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Hermenegildo Anglada Camarasa

(Barcelona 1871 -  Pollença 1959 ) Wikipedia® : Hermenegildo Anglada Camarasa
ANGLADA CAMARASA Hermenegildo Gitana Con Niño (gypsy And Child)

Sotheby's /Dec 10, 2014
151,802.63 - 227,703.94
185,322.50

Find artworks, auction results, sale prices and pictures of Hermenegildo Anglada Camarasa at auctions worldwide.
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Along with Hermenegildo Anglada Camarasa, our clients also searched for the following authors:
Cecilio Pla Y Gallardo, Joaquin Sorolla Y Bastida, Eliseo Meifren Roig, Ramon Casas Y Carbo, Jose Mongrell Y Torrent, Dario De Regoyos Y Valdes, Ricardo Canals Y Llambi
Artworks in Arcadja
104

Some works of Hermenegildo Anglada Camarasa

Extracted between 104 works in the catalog of Arcadja
Hermenegildo Anglada Camarasa - Promeneuses In The Jardins Des Tuileries, Paris

Hermenegildo Anglada Camarasa - Promeneuses In The Jardins Des Tuileries, Paris

Original
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Price:

Lot number: 20
Other WORKS AT AUCTION
Description:
Hermenegildo Anglada-Camarasa SPANISH PROMENEUSES IN THE JARDINS DES TUILERIES, PARIS signed Hermen. Anglada lower right oil on panel 45.5 by 55cm., 17¾ by 21½in. Authentication To be included in Francesc Fontbona and Francesc Miralles's supplement to the Anglada Camarasa catalogue raisonné (B24 (2)). Provenance Private Collection, France Catalogue Note Francesc Fontbona and Francesc Miralles date this work to 1898, and thus to Anglada's first extended stay in Paris, between 1897-1904, during which he developed and indulged his taste for the demi-monde in the city. Typically, Anglada's figures are represented wearing elegant clothes and large hats, their identity steeped in ambiguity. Though ostensibly society women, their shadowy, seductive presence calls to mind the high-class courtisanes who mingled with fashionable society. In the present work, the attention of the spectre-like woman crossing a shadowy park is drawn by an object or person outside the picture plane, adding to the sense of mystery. Anglada's atmospheric, almost eerie nocturne is punctuated only by the bright lights from the brightly lit café-concert in the distance. Stylistically and ideologically, Anglada was inextricably linked to Catalan Modernismo, in itself a branch of the Art Nouveau currents prevailing in the fine and decorative arts at the turn of the century. Following Anglada's move to Paris in 1894, he abandoned the influence of his teacher at the Llotja School in Barcelona, Modest Urgell, to illustrate fin-de-siècle decadence. Immersing himself, together with the young Picasso, in the music and dance halls and cafés-concerts of Paris, Anglada created elegant and provocative images of modern life. Hermenegildo Anglada-Camarasa, Champs Elysées , 1904 (Museu de Montserrat. Donació de J. Sala i Ardiz)
Hermenegildo Anglada Camarasa - La Huerta, Pollença, Mallorca

Hermenegildo Anglada Camarasa - La Huerta, Pollença, Mallorca

Original
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Price:

Gross Price
Lot number: 48
Other WORKS AT AUCTION
Description:
Lot Description Hermenegildo Anglada Camarasa (Spanish, 1872-1959) La huerta, Pollença, Mallorca signed 'H. Anglada Camarasa' (lower right) oil on panel 12 ¾ x 15 in. (32.4 x 38.1 cm.) Special Notice Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent. Lot Condition Report I confirm that I have read this Important Notice and agree to its terms. View Condition Report View Lot Notes >
Hermenegildo Anglada Camarasa - Sola En El Palco

Hermenegildo Anglada Camarasa - Sola En El Palco

Original 1911
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Price:

Lot number: 26
Other WORKS AT AUCTION
Description:
Hermenigildo Anglada-Camarasa 1871 - 1959 SPANISH SOLA EN EL PALCO (IN THE LOGE) signed H. Anglada-Camarasa lower right; signed and dated Paris 1911 on the verso oil on panel 31.5 by 34 cm., 12½ by 13½in. Provenance Mir Amorós, Barcelona (by 1981) Galeria Manel Mayoral, Barcelona Acquired from the above by the present owner in 1997 Literature Francesc Fontbona and Francesc Miralles, Anglada-Camarasa, Barcelona, 1981, p. 298, illustrated and catalogued, no. G12 (titled Proyecto para un retrato and dated to 1949-52) The panel is flat, even and ensuring a stable support. It has been suggested that the right edge of the panel was cut down by the artist, leaving the signature intact. Ultra-violet light reveals some scattered signs of retouching, notably strokes in the figure's nose and part of her hair, some intermittent strokes along the upper edge, and a couple in her right arm. Under normal light the overall appearance of the work is good and it is ready to hang. Presented in a black Dutch-style frame with a gilt and silver-gilt inner slip. "In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Hermenegildo Anglada Camarasa - Gitana Con Niño (gypsy And Child)

