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	<title>Art Magazine Arcadja - Events, News, Exhibits about Art &#187; Gustav Klimt</title>
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		<title>SCHIELE IS COMING TO MILAN</title>
		<link>http://www.arcadja.com/artmagazine/en/2010/02/17/schiele-is-coming-to-milan/</link>
		<comments>http://www.arcadja.com/artmagazine/en/2010/02/17/schiele-is-coming-to-milan/#comments</comments>
		<pubDate>Wed, 17 Feb 2010 09:11:37 +0000</pubDate>
		<dc:creator>Silvia Bosi</dc:creator>
				<category><![CDATA[Art Exhibits]]></category>
		<category><![CDATA[Newsletter]]></category>
		<category><![CDATA[Egon Schiele]]></category>
		<category><![CDATA[Gerstl]]></category>
		<category><![CDATA[Gustav Klimt]]></category>
		<category><![CDATA[Klimt]]></category>
		<category><![CDATA[Kokoschka]]></category>
		<category><![CDATA[Milan]]></category>
		<category><![CDATA[Moll]]></category>
		<category><![CDATA[Moser]]></category>
		<category><![CDATA[Palazzo Reale]]></category>
		<category><![CDATA[Schiele]]></category>
		<category><![CDATA[Vienna]]></category>

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		<description><![CDATA[<img alt="" src="http://www.arcadja.com/artmagazine/en//"title="" align="left" hspace="5" />
From 25th February, Palazzo Reale in Milan will be hosting the exhibition Schiele e il suo tempo (Schiele and his time), realised in collaboration with the Leopold Museum of Vienna. 
40 paintings and works on paper by Egon Schiele, next to masterpieces by Klimt, Kokoschka, Gerstl, Moser and other Viennese artists, will recreate the cultural ...]]></description>
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		<title>IMPRESSIONISM AND MODERN ART AT AUCTION IN LONDON</title>
		<link>http://www.arcadja.com/artmagazine/en/2010/01/27/impressionism-and-modern-art-at-auction-in-london/</link>
		<comments>http://www.arcadja.com/artmagazine/en/2010/01/27/impressionism-and-modern-art-at-auction-in-london/#comments</comments>
		<pubDate>Wed, 27 Jan 2010 08:27:57 +0000</pubDate>
		<dc:creator>Elena Lanzanova</dc:creator>
				<category><![CDATA[Art Market]]></category>
		<category><![CDATA[Newsletter]]></category>
		<category><![CDATA[Alberto Giacometti]]></category>
		<category><![CDATA[Christie’s]]></category>
		<category><![CDATA[collezionisti]]></category>
		<category><![CDATA[Edgar Degas]]></category>
		<category><![CDATA[Egon Schiele]]></category>
		<category><![CDATA[Gustav Klimt]]></category>
		<category><![CDATA[Henri Matisse]]></category>
		<category><![CDATA[Henri Moore]]></category>
		<category><![CDATA[Impressionismo]]></category>
		<category><![CDATA[Kees van Dongen]]></category>
		<category><![CDATA[Londra]]></category>
		<category><![CDATA[Matisse]]></category>
		<category><![CDATA[Moderno]]></category>
		<category><![CDATA[Natalia Gontcharova]]></category>
		<category><![CDATA[Pablo Picasso]]></category>
		<category><![CDATA[Paul Cézanne]]></category>
		<category><![CDATA[Rene Magritte]]></category>
		<category><![CDATA[Sotheby’s]]></category>

		<guid isPermaLink="false">http://www.arcadja.com/artmagazine/en/?p=5079</guid>
		<description><![CDATA[<img alt="" src="http://www.arcadja.com/artmagazine/en//"title="" align="left" hspace="5" />London, one of the world leading capitals for the art market, will be hosting in the first days of February, precisely on 2nd and 3rd, marvellous impressionist and modern masterpieces which will be given to the best bidder in what is anticipated to be another interesting duel between the two leading auction houses, Christie’s and ...]]></description>
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		<title>HOW THE NAZI ELITE PLUNDERED EUROPE&#8217;S ART</title>
		<link>http://www.arcadja.com/artmagazine/en/2008/11/20/how-the-nazi-elite-plundered-europes-art/</link>
		<comments>http://www.arcadja.com/artmagazine/en/2008/11/20/how-the-nazi-elite-plundered-europes-art/#comments</comments>
		<pubDate>Thu, 20 Nov 2008 08:40:06 +0000</pubDate>
		<dc:creator>arcadja</dc:creator>
				<category><![CDATA[Flashnews]]></category>
		<category><![CDATA[Egon Schiele]]></category>
		<category><![CDATA[Gustav Klimt]]></category>
		<category><![CDATA[Tate Gallery]]></category>

