Hermenegildo Anglada Camarasa

(18711959 ) - Artworks Wikipedia® - Hermenegildo Anglada Camarasa
ANGLADA CAMARASA Hermenegildo The Mountains Above Pollensa, Majorca

Christie's /Nov 21, 2011
137,174.24 - 205,761.37
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Artworks in Arcadja
86

Some works of Hermenegildo Anglada Camarasa

Extracted between 86 works in the catalog of Arcadja
Hermenegildo Anglada Camarasa - Roques De Boquer

Hermenegildo Anglada Camarasa - Roques De Boquer

Original -
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Lot number: 2456
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Hermenegildo Anglada Camarasa Barcelona 1872 - Pollença 1959 "Roques de Boquer" Oil on wood Signed. On the back, an inscription: "Certifico que este cuadro es obra del pintor H. Anglada Camarasa Luis Masriera 1924". Done circa 1950-1952. Attached, a report by Francesc Miralles and Francesc Fontbona, signed in Barcelona on 15 July 2013 (file No. 505) and registered with Cat. No. G25 (2) ... More Hermenegildo Anglada Camarasa Barcelona 1872 - Pollença 1959 "Roques de Boquer" Oil on wood Signed. On the back, an inscription: "Certifico que este cuadro es obra del pintor H. Anglada Camarasa Luis Masriera 1924". Done circa 1950-1952. Attached, a report by Francesc Miralles and Francesc Fontbona, signed in Barcelona on 15 July 2013 (file No. 505) and registered with Cat. No. G25 (2) 49.5x37.5 cm Hermenegildo Anglada Camarasa Barcelona 1872 - Pollença 1959 "Roques de Boquer". Öl auf Holz. Unterzeichnet. Auf der Rückseite die Inschrift: "Certifico que este cuadro es obra del pintor H. Anglada Camarasa Luis Masriera 1924". Angefertigt gegen 1950-1952. Beinhaltet den Bericht von Francesc Miralles und Francesc Fontbona, unterzeichnet in Barcelona am 15. Juli 2013 (Nr. 505) und registriert mit der Katalognr. G25 (2) 49,5x37,5 cm Hermenegildo Anglada Camarasa Barcelona 1872 - Pollença 1959 "Roques de Boquer" Óleo sobre tabla Firmado. En el reverso, una inscripción: "Certifico que este cuadro es obra del pintor H. Anglada Camarasa Luis Masriera 1924". Realizado hacia 1950-1952. Adjunta informe de Francesc Miralles y Francesc Fontbona, firmado en Barcelona el 15 de julio de 2013 (ficha nº 505) y registrado con el nº cat. G25 (2) 49,5x37,5 cm
Hermenegildo Anglada Camarasa - Pinos De Formentor

Hermenegildo Anglada Camarasa - Pinos De Formentor

Original 1925
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Gross Price
Lot number: 56
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Hermenegildo Anglada Camarasa (Spanish, 1872-1959) Pinos de Formentor signed, inscribed and dated 'H. Anglada Camarasa/Puerto de Pollensa/-1925.' (lower right) oil on canvas 34½ x 42¼ in. (87.6 x 107.3 cm.) Col. Wentworth G. Field, Philadelphia, 23 June 1925, acquired directly from the artist. Thence by descent to the present owner. PROPERTY FROM A FLORIDA COLLECTION H. Hutchinson, The Art of Anglada Camarasa: A Study in Modern Art, London, 1929, pp. 41-42. H. Hutchinson, 'The Art of Anglada Camarasa,' The Weekly Palma Post, (Palma de Mallorca), 22-28 January 1934, n.p. R. Rabassa, Anglada Camarasa (A propósito de un centenario), Revista Balear, (Palma de Mallorca) 1er trimestre 1974, nos. 34-35. F. Fontbona & F. Miralles, Anglada Camarasa, Barcelona, 1981, pp. 138, 270, no. 265, cat. D57, illustrated. Anglada-Camarasa spent his formative artistic years immersed in the vivacious cultural milieu of Barcelona. There he met other young and aspiring avant-garde artists such as Pablo Picasso and Santiago Ruisñol who introduced him to the city's burgeoning Modernisme group, Els Quatre Gats. As was de rigueur in the fin de siècle, he later ventured to Paris and there encountered the city's demi monde who became his primary subject while in the City of Light. Beginning in 1914, however, Anglada-Camarasa changed the focus of his work. With the outbreak of World War I, he returned to Spain, settling in Mallorca and centering his attention on the island's lush verdant landscapes. Mallorca's olive and pine groves became the principal protagonists of his work, replacing the flamboyant cabaret dancers and spectators of his Parisian period. Enlivening the serenity of these Mallorcan works are the artist's undulating, energetic brushstrokes and vibrant color juxtapositions, clearly expressed in the present painting. This period also marked a change in technique for the artist - rather than building up his canvases with glazes he instead applied paint thickly on to the canvas, directly from the tube, creating heavy layers of pigment seen here in the trunks of the trees. By 1925, the year that Anglada-Camarasa executed Pinos de Formentor, he was enjoying widespread international success, having had well-received exhibitions in Munich, Vienna, Berlin, Buenos Aires and various cities in the United States. His reputation was further solidified that year when he was asked to serve on the selection committee for the Carnegie Institute's International, one of the most important venues for viewing contemporary art in the United States in the early 20th century.
Hermenegildo Anglada Camarasa - La Chumbera

