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AIX-EN-PROVENCE.- The Picasso Cézanne exhibition focuses on the subtle links between these two giants in art: the direct influence of the force of the “father of modern art” on the young artist arriving in France in 1900, or the mature musings of the man who liked to say I live with Cézanne? Even if it is not flagrant in his work, Cézanne was much admired by Picasso and often in his thoughts: Cézanne! He was like a father to us all. After Cézanne in Provence (2006), the Communauté du pays d’Aix, the Musée Granet and the Réunion des Musées Nationaux are again partners in the organisation of an exhibition in Provence, at the foot of Mont Sainte Victoire. A tutelary figure that Cézanne approached step-by-step throughout his lifetime, but which Picasso embraced energetically, just fifty years ago, not by painting it, but by buying some 2,500 acres on its northern slope and living in the famous castle of Vauvenargues, in the shadow of the sacred mountain. The anecdote is well known: I have bought Cézanne’s Sainte Victoire, Picasso told his art dealer Kahnweiler in 1958. Which one? asked Kahnweiler, thinking he was talking about a painting. The original, came the facetious reply. If the man that Picasso called “Monsieur Cézanne” emerges clearly in some period in his life, particularly during his first ten years in Paris, at other times the relationship is more diffuse, but ever present like a shadowy watermark. More than a hundred paintings, drawings, watercolours, engravings and sculptures from international collections, divided into four sections, permit us to explore the special relationship between the two artists and at the same time evoke the richness and complexity of all the periods in the Spanish artist’s oeuvre.(Artdaily)
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