Hermenegildo Anglada Camarasa - Gitana Con Niño (gypsy And Child)

Original 1925
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Gross Price
Lot number: 50
Other WORKS AT AUCTION
Description:
Hermenigildo Anglada-Camarasa 1871 - 1959 SPANISH GITANA CON NIÑO (GYPSY AND CHILD) signed H. Anglada-Camarasa lower right oil on canvas 70 by 55cm., 27½ by 21¾in. Read Condition Report Read Condition Report Register or Log-in to view condition report Saleroom Notice Provenance La Pinacoteca, Barcelona Private Collection, Barcelona (purchased from the above in 1928) Acquired from the above by the present owner in the 1990s Painted in 1925, the present work is an outstanding example of Anglada-Camarasa's departure from his early depictions of gitanas as the colourfully exotic denizens of the gaudy music halls and cafés-concerts of Paris. From 1907 Anglada-Camarasa began to paint his gitanas in a softer, more vulnerable light, accompanied by small children. Blossoming, vibrant flowers encircle the figures of mother and child, with a new luminous palette highlighting this allegory of motherhood (fig. 1). Plaintive yet passionate, earthy yet full of grace, the Spanish gitana has been all but synonymous with Spain since her kinsfolk first landed on Iberia's shores in the fifteenth century from as far afield as India. The Spanish came to revere but also fear gypsies because of their nomadic way of life and the freedoms it seemed to allow. For some three hundred years, they were persecuted, their settlements broken up, their language and rituals denied them. Yet, paradoxically, the hardship they endured nurtured a whole subculture most nobly embodied by dance and the flamenco. By the nineteenth century, Spain had embraced Gypsy myth and lore. The Romantics were in awe of the gypsies for their otherworldliness and seeming ability to commune with nature, while the following generation of artists and writers, driven by patriotism in the wake of Spain's colonial losses, venerated the gypsy as the quintessential icon of Spanish identity. Nonell, Zuloaga, and Solana were among Anglada's contemporaries who endowed the gitana with a gravitas, at times playful, at times austere, that linked her inextricably with Spain's psyche. Fig. 1 Hermenegildo Anglada-Camarasa, Gypsy and Child , 1925, sold: Sotheby’’’’s, London, 16 November 2005, lot 107
Hermenegildo Anglada Camarasa - Roques De Boquer

Hermenegildo Anglada Camarasa - Roques De Boquer

Original -
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Net Price
Lot number: 2456
Other WORKS AT AUCTION
Description:
Hermenegildo Anglada Camarasa Barcelona 1872 - Pollença 1959 "Roques de Boquer" Oil on wood Signed. On the back, an inscription: "Certifico que este cuadro es obra del pintor H. Anglada Camarasa Luis Masriera 1924". Done circa 1950-1952. Attached, a report by Francesc Miralles and Francesc Fontbona, signed in Barcelona on 15 July 2013 (file No. 505) and registered with Cat. No. G25 (2) ... More Hermenegildo Anglada Camarasa Barcelona 1872 - Pollença 1959 "Roques de Boquer" Oil on wood Signed. On the back, an inscription: "Certifico que este cuadro es obra del pintor H. Anglada Camarasa Luis Masriera 1924". Done circa 1950-1952. Attached, a report by Francesc Miralles and Francesc Fontbona, signed in Barcelona on 15 July 2013 (file No. 505) and registered with Cat. No. G25 (2) 49.5x37.5 cm Hermenegildo Anglada Camarasa Barcelona 1872 - Pollença 1959 "Roques de Boquer". Öl auf Holz. Unterzeichnet. Auf der Rückseite die Inschrift: "Certifico que este cuadro es obra del pintor H. Anglada Camarasa Luis Masriera 1924". Angefertigt gegen 1950-1952. Beinhaltet den Bericht von Francesc Miralles und Francesc Fontbona, unterzeichnet in Barcelona am 15. Juli 2013 (Nr. 505) und registriert mit der Katalognr. G25 (2) 49,5x37,5 cm Hermenegildo Anglada Camarasa Barcelona 1872 - Pollença 1959 "Roques de Boquer" Óleo sobre tabla Firmado. En el reverso, una inscripción: "Certifico que este cuadro es obra del pintor H. Anglada Camarasa Luis Masriera 1924". Realizado hacia 1950-1952. Adjunta informe de Francesc Miralles y Francesc Fontbona, firmado en Barcelona el 15 de julio de 2013 (ficha nº 505) y registrado con el nº cat. G25 (2) 49,5x37,5 cm
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