Hermenegildo Anglada Camarasa - La Chumbera

Original 1930
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Lot number: 56
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Lot Description Hermenegildo Anglada Camarasa (Spanish, 1872-1959) La Chumbera signed 'H.Anglada-Camarasa' (lower left) oil on panel 14 5/8 x 20 in. (37.2 x 50.7 cm.) Painted circa 1925-30. Lot Condition Report I confirm that I have read this Important Notice and agree to its terms. View Condition Report Provenance Private collection, Madrid. Pre-Lot Text THE PROPERTY OF A SPANISH COLLECTOR Literature J.A. Gaya Nuo, La pintura española del siglo XX, Madrid, 1970, p. 59 (illustrated). J.M. Garrut, Dos siglos de pintura catalana, Madrid, 1974, p. 254. J.M. Gol, Del Arte Figurativo en Cataluña desde 1900 hasta la Segunda Guerra Mundial, Barcelona, 1978, pp. 28-34, no. 22. L. Rodríguez Alcalde, Maestros del impresionismo español, Madrid, 1978, p. 218. F. Fontbona y F. Miralles, Anglada-Camarasa, Barcelona, 1981, p. 273, D83 (illustrated). Exhibited Córdoba, Diputación Provincial de Córdoba, Paisaje, 1998.
Hermenegildo Anglada Camarasa - The Mountains Above Pollensa, Majorca

Hermenegildo Anglada Camarasa - The Mountains Above Pollensa, Majorca

Original 1953
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Lot number: 9
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Hermenegildo Anglada Camarasa (Spanish, 1872-1959) The mountains above Pollensa, Majorca signed, dedicated and dated 'A mi buen amigo Antonio Llorente/P.E. Pollensa/1953/H. Anglada-Camarasa.' (lower right) oil on canvas 28¼ x 34 in. (71.5 x 86 cm.) F. Fontbona, F. Miralles, Anglada-Camarasa, Barcelona, 1981, p. 288, fig. 354, no. E10 (illustrated). Hermenegildo Anglada-Camarasa was one of the most influential and radical artists of his day, gaining fame internationally at the turn of the 20th century for his expressionistic paintings of folkloric subjects. His brilliant palette influenced artists such as Pablo Picasso and Wassily Kandinksy, who saw the Spaniard's work when he was studying at the Acadmie Julian in Paris. His landscapes bear comparison with those of contemporaries such as Gustav Klimt -- with whom he shared a Gold Medal at the 1911 International Exhibition in Rome -- and in his understanding of colour, of the decorative and of form, he was in the vanguard of artists such and Pierre Bonnard, Henri Matisse and Edouard Vuillard, with whom he shared the international limelight. As S. Hutchinson Harris wrote in the seminal English study of the artist: "Anglada uses colour as Wagner used instruments, in a manner which appeared extravagant in his day, but which gave a new impetus to music." (S. Hutchinson-Harris, The Art of H. Anglada-Camarasa: A Study in Modern Art, 2 vols, London, 1929, p. 14). In later life, Anglada devoted himself largely to landscape painting, continuing to use colour to emphasize the decorative rather than realist nature of his subject. This painting, depicts the mountains behind Pollensa in Majorca, where the artist spent the last 11 years of his life.
Hermenegildo Anglada Camarasa - Puig Tomir, Mallorca

Hermenegildo Anglada Camarasa - Puig Tomir, Mallorca

Original
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Lot number: 336
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Hermenegildo Anglada Camarasa (Spanish, 1872-1959) Puig Tomir, Mallorca oil on panel 14 1/8 x 19 7/8 in. (36 x 50.5 cm.) Anonymous sale; Sotheby's, London, 16 November 2004, lot 121,where acquired by the present owner. Gabriel Fuster Mayans, Anglada Camarasa, Palma de Mallorca,1958 Francesc Fontbona and Francesc Miralles, Anglada Camarasa:catalogue raisonné, Barcelona, 1981, p. 280, no. Da19. We are grateful to Francesc Fontbona for kindly confirming theauthenticity of this work.
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