		<guid isPermaLink="false">http://artmagazine.arcadja.com/?p=959</guid>
		<description><![CDATA[<img alt="" src="http://www.arcadja.com/artmagazine/en//"title="" align="left" hspace="5" />&#8220;The Rape of Europa,&#8221; which airs on PBS on Nov. 24 at 9 p.m. New York time, has a number of heroes and heroines. My favorite is Maria Altmann.
It took a lifetime, but finally in 2006 the Austrian government &#8212; with much lack of grace &#8212; returned a few nice paintings by Gustav Klimt and ...]]></description>
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		<title>MAPPING THE SHADOW CORNERS OF THE SUBCONSCIOUS</title>
		<link>http://www.arcadja.com/artmagazine/en/2008/10/16/mapping-the-shadow-corners-of-the-subconscious/</link>
		<comments>http://www.arcadja.com/artmagazine/en/2008/10/16/mapping-the-shadow-corners-of-the-subconscious/#comments</comments>
		<pubDate>Thu, 16 Oct 2008 07:50:25 +0000</pubDate>
		<dc:creator>arcadja</dc:creator>
				<category><![CDATA[Flashnews]]></category>
		<category><![CDATA[Gustav Klimt]]></category>

		<guid isPermaLink="false">http://artmagazine.arcadja.com/?p=632</guid>
		<description><![CDATA[<img alt="" src="http://www.arcadja.com/artmagazine/en//"title="" align="left" hspace="5" />The Austrian artist Alfred Kubin (1877-1959) began his career just as Freud released “The Interpretation of Dreams.” Accordingly, the Neue Galerie’s “Alfred Kubin: Drawings, 1897-1909” is replete with the terrors of the freshly analyzed psyche. Monsters, demons and mythical beasts roam free; humans abandon themselves to bestial impulses. Done in black-and-white pen, ink and spray ...]]></description>
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		<title>TRIBUTE TO KLIMT, THE BELVEDERE CELEBRATES THE 100TH ANNIVERSARY OF THE KUNSTSCHAU</title>
		<link>http://www.arcadja.com/artmagazine/en/2008/10/13/tribute-to-klimt-the-belvedere-celebrates-the-100th-anniversary-of-the-kunstschau/</link>
		<comments>http://www.arcadja.com/artmagazine/en/2008/10/13/tribute-to-klimt-the-belvedere-celebrates-the-100th-anniversary-of-the-kunstschau/#comments</comments>
		<pubDate>Mon, 13 Oct 2008 07:52:51 +0000</pubDate>
		<dc:creator>Silvia Bosi</dc:creator>
				<category><![CDATA[Art Exhibits]]></category>
		<category><![CDATA[Newsletter]]></category>
		<category><![CDATA[Carl Moll]]></category>
		<category><![CDATA[Franz Kupka]]></category>
		<category><![CDATA[Franz Metzner]]></category>
		<category><![CDATA[Gustav Klimt]]></category>
		<category><![CDATA[Josef Hoffmann]]></category>
		<category><![CDATA[Koloman Moser]]></category>
		<category><![CDATA[Kunstschau]]></category>
		<category><![CDATA[Max Oppenheimer]]></category>
		<category><![CDATA[Oskar Kokoschka]]></category>
		<category><![CDATA[Otto Prutscher]]></category>
		<category><![CDATA[Vienna]]></category>

		<guid isPermaLink="false">http://artmagazine.arcadja.com/?p=591</guid>
		<description><![CDATA[<img alt="" src="http://www.arcadja.com/artmagazine/en//"title="" align="left" hspace="5" />
“To each time its art, to art its freedom”, were the words removed in 1907 from the building of the Viennese Secession following internal disagreements of the group, which then became the maxim of the Kunstschau in 1908. The group had emerged two years earlier, in 1906, supported by journalist Erdgeist, but only in the ...]]></description>
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		<slash:comments>0</slash:comments>
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		<title>KLIMT&#8217;S BUDGET-BUSTING ART SHOW REVIVED IN VIENNA FOR CENTENARY</title>
		<link>http://www.arcadja.com/artmagazine/en/2008/10/02/klimts-budget-busting-art-show-revived-in-vienna-for-centenary/</link>
		<comments>http://www.arcadja.com/artmagazine/en/2008/10/02/klimts-budget-busting-art-show-revived-in-vienna-for-centenary/#comments</comments>
		<pubDate>Thu, 02 Oct 2008 08:15:24 +0000</pubDate>
		<dc:creator>arcadja</dc:creator>
				<category><![CDATA[Flashnews]]></category>
		<category><![CDATA[Gustav Klimt]]></category>

		<guid isPermaLink="false">http://artmagazine.arcadja.com/?p=519</guid>
		<description><![CDATA[<img alt="" src="http://www.arcadja.com/artmagazine/en//"title="" align="left" hspace="5" />The Viennese summer of 1908, the 60th anniversary of Kaiser Franz Joseph&#8217;s ascendancy to the throne, was a hot one. Crowds thronged the streets to watch sumptuous parades celebrating the history and peoples of an empire stretching from the Swiss to the Russian borders.
Gustav Klimt and fellow artists were not invited to take part in ...]]></description>
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