Carmelo Arden-Quin

Uruguay (19132010 ) - Artworks
ARDEN-QUIN Carmelo Forme Galbée 3 1971

Sotheby's /Dec 19, 2007
11,149.83 - 13,937.28
Not Sold

Find artworks, auction results, sale prices and pictures of Carmelo Arden-Quin at auctions worldwide.
Go to the complete price list of works Follow the artist with our email alert
Along with Carmelo Arden-Quin, our clients also searched for the following authors:
Rufino Tamayo, Francisco Zuniga, Wilfredo Lam, Pedro Coronel, Rodolfo Morales, Angel Botello Barro, Gunther Gerzso
Artworks in Arcadja
211

Some works of Carmelo Arden-Quin

Extracted between 211 works in the catalog of Arcadja
Carmelo Arden-Quin - “levant 2”

Carmelo Arden-Quin - “levant 2”

Original 1948
Estimate:

Price:

Lot number: 1683
Other WORKS AT AUCTION
Description:
Carmelo Arden Quin * (Rivera, Uruguay 1913–2010 Savigny-sur-Orge, France) “Levant 2”, monogrammed, dated AQ 48, on the reverse titled, signed, dated Arden Quin 1948 Paris (Auteuil), oil on masonite, 39x 30.5 cm, in plexiglas box, (PP) Provenance: Galerie Drouart, Paris (label on the reverse) Private Collection, Europe Exhibition: Carmelo Arden Quin, Retrospective, Galerie Drouart, Paris, exh. cat. page 25, no. 6 with ill. (label on the reverse) Specialist: Mag. Patricia Pálffy
Carmelo Arden-Quin - Forme Madi No. 2c

Carmelo Arden-Quin - Forme Madi No. 2c

Original 1946
Estimate:

Price:

Gross Price
Lot number: 83
Other WORKS AT AUCTION
Description:
83 URUGUAYAN CARMELO ARDEN QUIN Forme Madi No. 2C, 1946 oil on cardboard, in artist's painted wood frame unframed: 16 3/8 x 11 3/8 in. (41.5 x 29 cm) framed: 23 9/16 x 18 7/8 in. (59.8 x 47.9 cm) Initialed and dated "A.Q. 46" lower right. Also signed, titled, inscribed, and dated "'FORME MADI N: 2C ARDEN QUIN A.Q 1946 BUENOS AIRES" on the reverse. ESTIMATE $40,000-60,000 PROVENANCE Acquired directly from the artist EXHIBITED Montevideo, Salón de A.I.A.P.E, Primera Exposición Internacional Madí , 1946 Madrid, Museo Centro de Arte Reina Sofía, Arte MADI , July 1- October 27, 1997 Paris, Maison de l'Amérique Latine, Geometry Beyond Limits , February 11- March 26, 2010 LITERATURE A. de la Salle, Carmelo Arden Quin 1935-1958 , Nice, 2008, p. 210 (illustrated) Conditions of Sale The property is being sold as a collector’’’’s item to be displayed only. It has been partially deconstructed and therefore its physical integrity may be compromised. It is not intended for road use and is not being sold as a means of transportation. Certificate of Title A certificate of title may be necessary in order for the purchaser to acquire marketable title to the property and would be required if the property were to be used as a motor vehicle within the United States of America. Phillips makes no warranties or representations in connection with any existing vehicle regulation or certificate of title or with the issuance of any new certificate of title by any state of the United States or any foreign government. The purchaser of any property who intends to use such property on the road is solely responsible for complying with all applicable Federal and state regulations regarding title, registration, insurance, licensing, emission control, safety equipment and roadworthiness. Please contact a specialist for more information. Extent of Phillips' Liability Neither the seller nor we, nor any of our officers, employees or agents, are responsible for the correctness of any statement of whatever kind concerning any lot, whether written or oral, nor for any other errors or omissions in the description of, or for any faults or defects in, any lot. Neither the seller, ourselves, our officers, employees or agents, give any representation, warranty or guarantee or assume any liability of any kind in respect of any lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, genuineness, rarity, importance, provenance, or historical relevance. Phillips has to rely on information as to date, condition and authenticity provided by the seller, and cannot undertake a level of inspection of the vehicle to establish whether or not the vehicle corresponds to any relative description of condition in the catalogue. It is the responsibility of the purchaser to carry out such inspection as the purchaser thinks necessary. Phillips is not liable for any loss caused by a misdescription or misrepresentation. Except as required by local law, any warranty of any kind whatsoever is excluded by this paragraph. In any case, the purchaser’’’’s sole remedy with respect to any purchase shall be a refund of the purchase price paid upon the return of the lot in the same condition as at the time of the sale. No Warranty All property is sold “as is” and neither Phillips nor the consignor makes any explicit or implied warranty or representations of any kind or nature with respect to the property. In no event shall Phillips or the consignor be responsible for the correctness of, or be deemed to have made, any representations or warranty of merchantability, fitness for a particular purpose, description, size, quality, genuineness, rarity, importance, provenance, historical relevance or condition concerning the property or any warranty that any lot complies with any applicable Federal or state laws, regulations or ordinances of any kind or nature whatsoever, and no statement set forth in this catalogue or made at the sale or in the bill of sale or invoice or elsewhere, whether oral or written, shall be deemed such a warranty or representation or an assumption of liability. The property is being sold as a collector’’’’s item to be displayed only. It has been partially deconstructed and therefore its physical integrity may be compromised. It is not intended for road use and is not being sold as a means of transportation. No warranties are or will be made that any of the property is roadworthy or complies with any applicable governmental rules, regulations or ordinances of any kind or nature whatsoever. The benefits of these Conditions of Sale are not assignable and shall be applicable only to the original purchaser of the lots and not subsequent assigns, purchasers, heirs, owners or others who have or may acquire an interest in the purchased lot. Prospective purchasers should carefully inspect the property before bidding in order to identify any issues relating to condition or description that may have not been described in the catalogue, including repairs and restorations. Phillips makes no representation or warranty as to the accuracy of “mileage” or odometer readings. Notwithstanding the foregoing, the purchaser’’’’s role and exclusive remedy against Phillips and the seller, in place of any other remedy which might be available, is the cancellation of the sale and the refund of the original purchase price paid for the lot. Neither Phillips nor the seller will be liable for any special, incidental or consequential damages including, without limitation, loss of profits, nor for interest. Place Bid Bidding Method In Person Absentee Phone Contact Specialist Request Condition Report Receive Email alerts View catalogue Annual subscriptions
Carmelo Arden-Quin - Forme Galbée

