Like a duck. Calm and placid on the surface, but peddling like hell. That's me! |
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Zuschreibung | | Original (Signiertes Werk) |
Technik | | Aquarell, Tinte, Papier |
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Auktionsdaten | | |
| | GEORGE BOOTH (1926-2022) (THE NEW YORKER) "Like a duck. Calm and placid on the (...) |
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How would I rate, hon, on a scale of one to ten? |
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Zuschreibung | | Original (Signiertes Werk) |
Technik | | Aquarell, Papier |
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Auktionsdaten | | |
| | GEORGE BOOTH (1926-2022) (THE NEW YORKER) "How would I rate, hon, on a scale (...) |
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Bite the Bullet. Final cover of The New Yorker |
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Zuschreibung | | Original |
Technik | | Mischtechnik, Collage, Papier |
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Auktionsdaten | | |
| | GEORGE BOOTH.Bite the Bullet. Final cover of The New Yorker, published April (...) |
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Zuschreibung | | Original (Signiertes Werk) |
Technik | | Feder, Papier |
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Auktionsdaten | | |
| | Lot Details Lot 57 George Booth American, b. 1926 Rise from the Ashes, 1997 (...) |
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Crippling local, state, and federal rules and regulations have made criminals out of many a small businessman, Ma'am |
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Zuschreibung | | Original (Signiertes Werk) |
Technik | | Aquarell, Tinte, Papier |
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Auktionsdaten | | |
| | Sale 2465 Lot 279 GEORGE BOOTH. "Crippling local, state, and federal rules and (...) |
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