :

Baldessari Roberto Marcello

Roberto Marcello Iras Baldessari

 

Artworks in Arcadja
413

Some works of Roberto Iras Baldessari

Extracted between 413 works in the catalog of Arcadja
Roberto Iras Baldessari - Dinamismo Di Forme

Roberto Iras Baldessari - Dinamismo Di Forme

Original c.1915
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Lot number: 61
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Description:
Roberto M. Baldessari (1894-1965), Dinamismo di Forme, c. 1915 Oil on canvas Italy, c. 1915 Roberto Marcello Iras Baldessari (1894-1965) – Italian painter and graphic artist Signed lower left ‘R. M. BALDESSARI’’’’ Verso with gallery stamp (see provenance) and stamped ‘Jose Pedro Argul’’’’ Diverse exhibition labels verso on the stretcher (see exhibitions) With confirmation of authenticity: Archivio Unico per il Catalogo delle Opere Futuriste di Roberto Marcello Baldessari, Rovereto, 8.6.2009, No. B15-71 Dimensions: 54 x 72.5 cm Frame: 73.5 x 91.5 cm Good condition Provenance: G. M. Galleria Montevideo de Artes Plasticas, Montevideo, Uruguay (stamp on verso); private collection, Rome; Christie’’’’s Milan, May 24/25, 2011, purchased there by the previous owner Exhibitions (each with exhibition label on verso): Chiang Kai-Shek Memorial Hall: ‘Futurism’’’’, Taipei 2009, cat. p. 195 (ill.); Galleria Edieuropa: ‘Ambientazioni futuriste’’’’, Rome 2009/10, cat. (ill.); Museo Vittoria Colonna: ‘Futurismo. Dinamismo e colore’’’’, Pescara 2010, cat. p. 62. During his studies in Florence, Roberto Marcello Iras Baldessari attended the group of Florentine Futurists, including, for instance, Campana, Conti, Lega, Notte, Rosai Soffici and Venna. The painting ‘Dinanimso di Forme’’’’ is a typical early futuristic composition and gives a good impression of the artistic questions discussed at that time. Condition: The painting is in good condition, consistent with age. The paint surface shows evenly spread craquelure that increases towards the edges. These craquelured tears have been retouched, visible under UV light, as well as partly with the naked eye. Besides, the paint is slightly rubbed along the edges. The stretcher measures 54 x 72.5 cm and the frame 73.5 x 91.5 cm. Baldessari was born in Innsbruck. In 1908 he began his artistic training at the Academy in Venice and became a student of Guglielmo Ciardi and Emanuele Brugnoli. In 1915 he continued his studies at the Scuola d'Arte S. Croce in Florence, where he was introduced to fresco painting. In Florence, he also joined the group of futurists. In 1920 he traveled to the Baltic States and met Archipenko. Under the influence of Boccioni, he increasingly focused on futuristic compositions. In 1925 Baldessari returned to Italy and developed a rather figurative style. Between 1926 and 1930, he made further travels through Europe and temporarily settled in Germany and Spain. From 1940 the artist permanently established his studio in Rovereto. Here, his late style became increasingly rigorous and figurative. Roberto Marcello Iras Baldessari works of are preserved, for example, at the National Gallery in Berlin and at the Kunsthalle in Hamburg. (cbo)
Roberto Iras Baldessari - Lake Garda

Roberto Iras Baldessari - Lake Garda

Original -
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Lot number: 333
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Lot 333: Roberto Baldessari (Italian/Austrian, 1894-1965), Lake Garda Description: oil on canvas, signed at lower left, retaining a label from Galerie Commeter in Hamburg listing the title as "malcesine a Gardaru," presented in the original frame, inscribed on the stretcher "Weihnachten 1957 / f. Mammi Ising / v. Vati." SS 11.25 x 15 in.; DOA 16 x 20 in. Galerie Commeter, Hamburg, Germany
Roberto Iras Baldessari - Dinamismo Di Forme

Roberto Iras Baldessari - Dinamismo Di Forme

Original
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Lot number: 34
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Roberto M. Baldessari (1894-1965), Dinamismo di Forme, c. 1915 Oil on canvas Italy, c. 1915 Roberto Marcello Iras Baldessari (1894-1965) – Italian painter and graphic artist Signed lower left ‘R. M. BALDESSARI’’’’ Verso with gallery stamp (see provenance) and stamped ‘Jose Pedro Argul’’’’ Diverse exhibition labels verso on the stretcher (see exhibitions) With confirmation of authenticity: Archivio Unico per il Catalogo delle Opere Futuriste di Roberto Marcello Baldessari, Rovereto, 8.6.2009, No. B15-71 Dimensions: 54 x 72.5 cm Frame: 73.5 x 91.5 cm Good condition Provenance: G. M. Galleria Montevideo de Artes Plasticas, Montevideo, Uruguay (stamp on verso); private collection, Rome; Christie’’’’s Milan, May 24/25, 2011, purchased there by the previous owner Exhibitions (each with exhibition label on verso): Chiang Kai-Shek Memorial Hall: ‘Futurism’’’’, Taipei 2009, cat. p. 195 (ill.); Galleria Edieuropa: ‘Ambientazioni futuriste’’’’, Rome 2009/10, cat. (ill.); Museo Vittoria Colonna: ‘Futurismo. Dinamismo e colore’’’’, Pescara 2010, cat. p. 62.
Roberto Iras Baldessari - Knabenbildnis

Roberto Iras Baldessari - Knabenbildnis

Original -
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Lot number: 85
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Roberto Iras Baldessari 1894 Innsbruck - 1965 RomKnabenbildnis. 1928/29.Oil on board. 57,2 x 48,5 cm (22,5 x 19 in). This work's authenticity has kindly been confirmed by Maurizio Scudiero, Rovereto.PROVENANCE: Collection Hess-Kron, Zurich.Private collection Southern Germany. In this dreamy portrait of a boy Baldessari approximates the art of New Objectivity, especially works by Georg Schrimpf come to mind. The subject emanates a certain remoteness from the world, which is a rare feature of Italian painting. [KD]Called up: June 11, 2015 - ca. 13.03 h +/- 20 min.
Roberto Iras Baldessari - Ballerina In Riposo

Roberto Iras Baldessari - Ballerina In Riposo

Original 1918-19
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Lot number: 520
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Roberto Marcello Baldessari* (Innsbruck 1894–1965 Rome) Ballerina in riposo, 1918/19, signed R. M. Baldessari, tempera on cardboard, 34.8 x 25.3 cm, framed, (AR) We are grateful to Dr. Maurizio Scudiero for confirming the authenticity of the present work. Provenance: Massimo Carpi Collection, Rome European Private Collection Exhibition: Venice, Galleria San Pantalon, 12 Futuristi Veneti, October 1995, exh. cat., no. 4, p. 5 with ill. Literature: Maurizio Scudiero, R. M. Baldessari. Catalogo generale ragionato delle opere futuriste, vol. 2, 1914 – 1937, opere inedite, aggiunte e integrazioni, La Grafica (ed.), Mori 1996, pp. 84–85, no. 33 with ill. This work is a well-advanced study for the eponymous picture, published in the above-mentioned catalogue, vol. I, page 88, no. 20.
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