Carmelo Arden-Quin - Forme Galbée

Original 1971
Estimate:

Price:

Lot number: 234
Other WORKS AT AUCTION
Description:
Carmelo Arden Quin (Uruguayan B. 1913) Forme Galbée signed and dated with artist's monogram 'AQ 71' (lower right) and signed, dated and titled 'Arden Quin AQ, 1971, Forme Galbée' on the reverse colored ink on board mounted on plywood 24½ x 14½ x 2 in. (62 x 37 x 5 cm.) Executed in 1971. Provenance Galerie Claude Dorval, Paris Acquired from the above by the present owner.
Carmelo Arden-Quin - Forme Galbée 3 1971

Carmelo Arden-Quin - Forme Galbée 3 1971

Original 1971
Estimate:

Price:

Lot number: 118
Other WORKS AT AUCTION
Description:
signed with monogram and dated 71 (lower right) and inscribed 'Arden Quin/Forme Galbée 3/Paris/1971' (on the reverse) coloured pen and gouache on paper laid down on board 60 x 48 x 4.5 cm (23 5/8 x 18 7/8 x 1 3/4 in) at widest point Estimate: £8,000 - 10,000, ?11,000 - 14,000 Footnote: Note: Arden Quin spent his youth in Brazil. He met Torres-Garcia at Montevideo in 1935 and eventually settled in Bueonos Aires in 1938. He became one of the leading figures of geometric abstraction and launched 'Arturo' the first 'revue' of Latin American abstract art in 1944. In 1945 he formed the group 'Arte Concreto-Invención' which created the first exhibition of abstract art with irregular edges. He also created the MADI movement (from his name carMelo ArDen-quIn) in 1946 with artists, Martin Blazsko, Esteban Eitler, Gyula Kosice, Ignacio Blazsko and Rhod Rothfuss. From 1948 Arden Quin was based in France. In this same year he participated in the Salon des Réalités Nouvelles - dedicated to geometric abstraction. This was the first time a collection of MADI works was exhibited in France. After this date, this movement became well known throughout the world.
Carmelo Arden-Quin - Aris

Carmelo Arden-Quin - Aris

Original 1949
Estimate:

Price:

Gross Price
Lot number: 50
Other WORKS AT AUCTION
Description:
oil on composition board signed, inscribed IVRY and dated 49 on the reverse PROVENANCE Galerie A. de La Salle, Saint-Paul de Vence EXHIBITED Paris, Salon des Réalités Nouvelles , 1949 Paris, Grand Palais, FIAC 79 , October 19-28, 1979 Seville, Estación Plaza de Armas, Artistas Latinoamericanos del siglo XX , August-October, 1992; Paris, Musée National d'Art Moderne, Centres Georges Pompidou, Art d'Amérique Latine 1911-1968, November, 1992-January, 1993
Arcadja LogoProducts
Subscriptions
Advertising
Sponsored Auctions
Subscriptions

Who we are
Our Product
Follow Arcadja on Facebook
Follow Arcadja on Twitter
Follow Arcadja on Google+
Follow Arcadja on Pinterest
Follow Arcadja on Tumblr