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Carl Andre

(1935 ) - Artworks Wikipedia® - Carl Andre
ANDRE Carl 34 Bay State Hard Line

Christie's /Nov 13, 2014
37,089.24 - 51,924.93
69,543.75

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Artworks in Arcadja
227

Some works of Carl Andre

Extracted between 227 works in the catalog of Arcadja
Carl Andre - Flowerflowerflowerflowerflower

Carl Andre - Flowerflowerflowerflowerflower

Original 1963
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Lot number: 621
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Lot 621: Carl Andre, flowerflowerflowerflowerflower (From the series: One Hundred Sonnets), 1963 Carl Andre (1935) Description: Signed, dated and monogrammed (subsequently) '@' (ligated) 'Carl Andre ©1963' verso and designated "HSON C 256". The present work is registered under the number HSON C 256 in the Carl Andre and Melissa L. Kretschmer Foundation, New York, and is to be included in the forthcoming catalogue raisonné of the Poems by Tate Publishing, London. 28 x 21 cm Xerox on paper 28 x 21 cm 1963 Droit de suite according to conditions of sale Carl Andre Knokke-Zoute 2003 (Geukens & De Vil Contemporary Art), "Carl Andre - New Work" and presentation of the poem “America Drill” Xerox on paper
Carl Andre - Steel-zinc Dipole (n/s)

Carl Andre - Steel-zinc Dipole (n/s)

Original 1975
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Lot number: 57
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Carl Andre B.1935 STEEL-ZINC DIPOLE (N/S) steel and zinc, in 2 parts Overall: 1/8 by 39 3/8 by 39 3/8 in. 0.5 by 100 by 100 cm. Each: 1/8 by 19 5/8 by 39 3/8 in. 0.5 by 50 by 100 cm. Executed in 1975, this work is accompanied by a Statement of Authenticity from the Carl Andre and Melissa L. Kretschmer Foundation. Read Condition Report Read Condition Report Register or Log-in to view condition report Saleroom Notice Provenance Konrad Fischer Galerie, Düsseldorf Galerie Preisig, Basel Acquired by the present owner from the above circa 1976 Exhibited Switzerland, Kunstmuseum Winterthur, Plane/Figure: Amerikanische Kunst aus Schweizer Privatsammlungen und aus dem Kunstmuseum Winterthur, August - November 2006 Literature Exh. Cat., Haags Gemeentemuseum; Stedelijk Van Abbemuseum, Carl Andre, January - March 1987, cat. no. 34, p. 90
Carl Andre - 32-part Reciprocal Invention

Carl Andre - 32-part Reciprocal Invention

Original 1971
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Lot number: 17
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Carl Andre 32-Part Reciprocal Invention (RS 1971-20) , 1971 material: steel reinforcing rod number and configuration of elements: 32-unit rectangular field on floor, 16 parallel rows of 2 segments with interval each row, intervals between parallel rows determined reciprocally by lengths of segments constant width overall: 28 3/8 in. (72.1 cm) This work is accompanied by a certificate of authenticity signed by the artist.
Carl Andre - 34 Bay State Hard Line

Carl Andre - 34 Bay State Hard Line

Original 1965
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Lot number: 475
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Carl Andre (B. 1935) 34 Bay State Hard Line grinding blocks each: 1/2 x 1/2 x 4 in. (1.2 x 1.2 x 10.1 cm.) overall: 1/2 x 1/2 x 136 in. (1.2 x 1.2 x 345.4 cm.) Executed in 1965. This work is accompanied by a statement of authenticity from the artist. Vivian Horan Fine Art, New York Acquired from the above by the present owner PROPERTY FROM A PRIVATE COLLECTION WITH PROCEEDS INTENDED TO BENEFIT ENVIRONMENTAL ORGANIZATION Eindhoven, Stedelijk van Abbemuseum, Carl Andre, January-March 1987, p. 20, no. 1965-5. Carl Andre Sculptor 1996: Krefeld at Home, Wolfsburg at Large, exh. cat., Stuttgart, Kunstmuseum, 1996, p. 134.
Carl Andre - Irregular Rectangle Composed Of Four Unequal Parts.

Carl Andre - Irregular Rectangle Composed Of Four Unequal Parts.

Original 1985
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Lot number: 110
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CARL ANDRE Irregular Rectangle Composed of Four Unequal Parts. Steel sculpture in four parts, 1985. 205x250 mm; 8 1/8x9 3/4 inches (overall). Ex-collection Galerie Plus-Kern, Brussels; J.J. de Back, Huizen; and Galerie Klaas Beeldman, Naarden. With a certificate of authenticity, signed by the artist in Brussels, 1985. Andre (born 1935) is one of the foremost Minimalist sculptors. After studying art at Phillips Academy in Andover, and serving in the U.S. Army, Andre arrived in New York in 1956, where he reconnected with his former classmate Frank Stella. Together with their contemporaries, Donald Judd, Sol LeWitt and Ellsworth Kelly, the artists departed from Abstract Expressionism, the dominated movement of the late 1950s, to pioneer a more objective, geometric aesthetic. Andre's sculptures, consisting of separate pieces of unaltered material, are easily dismantled and rearranged, realizing their intentioned form only as an installation. His work has drawn attention for its aggressively industrial quality, most notably in 1976 when the Tate Gallery, London, exhibited Equivalent VIII, an arrangement of 120 fire bricks, and the public criticized its acquisition as a waste of taxpayer money. Despite controversy, Andre's works are a mainstay of Post-War Modern art; the current work serves as a prime example of Andre's characteristic, minimal methods.
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